Blakes Illuminated Books The Continental Prophecies America A Prophecy Europe A Prophecy The Song Of Los
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| Author | : William Blake |
| Publisher | : Princeton University Press |
| Total Pages | : 368 |
| Release | : 1998 |
| Genre | : Design |
| ISBN | : 9780691001456 |
The last volumes in the series of William Blake's Illuminated Books reveal the writer and artist as a prophet driven by a sense of apocalyptic urgency. Blake conceived and executed The Continental Prophecies and The Urizen Books in the early 1790s, capturing the intellectual and spiritual turmoil of the American and French revolutions. Here, for the first time, the general reader will encounter Blake's most intense vision in reproductions that do justice to the originals, accompanied by texts, comprehensive notes and commentaries, and detailed interpretations of the designs. The Continental Prophecies, which comprises "America," "Europe," and "The Song of Los," presents Blake's critical reckoning with the history of his own times. Marked by a particularly close integration of word and image, the books form a mythical plot from historical events and criticize the intricate structure of social oppression that the author attributes to organized state religion. Each of the three books attempts to point a way toward the process of millennial liberation. These volumes complete the six-part series of William Blake's Illuminated Books, including Jerusalem, Songs of Innocence and of Experience (now available in paperback), The Early Illuminated Books, and Milton, A Poem, all published by Princeton University Press.
| Author | : William Blake |
| Publisher | : e-artnow |
| Total Pages | : 36 |
| Release | : 2013-08-20 |
| Genre | : Poetry |
| ISBN | : 8074844102 |
This carefully crafted ebook: "Europe A Prophecy (Illuminated Manuscript with the Original Illustrations of William Blake)" is formatted for your eReader with a functional and detailed table of contents. Blake's illuminated books, produced from 1783-1795, are remarkable examples of complex syntheses: of form - poetry and painting; and of subject - the real with the mythical. Blake created his own mythological creations to populate his poems and paintings: concepts and ideas became personified into universal representations. He used these mythological characters to explain and act out his singular view of history. Blake divided the nature of man into four personified elements: "Los, the imagination and eventual source of redemption; Urizen, the reason and vengeful Jehovah of the Old Testament as opposed to the merciful Christ of the New; Luvah, the senses; and Tharmas, the emotions". Each of these characters has an emanation, or female "offshoot", who is commonly a negative character attempting to dominate her male counterpart. "William Blake (1757 – 1827) was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age.
| Author | : Joseph Ritson |
| Publisher | : |
| Total Pages | : 438 |
| Release | : 1813 |
| Genre | : |
| ISBN | : |
| Author | : William Blake |
| Publisher | : Tate Enterprises Ltd |
| Total Pages | : 127 |
| Release | : 2013-09-05 |
| Genre | : Art |
| ISBN | : 1849761361 |
In 1809 the little-known artist William Blake held an exhibition of 16 paintings in a private house in Soho in the west end of London. Works inspired by Chaucer's "Canterbury Tales" and John Milton's "Paradise Lost" sat alongside biblical scenes and Arthurian legend. The exhibition was not a success; the only review in the press was extremely unfavourable and few of the public came. One of those who did was the poet Charles Lamb, who later described the pictures as 'hard, dry, yet with grace', and the catalogue that accompanied the show as 'mystical and full of vision'. It is this catalogue that Tate Publishing are once again making available. In it, the scale and range of Blake's ambition are made plain, along with his theories on painting, his unsparing critiques of other artists and some extraordinary insights into the working of his mind. The only detailed writing on art that remains to us by Blake, it throws light on all his subsequent artistic enterprises, including the illuminated books for which he is perhaps most famous. Part commentary and part manifesto, his catalogue is as radical as it is in places eccentric (he claims at one point to have been transported in a "vision" back to the classical world). Fully illustrated in colour with reproductions of surviving works originally in the exhibition, the book includes an illuminating essay by leading authority on British art Martin Myrone, Lead Curator of Pre-1800 Art at Tate Britain, making it an essential purchase for all of those wanting to know more.
| Author | : William Blake |
| Publisher | : Createspace Independent Publishing Platform |
| Total Pages | : 26 |
| Release | : 2015-12-21 |
| Genre | : |
| ISBN | : 9781522823155 |
This volume of premium cosmic horror contains a high-quality facsimile edition of William Blake's original handwritten masterpiece, an introduction by Aladdin Collar, a plain-text companion of the poems, and a diagrammatic interpretation of Blake's unique pantheon of gods. Told through dense verses of symbol and esoteric cosmology, America a Prophecy details a Revolutionary War on a metaphysical plane. Heralded by thirteen colonial angels, the Christ-figure called Ore champions love and passion over the primordial Albion, and Albion's demonic aspect, the terrible Urizen. America a Prophecy is one of 12 Illuminated Prophecies by Blake, which together represent the first modern mythological system. This approach to literature (the development of a unique, fictional cosmology) was later adapted by notable authors such as Lord Dunsany, JRR Tolkein, and HP Lovecraft, before being integrated into mainstream popular entertainment.
