Black House
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Author | : Peter May |
Publisher | : Hachette UK |
Total Pages | : 421 |
Release | : 2011-01-05 |
Genre | : Fiction |
ISBN | : 0857382160 |
THE 12 MILLION COPY BESTSELLING AUTHOR OF THE ENZO FILES AND THE CHINA THRILLERS AWARD WINNING AUTHOR OF THE CWA DAGGER IN THE LIBRARY 2021 'One of the best regarded crime series of recent years.' Independent 'No one can create a more eloquently written suspense novel than Peter May.' New York Journal of Books PETER MAY: THE MAN WHO BROUGHT MURDER TO THE OUTER HEBRIDES A brutal killing takes place on the Isle of Lewis, Scotland: a land of harsh beauty and inhabitants of deep-rooted faith. A MURDER Detective Inspector Fin Macleod is sent from Edinburgh to investigate. For Lewis-born Macleod, the case represents a journey both home and into his past. A SECRET Something lurks within the close-knit island community. Something sinister. A TRAP As Fin investigates, old skeletons begin to surface, and soon he, the hunter, becomes the hunted. LOVED THE BLACKHOUSE? Read book 2 in the Lewis trilogy, THE LEWIS MAN LOVE PETER MAY? Buy his latest frontlist thriller, THE NIGHT GATE
Author | : Patricia Highsmith |
Publisher | : W. W. Norton & Company |
Total Pages | : 272 |
Release | : 2004-12-17 |
Genre | : Fiction |
ISBN | : 0393345718 |
"A border zone of the macabre, the disturbing, the not-quite accidental." —John Gross, New York Times Book Review Horrific tragedy becomes disturbingly ordinary in The Black House, a masterful collection of short stories, written during a particularly dark time in Patricia Highsmith's life. As readers will discover, the work eerily evokes the warm familiarities of suburban life: the manicured lawns, the white picket fences, and the local pubs, each providing the backbone for her chilling portraits. Seemingly small indiscretions and infidelities—along with love affairs and murder—consume the characters that commit them. Cycles of destructive jealousy overwhelm the cheating protagonists of "Blow It" and "When in Rome," and the title story explores small-town male camaraderie and the destructive secret it masks. This enthralling collection of eleven stories presents Highsmith at her finest: melancholy, suspenseful, and sizzling with a powerful awareness of human emotion.
Author | : Middleton A. Harris |
Publisher | : Random House |
Total Pages | : 214 |
Release | : 2019-12-03 |
Genre | : Social Science |
ISBN | : 1400068487 |
A new edition of the classic New York Times bestseller edited by Toni Morrison, offering an encyclopedic look at the black experience in America from 1619 through the 1940s with the original cover restored. “I am so pleased the book is alive again. I still think there is no other work that tells and visualizes a story of such misery with seriousness, humor, grace and triumph.”—Toni Morrison Seventeenth-century sketches of Africans as they appeared to marauding European traders. Nineteenth-century slave auction notices. Twentieth-century sheet music for work songs and freedom chants. Photographs of war heroes, regal in uniform. Antebellum reward posters for capturing runaway slaves. An 1856 article titled “A Visit to the Slave Mother Who Killed Her Child.” In 1974, Middleton A. Harris and Toni Morrison led a team of gifted, passionate collectors in compiling these images and nearly five hundred others into one sensational narrative of the black experience in America—The Black Book. Now in a newly restored hardcover edition, The Black Book remains a breathtaking testament to the legendary wisdom, strength, and perseverance of black men and women intent on freedom. Prominent collectors Morris Levitt, Roger Furman, and Ernest Smith joined Harris and Morrison (then a Random House editor, ultimately a two-time Pulitzer Prize–winning Nobel Laureate) to spend months studying, laughing at, and crying over these materials—transcripts from fugitive slaves’ trials and proclamations by Frederick Douglass and celebrated abolitionists, as well as chilling images of cross burnings and lynchings, patents registered by black inventors throughout the early twentieth century, and vibrant posters from “Black Hollywood” films of the 1930s and 1940s. Indeed, it was an article she found while researching this project that provided the inspiration for Morrison’s masterpiece, Beloved. A labor of love and a vital link to the richness and diversity of African American history and culture, The Black Book honors the past, reminding us where our nation has been, and gives flight to our hopes for what is yet to come. Beautifully and faithfully presented and featuring a foreword and original poem by Toni Morrison, The Black Book remains a timeless landmark work.
