Black Victorians Black Victoriana
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Author | : Gretchen Gerzina |
Publisher | : |
Total Pages | : 222 |
Release | : 2003 |
Genre | : History |
ISBN | : 9780813532158 |
Black Victorians/Black Victoriana is a welcome attempt to correct the historical record. Although scholarship has given us a clear view of nineteenth-century imperialism, colonialism, and later immigration from the colonies, there has for far too long been a gap in our understanding of the lives of blacks in Victorian England. Without that understanding, it remains impossible to assess adequately the state of the black population in Britain today. Using a transatlantic lens, the contributors to this book restore black Victorians to the British national picture. They look not just at the ways blacks were represented in popular culture but also at their lives as they experienced them--as workers, travelers, lecturers, performers, and professionals. Dozens of period photographs bring these stories alive and literally give a face to the individual stories the book tells. The essays taken as a whole also highlight prevailing Victorian attitudes toward race by focusing on the ways in which empire building spawned a "subculture of blackness" consisting of caricature, exhibition, representation, and scientific racism absorbed by society at large. This misrepresentation made it difficult to be both black and British while at the same time it helped to construct British identity as a whole. Covering many topics that detail the life of blacks during this period, Black Victorians/Black Victoriana will be a landmark contribution to the emergent field of black history in England.
Author | : Gretchen Gerzina |
Publisher | : |
Total Pages | : 222 |
Release | : 2003 |
Genre | : History |
ISBN | : 9780813532141 |
Black Victorians/Black Victoriana is a welcome attempt to correct the historical record. Although scholarship has given us a clear view of nineteenth-century imperialism, colonialism, and later immigration from the colonies, there has for far too long been a gap in our understanding of the lives of blacks in Victorian England. Without that understanding, it remains impossible to assess adequately the state of the black population in Britain today. Using a transatlantic lens, the contributors to this book restore black Victorians to the British national picture. They look not just at the ways blacks were represented in popular culture but also at their lives as they experienced them--as workers, travelers, lecturers, performers, and professionals. Dozens of period photographs bring these stories alive and literally give a face to the individual stories the book tells. The essays taken as a whole also highlight prevailing Victorian attitudes toward race by focusing on the ways in which empire building spawned a "subculture of blackness" consisting of caricature, exhibition, representation, and scientific racism absorbed by society at large. This misrepresentation made it difficult to be both black and British while at the same time it helped to construct British identity as a whole. Covering many topics that detail the life of blacks during this period, Black Victorians/Black Victoriana will be a landmark contribution to the emergent field of black history in England.
Author | : |
Publisher | : BRILL |
Total Pages | : 268 |
Release | : 2021-11-22 |
Genre | : Literary Criticism |
ISBN | : 900446915X |
Black Neo-Victoriana is the first book-length study on contemporary re-imaginations of Blackness in the long nineteenth century. Contributions engage with novels, drama, film, television and material culture, while also covering cultural formations such as Black fandom, Black dandyism, or steamfunk.
Author | : Ruth Goodman |
Publisher | : Penguin UK |
Total Pages | : 470 |
Release | : 2013-06-27 |
Genre | : History |
ISBN | : 0241958342 |
TRAVEL BACK IN TIME WITH THE BBC'S RUTH GOODMAN We know what life was like for Victoria and Albert. But what was it like for a commoner - like you or me? How did it feel to cook with coal and wash with tea leaves? Drink beer for breakfast and clean your teeth with cuttlefish? Catch the omnibus to work and do the laundry in your corset? How to be a Victorian is a radical new approach to history; a journey back in time more personal than anything before, illuminating the overlapping worlds of health, sex, fashion, food, school, work and play. Surviving everyday life came down to the gritty details, the small necessities and tricks of living and this book will show you how. ______________________ 'Goodman skilfully creates a portrait of daily Victorian life with accessible, compelling, and deeply sensory prose' Erin Entrada Kelly 'We're lucky to have such a knowledgeable cicerone as Ruth Goodman . . . Revelatory' Alexandra Kimball 'Goodman's research is impeccable . . . taking the reader through an average day and presenting the oddities of life without condescension' Patricia Hagen
Author | : Jennifer DeVere Brody |
Publisher | : Duke University Press |
Total Pages | : 276 |
Release | : 1998 |
Genre | : Black people |
ISBN | : 9780822321200 |
Uses work from African-American studies to rethink the status of race in Victorian England.
Author | : Lee Jackson |
Publisher | : Anthem Press |
Total Pages | : 353 |
Release | : 2006-08-01 |
Genre | : History |
ISBN | : 1843312301 |
A wonderful A–Z of the fascinating world of Victorian London, full of amazing facts and curious humour.
