Southern Soul-Blues

Southern Soul-Blues
Author: David G. Whiteis
Publisher: University of Illinois Press
Total Pages: 346
Release: 2013-05-01
Genre: Music
ISBN: 0252094778

Attracting passionate fans primarily among African American listeners in the South, southern soul draws on such diverse influences as the blues, 1960s-era deep soul, contemporary R & B, neosoul, rap, hip-hop, and gospel. Aggressively danceable, lyrically evocative, and fervidly emotional, southern soul songs often portray unabashedly carnal themes, and audiences delight in the performer-audience interaction and communal solidarity at live performances. Examining the history and development of southern soul from its modern roots in the 1960s and 1970s, David Whiteis highlights some of southern soul's most popular and important entertainers and provides first-hand accounts from the clubs, show lounges, festivals, and other local venues where these performers work. Profiles of veteran artists such as Denise LaSalle, the late J. Blackfoot, Latimore, and Bobby Rush--as well as contemporary artists T. K. Soul, Ms. Jody, Sweet Angel, Willie Clayton, and Sir Charles Jones--touch on issues of faith and sensuality, artistic identity and stereotyping, trickster antics, and future directions of the genre. These revealing discussions, drawing on extensive new interviews, also acknowledge the challenges of striving for mainstream popularity while still retaining the cultural and regional identity of the music and maintaining artistic ownership and control in the age of digital dissemination.

Soul Serenade

Soul Serenade
Author: Rashod Ollison
Publisher: Beacon Press
Total Pages: 240
Release: 2017-01-24
Genre: Biography & Autobiography
ISBN: 0807088978

A coming-of-age memoir about a young boy in rural Arkansas who searches for himself and his distant father through soul music Growing up in rural Arkansas, young Rashod Ollison turned to music to make sense of his life. The dysfunction, sadness, and steely resilience of his family and neighbors was reflected in the R&B songs that played on 45s in smoky rooms. Steeped in the sounds, the smells, the salty language of rural Arkansas in the 1980s, Soul Serenade is the memoir of a pop music critic whose love for soul music was fostered by his father, Raymond. Drafted into the Vietnam War as a teenager, Raymond returned a changed man, “dead on the inside.” After his parents’ volatile marriage ended in divorce, Rashod was haunted by the memory of his itinerant father and his mama’s long forgotten “sunshine smile.” For six-year-old Rashod, his father’s record collection—the music of Aretha Franklin, Bobby Womack, Al Green, and others—provided solace, coherence, and escape. Moving nine times during his childhood, Rashod constantly adjusted to new schools and homes with his two sisters, Dusa and Reagan, and his mother, Dianne. Resilient and tough, while also being distant and punitive, she worked multiple jobs, striving “to make ends wave at each other if they couldn’t meet.” He spent time with his acerbic mother’s mother, Mama Teacake, and her family’s living-out-loud ways, which clashed with his father’s family—religious, discreet, and appropriate—where Rashod gravitated to Big Mama and Paw Paw, his father’s parents. Becoming aware of his same-sex attraction, Rashod felt further isolated and alone but was encouraged by mentors in the community who fostered his intelligence and talent. He became transformed through discovering the writing of Toni Morrison, Alice Walker, Nikki Giovanni, and other literary greats, and these books, along with the soulful sounds of the 1970s and 80s, enabled him to thrive in spite of the instability and harshness of his childhood. In textured and evocative language, and peppered with unexpected humor, Soul Serenade is an original and captivating coming-of-age story set to an original beat.

Soul Covers

Soul Covers
Author: Michael Awkward
Publisher: Duke University Press
Total Pages: 284
Release: 2007-05-04
Genre: Biography & Autobiography
ISBN: 9780822339977

DIVCultural and literary study of the construction of racial and artistic identity in soul cover albums of three popular artists--Aretha Franklin, Al Green, and Phoebe Snow./div

Sweet Soul Music

Sweet Soul Music
Author: Peter Guralnick
Publisher: Little, Brown
Total Pages: 655
Release: 2012-12-20
Genre: Music
ISBN: 031620675X

A gripping narrative that captures the tumult and liberating energy of a nation in transition, Sweet Soul Music is an intimate portrait of the legendary performers--Sam Cooke, Ray Charles, James Brown, Solomon Burke, Aretha Franklin, Otis Redding, and Al Green among them--who merged gospel and rhythm and blues to create Southern soul music. Through rare interviews and with unique insight, Peter Guralnick tells the definitive story of the songs that inspired a generation and forever changed the sound of American music.