Author | : Elisabeth Lasch-Quinn |
Publisher | : UNC Press Books |
Total Pages | : 241 |
Release | : 2017-10-06 |
Genre | : History |
ISBN | : 1469621495 |
Professing a policy of cultural and social integration, the American settlement house movement made early progress in helping immigrants adjust to life in American cities. However, when African Americans migrating from the rural South in the early twentieth century began to replace white immigrants in settlement environs, most houses failed to redirect their efforts toward their new neighbors. Nationally, the movement did not take a concerted stand on the issue of race until after World War II. In Black Neighbors, Elisabeth Lasch-Quinn analyzes this reluctance of the mainstream settlement house movement to extend its programs to African American communities, which, she argues, were assisted instead by a variety of alternative organizations. Lasch-Quinn recasts the traditional definitions, periods, and regional divisions of settlement work and uncovers a vast settlement movement among African Americans. By placing community work conducted by the YWCA, black women's clubs, religious missions, southern industrial schools, and other organizations within the settlement tradition, she highlights their significance as well as the mainstream movement's failure to recognize the enormous potential in alliances with these groups. Her analysis fundamentally revises our understanding of the role that race has played in American social reform.
Author | : Clarence Lusane |
Publisher | : City Lights Books |
Total Pages | : 662 |
Release | : 2013-01-23 |
Genre | : History |
ISBN | : 0872866114 |
The Black History of the White House presents the untold history, racial politics, and shifting significance of the White House as experienced by African Americans, from the generations of enslaved people who helped to build it or were forced to work there to its first black First Family, the Obamas. Clarence Lusane juxtaposes significant events in White House history with the ongoing struggle for democratic, civil, and human rights by black Americans and demonstrates that only during crises have presidents used their authority to advance racial justice. He describes how in 1901 the building was officially named the “White House” amidst a furious backlash against President Roosevelt for inviting Booker T. Washington to dinner, and how that same year that saw the consolidation of white power with the departure of the last black Congressmember elected after the Civil War. Lusane explores how, from its construction in 1792 to its becoming the home of the first black president, the White House has been a prism through which to view the progress and struggles of black Americans seeking full citizenship and justice. “Clarence Lusane is one of America’s most thoughtful and critical thinkers on issues of race, class and power.”—Manning Marable "Barack Obama may be the first black president in the White House, but he's far from the first black person to work in it. In this fascinating history of all the enslaved people, workers and entertainers who spent time in the president's official residence over the years, Clarence Lusane restores the White House to its true colors."—Barbara Ehrenreich "Reading The Black History of the White House shows us how much we DON'T know about our history, politics, and culture. In a very accessible and polished style, Clarence Lusane takes us inside the key national events of the American past and present. He reveals new dimensions of the black presence in the US from revolutionary days to the Obama campaign. Yes, 'black hands built the White House'—enslaved black hands—but they also built this country's economy, political system, and culture, in ways Lusane shows us in great detail. A particularly important feature of this book its personal storytelling: we see black political history through the experiences and insights of little-known participants in great American events. The detailed lives of Washington's slaves seeking freedom, or the complexities of Duke Ellington's relationships with the Truman and Eisenhower White House, show us American racism, and also black America's fierce hunger for freedom, in brand new and very exciting ways. This book would be a great addition to many courses in history, sociology, or ethnic studies courses. Highly recommended!"—Howard Winant "The White House was built with slave labor and at least six US presidents owned slaves during their time in office. With these facts, Clarence Lusane, a political science professor at American University, opens The Black History of the White House(City Lights), a fascinating story of race relations that plays out both on the domestic front and the international stage. As Lusane writes, 'The Lincoln White House resolved the issue of slavery, but not that of racism.' Along with the political calculations surrounding who gets invited to the White House are matters of musical tastes and opinionated first ladies, ingredients that make for good storytelling."—Boston Globe Dr. Clarence Lusane has published in The Washington Post, The Miami Herald, The Baltimore Sun, Oakland Tribune, Black Scholar, and Race and Class. He often appears on PBS, BET, C-SPAN, and other national media.
Author | : Fred Lewis Pattee |
Publisher | : Penn State Press |
Total Pages | : 258 |
Release | : 2012 |
Genre | : Literary Criticism |
ISBN | : 0271054204 |
"A reprint of a 1904 novel by Pennsylvania State College (now University) professor of English Fred Lewis Pattee, set in the 1890s in central Pennsylvania. Includes a preface by poet and essayist Julia Spicher Kasdorf and endnotes by Joshua R. Brown" --Provided by publisher.
