Black History In The Pages Of Childrens Literature
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Author | : Rose Casement |
Publisher | : Scarecrow Press |
Total Pages | : 342 |
Release | : 2008 |
Genre | : Education |
ISBN | : 9780810858435 |
This book presents Black history contextualized in chapters that provide both an introduction to historical periods and an annotated bibliography of outstanding children's literature that can be used to introduce and teach the history of each period.
Author | : Rio Cortez |
Publisher | : Workman Publishing Company |
Total Pages | : 66 |
Release | : 2020-12-08 |
Genre | : Juvenile Nonfiction |
ISBN | : 1523511850 |
A NEW YORK TIMES BESTSELLER B is for Beautiful, Brave, and Bright! And for a Book that takes a Bold journey through the alphabet of Black history and culture. Letter by letter, The ABCs of Black History celebrates a story that spans continents and centuries, triumph and heartbreak, creativity and joy. It’s a story of big ideas––P is for Power, S is for Science and Soul. Of significant moments––G is for Great Migration. Of iconic figures––H is for Zora Neale Hurston, X is for Malcom X. It’s an ABC book like no other, and a story of hope and love. In addition to rhyming text, the book includes back matter with information on the events, places, and people mentioned in the poem, from Mae Jemison to W. E. B. Du Bois, Fannie Lou Hamer to Sam Cooke, and the Little Rock Nine to DJ Kool Herc.
Author | : Katharine Capshaw Smith |
Publisher | : Indiana University Press |
Total Pages | : 372 |
Release | : 2006-08-16 |
Genre | : History |
ISBN | : 9780253218889 |
"This book explores the period's vigorous exchange about the nature and identity of black childhood and uncovers the networks of African American philosophers, community activists, schoolteachers, and literary artists who worked together to transmit black history and culture to the next generation."--Jacket.
Author | : Clothilde Ewing |
Publisher | : Simon and Schuster |
Total Pages | : 48 |
Release | : 2022-03-08 |
Genre | : Juvenile Fiction |
ISBN | : 1534487859 |
"When Stella does not want to go to bed, she tries all sorts of ways to keep the sun up"--
Author | : Donnarae MacCann |
Publisher | : Routledge |
Total Pages | : 264 |
Release | : 2013-02-01 |
Genre | : Literary Criticism |
ISBN | : 1135956847 |
This penetrating study of the white supremacy myth in books for the young adds an important dimension to American intellectual history. The study pinpoints an intersecting adult and child culture: it demonstrates that many children's stories had political, literary, and social contexts that paralleled the way adult books, schools, churches, and government institutions similarly maligned black identity, culture, and intelligence. The book reveals how links between the socialization of children and conservative trends in the 19th century foretold 20th century disregard for social justice in American social policy. The author demonstrates that cultural pluralism, an ongoing corrective to white supremacist fabrications, is informed by the insights and historical assessments offered in this study.
Author | : Dianne A. Johnson |
Publisher | : Praeger |
Total Pages | : 192 |
Release | : 1990-10-05 |
Genre | : Education |
ISBN | : |
This work examines the development of African American literature for young people--in terms of recurrent thematic content and underlying philosophies--from 1920 to the present. Johnson provides a close reading of various texts including 1) The Brownies' Book magazine, edited by W.E.B. Du Bois and Jessie Fauset from January 1920 through December 1921; 2) fiction, non-fiction, and poetry written by Langston Hughes and Arna Bontemps in the 1930s and 1940s, and the historical fiction that their work prefigures; 3) the picture book canon of Lucille Clifton, poet laureate of Maryland and Pulitzer nominee, and one of the most prolific writers of verse and prose for children. The book also features illustrations representing books published between 1920 and the present. Included among these is a cover from The Brownies' Book magazine, a wood-cut from Hughes and Bontemps' 1932 Popa and Fifina, and a painting from Harriet and the Promised Land, written and illustrated by celebrated artist Jacob Lawrence, and an illustration by John Steptoe. Telling Tales takes a fresh new look at material that has long been neglected. Until recently, most critics have examined not African American children's literature itself, but (mis) representations and stereotypes of black people in mainstream literature. This current study is an attempt to redirect critical inquiry in the field. The book creates a space for further critical study that will more fully explore issues herein: the relationship between the publishing industry and the development of African American children's literature; the nature of the relationship between African American adult and children's literature; the relationship between word and image, and more. Most importantly, the book provides a useful introduction and model for reading this literature for a broad audience that includes parents, teachers, librarians, other educators, and scholars of African American letters.
Author | : Rosemary Sadlier |
Publisher | : Kids Can Press Ltd |
Total Pages | : 58 |
Release | : 2010-08 |
Genre | : Juvenile Nonfiction |
ISBN | : 1554535875 |
Learn the important role Black Canadian's have played, and will continue to play, in the development of Canada.