Author | : Sarah A. Chrisman |
Publisher | : Simon and Schuster |
Total Pages | : 361 |
Release | : 2015-04-07 |
Genre | : Biography & Autobiography |
ISBN | : 1634500407 |
On Sarah A. Chrisman’s twenty-ninth birthday, her husband, Gabriel, presented her with a corset. The material and the design were breathtakingly beautiful, but her mind immediately filled with unwelcome views. Although she had been in love with the Victorian era all her life, she had specifically asked her husband not to buy her a corset—ever. She’d heard how corsets affected the female body and what they represented, and she wanted none of it. However, Chrisman agreed to try on the garment . . . and found it surprisingly enjoyable. The corset, she realized, was a tool of empowerment—not oppression. After a year of wearing a corset on a daily basis, her waist had gone from thirty-two inches to twenty-two inches, she was experiencing fewer migraines, and her posture improved. She had successfully transformed her body, her dress, and her lifestyle into that of a Victorian woman—and everyone was asking about it. In Victorian Secrets, Chrisman explains how a garment from the past led to a change in not only the way she viewed herself, but also the ways she understood the major differences between the cultures of twenty-first-century and nineteenth-century America. The desire to delve further into the Victorian lifestyle provided Chrisman with new insight into issues of body image and how women, past and present, have seen and continue to see themselves.
Author | : Gretchen Holbrook Gerzina |
Publisher | : Harper Collins |
Total Pages | : 273 |
Release | : 2009-07-28 |
Genre | : Social Science |
ISBN | : 0061950408 |
Lucy Terry was a devoted wife and mother, and the first known African-American poet. Abijah Prince, her husband, was a veteran of the French and Indian Wars and an entrepreneur. Together they pursued what would become the cornerstone of the American dream — having a family and owning property where they could live, grow, and prosper. When bigoted neighbors tried to run them off their own property, they asserted their rights, as they would do many times, in court. Merging comprehensive research and grand storytelling, Mr. and Mrs. Prince reveals the true story of a remarkable pre-Civil War African-American family, as well as the challenges that faced African-Americans who lived in the North. Gretchen Holbrook Gerzina is the author and editor of several books, including Carrington, Black London (a New York Times notable book), Black Victorians/Black Victoriana, and Frances Hodgson Burnett. She is the Kathe Tappe Vernon Professor in Biography at Dartmouth College, where she is the first African-American woman to chair an Ivy League English Department. She has won grants from Fulbright and the National Endowment for Humanities and hosts “The Book Show,” a nationally syndicated weekly radio program that airs on ninety stations across the country. “Compelling ... History and mystery mix in this tale to make Mr. and Mrs. Prince as absorbing as it surprising and informative.” — Christian Science Monitor
Author | : Megen de Bruin-Molé |
Publisher | : |
Total Pages | : 0 |
Release | : 2021-03-25 |
Genre | : Literary Criticism |
ISBN | : 135023446X |
The bestselling genre of Frankenfiction sees classic literature turned into commercial narratives invaded by zombies, vampires, werewolves, and other fantastical monsters. Too engaged with tradition for some and not traditional enough for others, these 'monster mashups' are often criticized as a sign of the artistic and moral degeneration of contemporary culture. These hybrid creations are the 'monsters' of our age, lurking at the limits of responsible consumption and acceptable appropriation. This book explores the boundaries and connections between contemporary remix and related modes, including adaptation, parody, the Gothic, Romanticism, and postmodernism. Taking a multimedia approach, case studies range from novels like Pride and Prejudice and Zombies and The Extraordinary Adventures of the Athena Club series, to television programmes such as Penny Dreadful, to popular visual artworks like Kevin J. Weir's Flux Machine GIFs. Megen de Bruin-Molé uses these monstrous and liminal works to show how the thrill of transgression has been contained within safe and familiar formats, resulting in the mashups that dominate Western popular culture.
Author | : Tom Licence |
Publisher | : Oxbow Books |
Total Pages | : 144 |
Release | : 2016-05-31 |
Genre | : Social Science |
ISBN | : 1782978763 |
The people who lived in England before the First World War now inhabit a realm of yellow photographs. Theirs is a world fast fading from ours, yet they do not appear overly distant. Many of us can remember them as being much like ourselves. Nor is it too late for us to encounter them so intimately that we might catch ourselves worrying that we have invaded their privacy. Digging up their refuse is like peeping through the keyhole. How far off are our grandparents in reality when we can sniff the residues of their perfume, cough medicines, and face cream? If we want to know what they bought in the village store, how they stocked the kitchen cupboard, and how they fed, pampered, and cared for themselves there is no better archive than a rubbish tip within which each object reveals a story. A simple glass bottle can reveal what people were drinking, how a great brand emerged, or whether an inventor triumphed with a new design. An old tin tells us about advertising, household chores, or foreign imports, and even a broken plate can introduce us to the children in the Staffordshire potteries, who painted in the colors of a robin, crudely sketched on a cheap cup and saucer. In this highly readable and delightfully illustrated little book Tom Licence reveals how these everyday minutiae, dug from the ground, contribute to the bigger story of how our great grandparents built a throwaway society from the twin foundations of packaging and mass consumption and illustrates how our own throwaway habits were formed.