Black Theatre Usa Revised And Expanded Edition, Vol. 2

Black Theatre Usa Revised And Expanded Edition, Vol. 2
Author: James V. Hatch
Publisher:
Total Pages: 944
Release: 1996-03
Genre: Drama
ISBN:

This revised and expanded Black Theatre USA broadens its collection to fifty-one outstanding plays, enhancing its status as the most authoritative anthology of African American drama with twenty-two new selections. This collection features plays written between 1935 and 1996.

Black Theatre USA

Black Theatre USA
Author: James Vernon Hatch
Publisher:
Total Pages: 944
Release: 1996
Genre: Drama
ISBN:

Du Bois, Angelina Grimke, Zora Neale Hurston, Langston Hughes, Richard Wright, and James Baldwin. The chronology begins with William Wells Brown's The Escape: or, a Leap for Freedom, based on his own life as an escaped slave. Two expatriot authors, Ira Aldridge and Victor Sejour, provide glimpses of life in Europe, while at home, playwrights struggled with the issues of birth control, miscegenation, lynching, and migration.

The State of the African American Male

The State of the African American Male
Author: Eboni M. Zamani-Gallaher
Publisher: MSU Press
Total Pages: 395
Release: 2012-01-01
Genre: Social Science
ISBN: 1628951680

The circumstances affecting many African American males in schools and society remain complex and problematic. In spite of modest gains in school achievement and graduation rates, conditions that impede the progress of African American males persist: high rates of school violence and suspensions, overrepresentation in special education classes, poor access to higher education, high incidence of crime and incarceration, gender and masculine identity issues, and HIV/AIDS and other health crises. The essays gathered here focus on these issues as they exist for males in grades K-12 and postsecondary education in Michigan. However, the authors intend their analyses and policy recommendations to apply to African American males nationally. Although it recognizes the current difficulties of this population overall, this is an optimistic volume, with a goal of creating policies and norms that help African American males achieve their educational and social potential. In this era of widespread change for all members of American society-regardless of race-this book is a must-read for educators and policymakers alike.

Black Theatre USA

Black Theatre USA
Author: James Vernon Hatch
Publisher:
Total Pages:
Release: 1996
Genre: African Americans
ISBN:

"This revised and expanded Black Theatre U.S.A. broadens its collection to fifty-one outstanding plays, enhancing its status as the most authoritative anthology of African American drama with 22 new selections. Building on the well-respected first edition published in 1974, this edition features previously unpublished works including In Dahomey, Liberty Deferred, and Star of Ethiopia, and the Department of Interior's infamous 1918 food pageant. Contemporary plays by women have been added - Robbie McCauley's Sally's Rape, Anna Deavere Smith's Fires in the Mirror, and Aishah Rahman's The Mojo and the Sayso, as well as the modern classics - Ntozake Shange's Colored Girls..., Adrienne Kennedy's Funnyhouse of a Negro, and Lorraine Hansberry's A Raisin in the Sun. The range of this collection extends from 1847 to 1992, including the great names in the African American pantheon of writers - Paul Laurence Dunbar, W. E. B. Du Bois, Angelina Grimke, Zora Neale Hurston, Langston Hughes, Richard Wright, and James Baldwin. The chronology begins with William Wells Brown's The Escape: or, a Leap for Freedom, based on his own life as an escaped slave. Two expatriot authors, Ira Aldridge and Victor Sejour, provide glimpses of life in Europe, while at home, playwrights struggled with the issues of birth control, miscegenation, lynching, and migration." "The book embraces both commercial successes such as George C. Wolfe's The Colored Museum, and Charles Fuller's A Soldier's Play, as well as lesser-known masterpieces - Ben Caldwell's The First Militant Preacher, Owen Dodson's The Confession Stone, and Ted Shine's Contribution. The stylistic range, too, runs the gamut of genre from the realism of Ted Ward, Lonne Elder III, and Ed Bullins to the surrealism of Marita Bonner and Aishah Rahman. Comedy is present in Abram Hill's On Strivers Row and Douglas Turner Ward's Day of Absence which mock the racism of both Blacks and Whites"--Book Jacket.

No Surrender! No Retreat!

No Surrender! No Retreat!
Author: NA NA
Publisher: Springer
Total Pages: 254
Release: 2016-04-30
Genre: History
ISBN: 1137053615

No Surrender! No Retreat! examines the careers of fifteen pioneer performers and their triumphs over herculean obstacles. It is a look back over the 20th century and documents personal histories of staggering achievement in spite of institutional racism, gender oppression, and classism. Twenty-four years in the making, No Surrender! No Retreat! is an indispensable work on African Americans in the performing arts, examining well-known performers, such as James Earl Jones, Morgan Freeman, and Pearl Bailey. Rare archival material and a number of personal interviews enrich this tome. Glenda E. Gill s work is a moving and sometimes tragic account of the lives and careers of some of America s most outstanding African American pioneers in theater.

The Cambridge Companion to African American Theatre

The Cambridge Companion to African American Theatre
Author: Harvey Young
Publisher: Cambridge University Press
Total Pages: 359
Release: 2023-05-31
Genre: Drama
ISBN: 1009359592

This new edition provides an expanded, comprehensive history of African American theatre, from the early nineteenth century to the present day. Including discussions of slave rebellions on the national stage, African Americans on Broadway, the Harlem Renaissance, African American women dramatists, and the New Negro and Black Arts movements, the Companion also features fresh chapters on significant contemporary developments, such as the influence of the Black Lives Matter movement, the mainstream successes of Black Queer Drama and the evolution of African American Dance Theatre. Leading scholars spotlight the producers, directors, playwrights, and actors who have fashioned a more accurate appearance of Black life on stage, revealing the impact of African American theatre both within the United States and around the world. Addressing recent theatre productions in the context of political and cultural change, it invites readers to reflect on where African American theatre is heading in the twenty-first century.

Radical Black Theatre in the New Deal

Radical Black Theatre in the New Deal
Author: Kate Dossett
Publisher: UNC Press Books
Total Pages: 359
Release: 2020-01-29
Genre: History
ISBN: 1469654431

Between 1935 and 1939, the United States government paid out-of-work artists to write, act, and stage theatre as part of the Federal Theatre Project (FTP), a New Deal job relief program. In segregated "Negro Units" set up under the FTP, African American artists took on theatre work usually reserved for whites, staged black versions of "white" classics, and developed radical new dramas. In this fresh history of the FTP Negro Units, Kate Dossett examines what she calls the black performance community—a broad network of actors, dramatists, audiences, critics, and community activists—who made and remade black theatre manuscripts for the Negro Units and other theatre companies from New York to Seattle. Tracing how African American playwrights and troupes developed these manuscripts and how they were then contested, revised, and reinterpreted, Dossett argues that these texts constitute an archive of black agency, and understanding their history allows us to consider black dramas on their own terms. The cultural and intellectual labor of black theatre artists was at the heart of radical politics in 1930s America, and their work became an important battleground in a turbulent decade.