Just My Soul Responding

Just My Soul Responding
Author: Brian Ward
Publisher: Routledge
Total Pages: 712
Release: 2012-10-12
Genre: History
ISBN: 1135370036

Brian Ward is Lecturer in American History at the University of Newcastle upon Tyne .; This book is intended for american studies, American history postwar social and cultural history, political history, Black history, Race and Ethnic studies and Cultural studies together with the general trade music.

Blues Ain't Nothing But a Good Soul Feeling Bad

Blues Ain't Nothing But a Good Soul Feeling Bad
Author: Sheldon B. Kopp
Publisher: Touchstone
Total Pages: 0
Release: 1992
Genre: Meditations
ISBN: 9780671768386

Daily meditations cover identity, life assessment, goals, self-esteem, fear, risk taking, humility, and freedom.

Saratoga Soul Brandtville Blues

Saratoga Soul Brandtville Blues
Author: Carol Daggs
Publisher:
Total Pages:
Release: 2020-03-09
Genre:
ISBN: 9780578656977

Saratoga Soul Brandtville Blues is a visual narrative collection representing an historic agglomeration of African-American life in upstate Saratoga Springs, New York. This publication includes an initial sampling of the photographic collection. The greatest number of photographs were acquired as relatives passed away. Photographic materials then passed into the author's possession. Other photos have long been in the Daggs family circulation. Many of the vintage images capture the quiet lucid beauty of a rural African American family and their beautiful life experience. The earliest photograph captures the author's paternal Grandfather Emory, Sr. with his mother Eliza and another Saratoga Soul seated in the horse-drawn buggy. The trio stands alongside their Brandtville home circa 1909. Other photographs adduce the subtle details and appurtenant realities of Brandtville's prevailing agricultural existence. The photographs span several decades during the Twentieth Century. These souls were the early inhabitants of Brandtville and stewards of the land. They tell the story of Saratoga Soul Brandtville Blues.

All Music Guide to the Blues

All Music Guide to the Blues
Author: Vladimir Bogdanov
Publisher: Hal Leonard Corporation
Total Pages: 772
Release: 2003
Genre: Music
ISBN: 9780879307363

Reviews and rates the best recordings of 8,900 blues artists in all styles.

Bill Wyman's [blues Odyssey]

Bill Wyman's [blues Odyssey]
Author: Bill Wyman
Publisher: DK Publishing (Dorling Kindersley)
Total Pages: 408
Release: 2001
Genre: Biography & Autobiography
ISBN:

A history of the Blues genre and its celebrated musicians discusses how African-Americans expressed poverty, injustice, faith, and love in their music as they journeyed from southern plantations to northern cities.

Blues for New Orleans

Blues for New Orleans
Author: Roger Abrahams
Publisher: University of Pennsylvania Press
Total Pages: 110
Release: 2010-11-24
Genre: Social Science
ISBN: 0812201000

In the aftermath of Hurricane Katrina, as the citizens of New Orleans regroup and put down roots elsewhere, many wonder what will become of one of the nation's most complex creole cultures. New Orleans emerged like Atlantis from under the sea, as the city in which some of the most important American vernacular arts took shape. Creativity fostered jazz music, made of old parts and put together in utterly new ways; architecture that commingled Norman rooflines, West African floor plans, and native materials of mud and moss; food that simmered African ingredients in French sauces with Native American delicacies. There is no more powerful celebration of this happy gumbo of life in New Orleans than Mardi Gras. In Carnival, music is celebrated along the city's spiderweb grid of streets, as all classes and cultures gather for a festival that is organized and chaotic, individual and collective, accepted and licentious, sacred and profane. The authors, distinguished writers who have long engaged with pluralized forms of American culture, begin and end in New Orleans—the city that was, the city that is, and the city that will be—but traverse geographically to Mardi Gras in the Louisiana Parishes, the Carnival in the West Indies and beyond, to Rio, Buenos Aires, even Philadelphia and Albany. Mardi Gras, they argue, must be understood in terms of the Black Atlantic complex, demonstrating how the music, dance, and festive displays of Carnival in the Greater Caribbean follow the same patterns of performance through conflict, resistance, as well as open celebration. After the deluge and the finger pointing, how will Carnival be changed? Will the groups decamp to other Gulf Coast or Deep South locations? Or will they use the occasion to return to and express a revival of community life in New Orleans? Two things are certain: Katrina is sure to be satirized as villainess, bimbo, or symbol of mythological flood, and political leaders at all levels will undoubtedly be taken to task. The authors argue that the return of Mardi Gras will be a powerful symbol of the region's return to vitality and its ability to express and celebrate itself.