| Author | : Sheila Spector |
| Publisher | : Routledge |
| Total Pages | : 429 |
| Release | : 2020-05-04 |
| Genre | : Literary Criticism |
| ISBN | : 1351108417 |
Interpreting Blake has always proved challenging. Hermeneutics, as the on-going negotiation between the horizon of expectations and a given text, hinges on the preconceptions that structure thought. The structure, in turn, is derived from myth, a cultural narrative predicated on a particular set of foundational principles, and organized in terms of the resulting symbolic form. The primary impediment to interpreting Blake has been the failure to recognize that he and much of his audience have thought in terms of two radically different myths. In The Evolution of Blake’s Myth, Sheila A. Spector establishes the dimensions of the myth that structures Blake’s thought. In the first of three parts, she uses Jerusalem, Blake’s most complete book, as the basis for extrapolating the components of the consolidated myth. She then traces the chronological development of the myth from its origin in the late 1780s through its crystallization in Milton. Finally, she demonstrates how Blake used the myth hermeneutically, as the horizon of expectations for interpreting not only his own work, but the Bible and the visionary texts of others, as well.
| Author | : Jackie DiSalvo |
| Publisher | : Routledge |
| Total Pages | : 581 |
| Release | : 2015-08-14 |
| Genre | : Literary Criticism |
| ISBN | : 1317381378 |
First published in 1998, this book formed part of an ongoing effort to restore politics and history to the centre of Blake studies. It adopts a three pronged approach when presenting its essays, seeking to promote a return to the political Blake; to deepen the understanding of some of the conversations articulated in Blake’s art by introducing new, historical material or new interpretations of texts; and to highlight differing perspectives on Blake’s politics among historically focused critics. The collection contains essays with varying methodological assumptions and differing positions on questions central to historicist Blake scholarship.
| Author | : Kathryn S. Freeman |
| Publisher | : Routledge |
| Total Pages | : 248 |
| Release | : 2016-12-01 |
| Genre | : Literary Criticism |
| ISBN | : 1317188071 |
It is not surprising that visitors to Blake’s cosmology – the most elaborate in the history of British text and design – often demand a map in the form of a reference book. The entries in this volume benefit from the wide range of historical information made available in recent decades regarding the relationship between Blake’s text and design and his biographical, political, social, and religious contexts. Of particular importance, the entries take account of the re-interpretations of Blake with respect to race, gender, and empire in scholarship influenced by the groundbreaking theories that have arisen since the first half of the twentieth century. The intricate fluidity of Blake’s anti-Newtonian universe eludes the fixity of definitions and schema. Central to this guide to Blake's work and ideas is Kathryn S. Freeman's acknowledgment of the paradox of providing orientation in Blake’s universe without disrupting its inherent disorientation of the traditions whereby readers still come to it. In this innovative work, Freeman aligns herself with Blake’s demand that we play an active role in challenging our own readerly habits of passivity as we experience his created and corporeal worlds.
| Author | : C. Hobson |
| Publisher | : Springer |
| Total Pages | : 267 |
| Release | : 2016-04-30 |
| Genre | : Literary Criticism |
| ISBN | : 1137047054 |
Against the backdrop of Britain's underground 18th and early-19th century homosexual culture, mob persecutions, and executions of homosexuals, Hobson shows how Blake's hatred of sexual and religious hypocrisy and state repression, and his revolutionary social vision, led him gradually to accept homosexuality as an integral part of human sexuality. In the process, Blake rejected the antihomosexual bias of British radical tradition, revised his idealization of aggressive male heterosexuality and his male-centered view of gender, and refined his conception of the cooperative commonwealth.
| Author | : George A. Jr. Rosso Jr. |
| Publisher | : Routledge |
| Total Pages | : 480 |
| Release | : 2013-05-13 |
| Genre | : Literary Criticism |
| ISBN | : 1134820615 |
This anthology of essays charts the work of William Blake - combining traditional and current historicist methods with a plurality of other approaches. While many essays here recuperate a radical Blake opposed to imperialism, slavery, and patriarchy, differences emerge over the nature of Blake's radicalism and his stance on revolution, violence, and democratic pluralism. Contributors may champion a Blake critical of patriarchal discourse and practice, but they remain cautious about Blake's "homocentric" solutions. In the "Blake and women" section, authors seek to reorient discussions by connecting Blake to historical issues concerning women, particularly domestic ideology and the idealised female of the conduct books.
