Black Theatre In 1960s 70s
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Author | : Mance Williams |
Publisher | : Praeger |
Total Pages | : 208 |
Release | : 1985-08-22 |
Genre | : Drama |
ISBN | : |
Providing a comprehensive overview of the most daring and aggressive period in the history of Afro-American theatre, this study goes beyond an analysis of the major new playwrights and the plays that shaped the movement. The philosophies and dramatic styles of the most important theatre companies and the contributions of the individual artists who spearheaded their creation are also discussed. Finally the role of the Black producer, who often functioned as director and writer as well, is considered.
Author | : Woodie King |
Publisher | : Hal Leonard Corporation |
Total Pages | : 300 |
Release | : 2003 |
Genre | : Performing Arts |
ISBN | : 9781557835796 |
Looks at the evolution of the American black theater movement and includes coverage of the National Black Theatre Festival and the National Black Arts Festival in Atlanta.
Author | : Henry D. Miller |
Publisher | : McFarland |
Total Pages | : 285 |
Release | : 2014-01-10 |
Genre | : Performing Arts |
ISBN | : 0786460148 |
The rich history of African-American theatre has often been overlooked, both in theoretical discourse and in practice. This volume seeks a critical engagement with black theatre artists and theorists of the twentieth century. It reveals a comprehensive view of the Art or Propaganda debate that dominated twentieth century African-American dramatic theory. Among others, this text addresses the writings of Langston Hughes, W.E.B. DuBois, Alain Locke, Lorraine Hansberry, Amiri Baraka, Adrienne Kennedy, Sidney Poitier, and August Wilson. Of particular note is the manner in which black theory collides or intersects with canonical theorists, including Aristotle, Keats, Ibsen, Nietzsche, Shaw, and O'Neill.
Author | : Sandra M. Mayo |
Publisher | : University of Texas Press |
Total Pages | : 342 |
Release | : 2016-01-15 |
Genre | : Performing Arts |
ISBN | : 147730780X |
From plantation performances to minstrel shows of the late nineteenth century, the roots of black theatre in Texas reflect the history of a state where black Texans have continually created powerful cultural emblems that defy the clichés of horses, cattle, and bravado. Drawing on troves of archival materials from numerous statewide sources, Stages of Struggle and Celebration captures the important legacies of the dramatic arts in a historical field that has paid most of its attention to black musicians. Setting the stage, the authors retrace the path of the cakewalk and African-inspired dance as forerunners to formalized productions at theaters in the major metropolitan areas. From Houston’s Ensemble and Encore Theaters to the Jubilee in Fort Worth, gospel stage plays of the Black Academy of Arts and Letters in Dallas, as well as San Antonio’s Hornsby Entertainment Theater Company and Renaissance Guild, concluding with ProArts Collective in Austin, Stages of Struggle and Celebration features founding narratives, descriptions of key players and memorable productions, and enlightening discussions of community reception and the business challenges faced by each theatre. The role of drama departments in historically black colleges in training the companies’ founding members is also explored, as is the role the support of national figures such as Tyler Perry plays in ensuring viability. A canon of Texas playwrights completes the tour. The result is a diverse tribute to the artistic legacies that continue to inspire new generations of producers and audiences.
Author | : Clifford Odets |
Publisher | : Samuel French, Inc. |
Total Pages | : 92 |
Release | : 1964 |
Genre | : Drama |
ISBN | : 9780822204565 |
THE STORY: The Acting Edition contains notes showing how nearly all scene changes may be made with a minimum of effort. People are inclined to laugh at Joe, a moody young Italian with cockeyed notions. At heart a musician--he has a real talent for
Author | : |
Publisher | : Samuel French, Inc. |
Total Pages | : 76 |
Release | : 1971 |
Genre | : African Americans |
ISBN | : 9780573694790 |
An African American preacher returns to his hometown to open a church, outwitting a segregationist plantation owner to make it happen.
Author | : Olga Barrios |
Publisher | : Universitat de València |
Total Pages | : 245 |
Release | : 2008 |
Genre | : Comics & Graphic Novels |
ISBN | : 8437070228 |
El creixement dels moviments sociopolítics entre els anys seixanta i noranta als Estats Units i a Sud-àfrica va establir els ferms fonaments sobre els quals, amb una força i ímpetu sense precedents, es va forjar el teatre negre d?aquests anys. Forma i contingut van sorgir a l?una del compromís polític i artístic adoptat per aquests artistes contra l?imperialisme, el colonialisme i el racisme occidentals. Per primera vegada en la història, el teatre negre dels Estats Units i de Sud-àfrica analitzava i valorava les arrels negres per a poder il·luminar la recerca d?un futur de llibertat. No obstant això, el context sociopolític i les circumstàncies específiques de cada país han generat igualment els trets distintius del teatre afronord-americà i negre sud-africà (incloses les diferències de gènere) manifestos en ramificacions artístiques totalment heterogènies i úniques.
Author | : Olga Barrios Herrero |
Publisher | : Universitat de València |
Total Pages | : 245 |
Release | : 2011-11-28 |
Genre | : Literary Criticism |
ISBN | : 8437083982 |
El creixement dels moviments sociopolítics entre els anys seixanta i noranta als Estats Units i a Sud-àfrica va establir els ferms fonaments sobre els quals, amb una força i ímpetu sense precedents, es va forjar el teatre negre d'aquests anys. Forma i contingut van sorgir a l'una del compromís polític i artístic adoptat per aquests artistes contra l'imperialisme, el colonialisme i el racisme occidentals. Per primera vegada en la història, el teatre negre dels Estats Units i de Sud-àfrica analitzava i valorava les arrels negres per a poder il·luminar la recerca d'un futur de llibertat. No obstant això, el context sociopolític i les circumstàncies específiques de cada país han generat igualment els trets distintius del teatre afronord-americà i negre sud-africà (incloses les diferències de gènere) manifestos en ramificacions artístiques totalment heterogènies i úniques.
Author | : Kate Dossett |
Publisher | : UNC Press Books |
Total Pages | : 359 |
Release | : 2020-01-29 |
Genre | : History |
ISBN | : 1469654431 |
Between 1935 and 1939, the United States government paid out-of-work artists to write, act, and stage theatre as part of the Federal Theatre Project (FTP), a New Deal job relief program. In segregated "Negro Units" set up under the FTP, African American artists took on theatre work usually reserved for whites, staged black versions of "white" classics, and developed radical new dramas. In this fresh history of the FTP Negro Units, Kate Dossett examines what she calls the black performance community—a broad network of actors, dramatists, audiences, critics, and community activists—who made and remade black theatre manuscripts for the Negro Units and other theatre companies from New York to Seattle. Tracing how African American playwrights and troupes developed these manuscripts and how they were then contested, revised, and reinterpreted, Dossett argues that these texts constitute an archive of black agency, and understanding their history allows us to consider black dramas on their own terms. The cultural and intellectual labor of black theatre artists was at the heart of radical politics in 1930s America, and their work became an important battleground in a turbulent decade.
Author | : Kirsten Childs |
Publisher | : Concord Theatricals |
Total Pages | : 129 |
Release | : 2019 |
Genre | : Drama |
ISBN | : 0573707375 |
When Bella boards a train west to reunite with her Buffalo soldier sweetheart, she encounters the most colorful and lively characters ever to roam the Western plains. Bullets and fists will fly, heads and hearts will break, but—blessed with a big heart, and a voluptuous figure—Bella will breeze on through it all.