Author | : Katharine Capshaw |
Publisher | : |
Total Pages | : 0 |
Release | : 2017 |
Genre | : SOCIAL SCIENCE |
ISBN | : 9781517900267 |
Until recently, scholars believed that African American children's literature did not exist before 1900. Now, Who Writes for Black Children? opens the door to a rich archive of largely overlooked literature read by black children. This volume's combination of analytic essays, bibliographic materials, and primary texts offers alternative histories for early African American literary studies and children's literature studies. From poetry written by a slave for a plantation school to joyful "death biographies" of African Americans in the antebellum North to literature penned by African American children themselves, Who Writes for Black Children? presents compelling new definitions of both African American literature and children's literature. Editors Katharine Capshaw and Anna Mae Duane bring together a rich collection of essays that argue for children as an integral part of the nineteenth-century black community and offer alternative ways to look at the relationship between children and adults. Including two bibliographic essays that provide a list of texts for future research as well as an extensive selection of hard-to-find primary texts, Who Writes for Black Children? broadens our ideas of authorship, originality, identity, and political formations. In the process, the volume adds new texts to the canon of African American literature while providing a fresh perspective on our desire for the literary origin stories that create canons in the first place. Contributors: Karen Chandler, U of Louisvil≤ Martha J. Cutter, U of Connecticut; LuElla D'Amico, Whitworth U; Brigitte Fielder, U of Wisconsin-Madison; Eric Gardner, Saginaw Valley State U; Mary Niall Mitchell, U of New Orleans; Angela Sorby, Marquette U; Ivy Linton Stabell, Iona Colle≥ Valentina K. Tikoff, DePaul U; Laura Wasowicz; Courtney Weikle-Mills, U of Pittsburgh; Nazera Sadiq Wright, U of Kentucky.
Author | : Michelle Martin |
Publisher | : Routledge |
Total Pages | : 275 |
Release | : 2004-03-01 |
Genre | : Literary Criticism |
ISBN | : 113594914X |
Brown Gold is a compelling history and analysis of African-American children's picturebooks from the mid-nineteenth century to the present. At the turn of the nineteenth century, good children's books about black life were hard to find — if, indeed, young black readers and their parents could even gain entry into the bookstores and libraries. But today, in the "Golden Age" of African-American children's picturebooks, one can find a wealth of titles ranging from Happy to be Nappy to Black is Brown is Tan. In this book, Michelle Martin explores how the genre has evolved from problematic early works such as Epaminondas that were rooted in minstrelsy and stereotype, through the civil rights movement, and onward to contemporary celebrations of blackness. She demonstrates the cultural importance of contemporary favorites through keen historical analysis — scrutinizing the longevity and proliferation of the Coontown series and Ten Little Niggers books, for example — that makes clear how few picturebooks existed in which black children could see themselves and their people positively represented even up until the 1960s. Martin also explores how children's authors and illustrators have addressed major issues in black life and history including racism, the civil rights movement, black feminism, major historical figures, religion, and slavery. Brown Gold adds new depth to the reader's understanding of African-American literature and culture, and illuminates how the round, dynamic characters in these children's novels, novellas, and picturebooks can put a face on the past, a face with which many contemporary readers can identify.
Author | : Philip Nel |
Publisher | : Oxford University Press |
Total Pages | : 289 |
Release | : 2017-07-06 |
Genre | : Literary Criticism |
ISBN | : 0190635088 |
Racism is resilient, duplicitous, and endlessly adaptable, so it is no surprise that America is again in a period of civil rights activism. A significant reason racism endures is because it is structural: it's embedded in culture and in institutions. One of the places that racism hides-and thus perhaps the best place to oppose it-is books for young people. Was the Cat in the Hat Black? presents five serious critiques of the history and current state of children's literature tempestuous relationship with both implicit and explicit forms of racism. The book fearlessly examines topics both vivid-such as The Cat in the Hat's roots in blackface minstrelsy-and more opaque, like how the children's book industry can perpetuate structural racism via whitewashed covers even while making efforts to increase diversity. Rooted in research yet written with a lively, crackling touch, Nel delves into years of literary criticism and recent sociological data in order to show a better way forward. Though much of what is proposed here could be endlessly argued, the knowledge that what we learn in childhood imparts both subtle and explicit lessons about whose lives matter is not debatable. The text concludes with a short and stark proposal of actions everyone-reader, author, publisher, scholar, citizen- can take to fight the biases and prejudices that infect children's literature. While Was the Cat in the Hat Black? does not assume it has all the answers to such a deeply systemic problem, its audacity should stimulate discussion and activism.