Author | : Renee K. Harrison |
Publisher | : Fortress Press |
Total Pages | : 395 |
Release | : 2021-11-02 |
Genre | : Religion |
ISBN | : 1506474683 |
Black Hands, White House documents and appraises the role enslaved women and men played in building the US, both its physical and its fiscal infrastructure. The book highlights the material commodities produced by enslaved communities during the Transatlantic Slave Trade. These commodities--namely tobacco, rice, sugar, and cotton, among others--enriched European and US economies; contributed to the material and monetary wealth of the nation's founding fathers, other early European immigrants, and their descendants; and bolstered the wealth of present-day companies founded during the American slave era. Critical to this study are also examples of enslaved laborers' role in building Thomas Jefferson's Monticello and George Washington's Mount Vernon. Subsequently, their labor also constructed the nation's capital city, Federal City (later renamed Washington, DC), its seats of governance--the White House and US Capitol--and other federal sites and memorials. Given the enslaved community's contribution to the US, this work questions the absence of memorials on the National Mall that honor enslaved, Black-bodied people. Harrison argues that such monuments are necessary to redress the nation's historical disregard of Black people and America's role in their forced migration, violent subjugation, and free labor. The erection of monuments commissioned by the US government would publicly demonstrate the government's admission of the US's historical role in slavery and human-harm, and acknowledgment of the karmic debt owed to these first Black-bodied builders of America. Black Hands, White House appeals to those interested in exploring how nation-building and selective memory, American patriotism and hypocrisy, racial superiority and mythmaking are embedded in US origins and monuments, as well as in other memorials throughout the transatlantic European world. Such a study is necessary, as it adds significantly to the burgeoning and in-depth conversation on racial disparity, race relations, history-making, reparations, and monument erection and removal.
Author | : Psyche A. Williams-Forson |
Publisher | : Univ of North Carolina Press |
Total Pages | : 332 |
Release | : 2006-12-08 |
Genre | : Social Science |
ISBN | : 0807877352 |
Chicken--both the bird and the food--has played multiple roles in the lives of African American women from the slavery era to the present. It has provided food and a source of income for their families, shaped a distinctive culture, and helped women define and exert themselves in racist and hostile environments. Psyche A. Williams-Forson examines the complexity of black women's legacies using food as a form of cultural work. While acknowledging the negative interpretations of black culture associated with chicken imagery, Williams-Forson focuses her analysis on the ways black women have forged their own self-definitions and relationships to the "gospel bird." Exploring material ranging from personal interviews to the comedy of Chris Rock, from commercial advertisements to the art of Kara Walker, and from cookbooks to literature, Williams-Forson considers how black women arrive at degrees of self-definition and self-reliance using certain foods. She demonstrates how they defy conventional representations of blackness and exercise influence through food preparation and distribution. Understanding these complex relationships clarifies how present associations of blacks and chicken are rooted in a past that is fraught with both racism and agency. The traditions and practices of feminism, Williams-Forson argues, are inherent in the foods women prepare and serve.
Author | : Curtis R. Cochran |
Publisher | : AuthorHouse |
Total Pages | : 400 |
Release | : 2009-09-24 |
Genre | : Religion |
ISBN | : 1467089176 |
Author | : D. L. Hughley |
Publisher | : HarperCollins |
Total Pages | : 183 |
Release | : 2016-06-07 |
Genre | : Humor |
ISBN | : 0062399810 |
New York Times Bestseller (Humor) "The book everyone is laughing about!"--Joe Scarborough, Morning Joe From legendary comedian D.L. Hughley comes a bitingly funny send-up of the Obama years, as “told” by the key political players on both sides of the aisle. What do the Clintons, Republicans, fellow Democrats, and Obama’s own family really think of President Barack Obama? Finally, the truth is revealed in this raucously funny “oral history” parody. There is no more astute—and hilarious—critic of politics, entertainment, and race in America than D. L. Hughley, famed comedian, radio star, and original member of the “Kings of Comedy.” In the vein of Jon Stewart’s America: The Book, Black Man, White House is an acerbic and witty take on Obama’s two terms, looking at the president’s accomplishments and foibles through the imagined eyes of those who saw history unfold. Hughley draws upon satirical interviews with the most notorious public figures of our day: Mitt Romney (“What’s ‘poverty’? Is that some sort of rap jargon?”); Nancy Pelosi (“I play F**k/Marry/Kill, and there’s a lot more kills than fu**ks in Congress, believe me.”); Rod Blagojevich (“You can’t sell political offices on eBay; I discovered that personally.”); Joe Biden (“I like wrestling.”); and other politicians, media pundits, and buffoons. It is sure to be the most irreverent—and perhaps the most honest—look at American politics today.