Blue Devil (1984-) #30
Author | : Gary Cohn |
Publisher | : DC Comics |
Total Pages | : 40 |
Release | : 2016-08-11 |
Genre | : Comics & Graphic Novels |
ISBN | : |
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Author | : Gary Cohn |
Publisher | : DC Comics |
Total Pages | : 40 |
Release | : 2016-08-11 |
Genre | : Comics & Graphic Novels |
ISBN | : |
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Author | : Dan Mishkin |
Publisher | : DC Comics |
Total Pages | : 24 |
Release | : 2016-08-04 |
Genre | : Comics & Graphic Novels |
ISBN | : |
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Author | : Gary Cohn |
Publisher | : DC Comics |
Total Pages | : 26 |
Release | : 2016-05-05 |
Genre | : Comics & Graphic Novels |
ISBN | : |
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Author | : Gary Cohn |
Publisher | : DC Comics |
Total Pages | : 24 |
Release | : 2016-07-28 |
Genre | : Comics & Graphic Novels |
ISBN | : |
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Author | : George Orwell |
Publisher | : DigiCat |
Total Pages | : 265 |
Release | : 2022-11-22 |
Genre | : Fiction |
ISBN | : |
This is a dystopian social science fiction novel and morality tale. The novel is set in the year 1984, a fictional future in which most of the world has been destroyed by unending war, constant government monitoring, historical revisionism, and propaganda. The totalitarian superstate Oceania, ruled by the Party and known as Airstrip One, now includes Great Britain as a province. The Party uses the Thought Police to repress individuality and critical thought. Big Brother, the tyrannical ruler of Oceania, enjoys a strong personality cult that was created by the party's overzealous brainwashing methods. Winston Smith, the main character, is a hard-working and skilled member of the Ministry of Truth's Outer Party who secretly despises the Party and harbors rebellious fantasies.
Author | : Len Wein |
Publisher | : |
Total Pages | : 0 |
Release | : 2015 |
Genre | : Blue Beetle (Fictitious character) |
ISBN | : 9781401251475 |
Author's and artists' names from table of contents.
Author | : Jim Hougan |
Publisher | : Open Road Media |
Total Pages | : 496 |
Release | : 2022-04-26 |
Genre | : Political Science |
ISBN | : 1504075277 |
The exposé that reveals “a prostitution ring, heavy CIA involvement, spying on the White House as well as on the Democrats, and plots within plots” (The Washington Post) Ten years after the infamous Watergate scandal that brought down the Nixon presidency, Jim Hougan—then the Washington editor of Harper’s Magazine—set out to write a profile of Lou Russell, a boozy private-eye who plied his trade in the vice-driven underbelly of the nation’s capital. Hougan soon discovered that Russell was “the sixth man, the one who got away” when his boss, veteran CIA officer Jim McCord, led a break-in team into a trap at the Watergate. Using the Freedom of Information Act to win the release of the FBI’s Watergate investigation—some thirty-thousand pages of documents that neither the Washington Post nor the Senate had seen—Hougan refuted the orthodox narrative of the affair. Armed with evidence hidden from the public for more than a decade, Hougan proves that McCord deliberately sabotaged the June 17, 1972, burglary. None of the Democrats’ phones had been bugged, and the spy-team’s ostensible leader, Gordon Liddy, was himself a pawn—at once, guilty and oblivious. The power struggle that unfolded saw E. Howard Hunt and Jim McCord using the White House as a cover for an illicit domestic intelligence operation involving call-girls at the nearby Columbia Plaza Apartments. A New York Times Notable Book, Secret Agenda “present[s] some valuable new evidence and explored many murky corners of our recent past . . . The questions [Hougan] has posed here—and some he hasn’t—certainly deserve an answer” (The New York Times Book Review). Kirkus Reviews declared the book “a fascinating series of puzzles—with all the detective work laid out.”
Author | : Art Chansky |
Publisher | : Macmillan |
Total Pages | : 420 |
Release | : 2007-04-01 |
Genre | : Sports & Recreation |
ISBN | : 1429902701 |
Blue Blood is a thrilling chronicle of the Duke-Carolina rivalry as it has evolved over the last fifty years. With unparalleled insider access, veteran journalist and author Art Chansky details the colorful, revered, and respected rivalry--for the first time ever. "It's not about me versus Dean, or me against Roy or Dean against Vic Bubas. Duke and Carolina will be here forever."--Mike Krzyzewski For fifty years the rivalry between Duke and Carolina has featured famous brawls, endless controversy, long-nurtured hatred--and some of the best basketball ever played in the history of the sport. For Duke and UNC players and fans, the competition is not about winning a prize, trophy or title--it's about bragging rights and raw pride. The Duke-Carolina rivalry has fostered more than thirty former players from the two schools playing or coaching in the NBA; it has enchanted a nation of spectators to watch games between the archrivals--garnering some of the highest regular-season TV ratings in history. Blue Blood celebrates the history of this rivalry, the traditions, the heritage, and, most importantly--spectacular basketball.
Author | : Gary Cohn |
Publisher | : DC Comics |
Total Pages | : 26 |
Release | : 2016-06-16 |
Genre | : Comics & Graphic Novels |
ISBN | : |
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Author | : Brannon Costello |
Publisher | : LSU Press |
Total Pages | : 406 |
Release | : 2021-06-02 |
Genre | : Literary Criticism |
ISBN | : 080717551X |
Fans and scholars have long regarded the 1980s as a significant turning point in the history of comics in the United States, but most critical discussions of the period still focus on books from prominent creators such as Frank Miller, Alan Moore, and Art Spiegelman, eclipsing the work of others who also played a key role in shaping comics as we know them today. The Other 1980s offers a more complicated and multivalent picture of this robust era of ambitious comics publishing. The twenty essays in The Other 1980s illuminate many works hailed as innovative in their day that have nonetheless fallen from critical view, partly because they challenge the contours of conventional comics studies scholarship: open-ended serials that eschew the graphic-novel format beloved by literature departments; sprawling superhero narratives with no connection to corporate universes; offbeat and abandoned experiments by major publishers, including Marvel and DC; idiosyncratic and experimental independent comics; unusual genre exercises filtered through deeply personal sensibilities; and oft-neglected offshoots of the classic “underground” comics movement of the 1960s and 1970s. The collection also offers original examinations of the ways in which the fans and critics of the day engaged with creators and publishers, establishing the groundwork for much of the contemporary critical and academic discourse on comics. By uncovering creators and works long ignored by scholars, The Other 1980s revises standard histories of this major period and offers a more nuanced understanding of the context from which the iconic comics of the 1980s emerged.