Forging Nations

Forging Nations
Author: David Blaazer
Publisher: Oxford University Press
Total Pages: 346
Release: 2023-07-06
Genre: Business & Economics
ISBN: 0192887025

In Forging Nations, Blaazer studies the relationships between money, power, and nationality in England, Scotland, and Ireland from the first attempts to unify their currencies following the Union of the Crowns in 1603 to the aftermath of the Global Financial Crisis. Through successive crises spanning four centuries, Forging Nations examines critical struggles over monetary power between the state and its creditors, and within and between nations during the long, multifaceted process of creating the United Kingdom as a monetary as well as a political union. It shows how and why centuries of monetary dysfunction and conflict eventually gave way to the era of the sterling gold standard, when elite and popular beliefs about money converged around a set of almost unassailable monetary dogmas that transcended differences of nationality, party, and class. Sustained by a mixture of historical myths and imperial hubris, this consensus effortlessly reinforced the authority and served the interests of the monetary elite, even after its economic foundations had collapsed under the pressure of war and international competition. The book concludes by showing how the end of the UK's global hegemony and the prospect of Scottish independence have resuscitated historical differences between England, Ireland, and Scotland in attitudes to currency's role in defining national identity, while the Global Financial Crisis has revived forgotten debates over the nature of money and monetary power.

Police Courts in Nineteenth-Century Scotland, Volume 1

Police Courts in Nineteenth-Century Scotland, Volume 1
Author: David G. Barrie
Publisher: Routledge
Total Pages: 586
Release: 2016-04-22
Genre: History
ISBN: 1317079264

Taking the form of two companion volumes, Police Courts in Nineteenth-Century Scotland represents the first major investigation into the administration, experience, impact and representation of summary justice in Scottish towns, c.1800 to 1892. Each volume explores diverse, but complementary, themes relating to judicial practices, relationships, experiences and discourses through the lens of the same subject matter: the police court. Volume 1, with the subtitle Magistrates, Media and the Masses, provides an institutional, social and cultural history of the establishment, development and practice of police courts. It explores their rise, purpose and internal workings, and how justice was administered and experienced by those who attended them in a variety of roles. Special attention is given to examining how courtroom discourse was represented in print culture, the role of the media in providing a discursive commentary on summary justice, and the ways in which magistrates and the police engaged in a law and order dialogue with the press. Throughout, consideration is given to uncovering the relationship between magistrates, the courts, the police and the wider community, and to charting the implications of the rise of summary justice and the ’police-man’ state for the urban masses (as evidenced through prosecution, conviction and punishment patterns). Volume 2, with the subtitle Boundaries, Behaviours and Bodies, explores, through themed case studies, how police courts shaped conceptual, spatial, temporal and commercial boundaries by regulating every-day activities, pastimes and cultures.

Police Courts in Nineteenth-Century Scotland, 2-volume set

Police Courts in Nineteenth-Century Scotland, 2-volume set
Author: David G. Barrie
Publisher: Taylor & Francis
Total Pages: 831
Release: 2022-07-30
Genre: History
ISBN: 1000807703

Taking the form of two companion volumes, Police Courts in Nineteenth-Century Scotland represents the first major investigation into the administration, experience, impact and representation of summary justice in Scottish towns, c.1800 to 1892. Each volume explores diverse, but complementary, themes relating to judicial practices, relationships, experiences and discourses through the lens of the same subject matter: the police court. Volume 1, subtitled Magistrates, Media and the Masses, provides an institutional, social and cultural history of the establishment, development and practice of police courts. It explores their rise, purpose and internal workings, and how justice was administered and experienced by those who attended them in a variety of roles. Special attention is given to examining how courtroom discourse was represented in print culture, the role of the media in providing a discursive commentary on summary justice, and the ways in which magistrates and the police engaged in a law and order dialogue with the press. Throughout, consideration is given to uncovering the relationship between magistrates, the courts, the police and the wider community, and to charting the implications of the rise of summary justice and the ’police-man’ state for the urban masses (as evidenced through prosecution, conviction and punishment patterns). Volume 2, subtitled Boundaries, Behaviours and Bodies, examines, through themed case studies, how these civic and judicial institutions shaped conceptual, spatial, temporal and commercial boundaries by regulating every-day activities, pastimes and cultures. As with Volume 1, Boundaries, Behaviours and Bodies is attentive to the relationship between magistrates, the police, the media and the wider community, but here the main focus of analysis is on the role and impact of the police courts, through their practice, on cultural ideas, social behaviours and environments in the nineteenth-century city.

The Cambridge Companion to Conducting

The Cambridge Companion to Conducting
Author: José Antonio Bowen
Publisher: Cambridge University Press
Total Pages: 370
Release: 2003-11-20
Genre: Biography & Autobiography
ISBN: 9780521527910

In this wide-ranging inside view of the history and practice of conducting, analysis and advice comes directly from working conductors, including Sir Charles Mackerras on opera, Bramwell Tovey on being an Artistic Director, Martyn Brabbins on modern music, Leon Botstein on programming and Vance George on choral conducting, and from those who work closely with conductors: a leading violinist describes working as a soloist with Stokowski, Ormandy and Barbirolli, while Solti and Abbado's studio producer explains orchestral recording, and one of the world's most powerful managers tells all. The book includes advice on how to conduct different types of groups (choral, opera, symphony, early music) and provides a substantial history of conducting as a study of national traditions. It is an unusually honest book about a secretive industry and managers, artistic directors, soloists, players and conductors openly discuss their different perspectives for the first time.