Black Gospel
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Author | : Bob Darden |
Publisher | : A&C Black |
Total Pages | : 456 |
Release | : 2004-01-01 |
Genre | : Music |
ISBN | : 9780826414366 |
From Africa through the spirituals, from minstrel music through jubilee, and from traditional to contemporary gospel, "People Get Ready!" provides, for the first time, an accessible overview of this musical genre.
Author | : Jerma A. Jackson |
Publisher | : Univ of North Carolina Press |
Total Pages | : 207 |
Release | : 2005-12-15 |
Genre | : Music |
ISBN | : 0807863610 |
Black gospel music grew from obscure nineteenth-century beginnings to become the leading style of sacred music in black American communities after World War II. Jerma A. Jackson traces the music's unique history, profiling the careers of several singers--particularly Sister Rosetta Tharpe--and demonstrating the important role women played in popularizing gospel. Female gospel singers initially developed their musical abilities in churches where gospel prevailed as a mode of worship. Few, however, stayed exclusively in the religious realm. As recordings and sheet music pushed gospel into the commercial arena, gospel began to develop a life beyond the church, spreading first among a broad spectrum of African Americans and then to white middle-class audiences. Retail outlets, recording companies, and booking agencies turned gospel into big business, and local church singers emerged as national and international celebrities. Amid these changes, the music acquired increasing significance as a source of black identity. These successes, however, generated fierce controversy. As gospel gained public visibility and broad commercial appeal, debates broke out over the meaning of the music and its message, raising questions about the virtues of commercialism and material values, the contours of racial identity, and the nature of the sacred. Jackson engages these debates to explore how race, faith, and identity became central questions in twentieth-century African American life.
Author | : Henry Louis Gates, Jr. |
Publisher | : Penguin |
Total Pages | : 338 |
Release | : 2021-02-16 |
Genre | : History |
ISBN | : 1984880330 |
The instant New York Times bestseller and companion book to the PBS series. “Absolutely brilliant . . . A necessary and moving work.” —Eddie S. Glaude, Jr., author of Begin Again “Engaging. . . . In Gates’s telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth—as it is in heaven.” —Jon Meacham, New York Times Book Review From the New York Times bestselling author of Stony the Road and The Black Box, and one of our most important voices on the African American experience, comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America. For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity—an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today’s political landscape. At road’s end, and after Gates’s distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative—as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community’s most critical personal and social issues. In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery’s formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn’t even past—Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion. But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community’s most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society’s darkest forces, the Black Church has been central, as this enthralling history makes vividly clear.
Author | : Mark Burford |
Publisher | : |
Total Pages | : 497 |
Release | : 2019 |
Genre | : Biography & Autobiography |
ISBN | : 0190634901 |
Drawing on and piecing together a trove of previously unexamined sources, this work is a critical study of the renowned African American gospel singer Mahalia Jackson (1911-1972).
Author | : Ralph E. Luker |
Publisher | : Univ of North Carolina Press |
Total Pages | : 468 |
Release | : 2000-11-09 |
Genre | : History |
ISBN | : 0807863106 |
In a major revision of accepted wisdom, this book, originally published by UNC Press in 1991, demonstrates that American social Christianity played an important role in racial reform during the period between Emancipation and the civil rights movement. As organizations created by the heirs of antislavery sentiment foundered in the mid-1890s, Ralph Luker argues, a new generation of black and white reformers--many of them representatives of American social Christianity--explored a variety of solutions to the problem of racial conflict. Some of them helped to organize the Federal Council of Churches in 1909, while others returned to abolitionist and home missionary strategies in organizing the NAACP in 1910 and the National Urban League in 1911. A half century later, such organizations formed the institutional core of America's civil rights movement. Luker also shows that the black prophets of social Christianity who espoused theological personalism created an influential tradition that eventually produced Martin Luther King Jr.
Author | : Frederick Burton |
Publisher | : Arcadia Publishing |
Total Pages | : 134 |
Release | : 2003 |
Genre | : History |
ISBN | : 9780738532004 |
Cleveland's Gospel Music documents the history of black gospel music from the 1920s through the 1980s. The gospel quartet groups, radio announcers, solo artists, and promoters established Cleveland as the gospel singers' metropolitan hub. An integral part of Cleveland's history and its rich African-American community, gospel singers didn't sing for money or fame, but sang to the glory of God, often beyond the point of exhaustion. This work is a celebration of the past praises of those who sang tirelessly for some 60 years.
Author | : Alan Young |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 358 |
Release | : 2012-09-29 |
Genre | : Gospel music |
ISBN | : 9781604737325 |
Creators and Context. Starting in the mid-1980s, a talented group of comics creators changed the American comic industry forever by introducing adult sensibilities and aesthetics into popular genres such as superhero comics and the newspaper strip. Frank Millers Batman The Dark Knight Returns 1986 and Alan Moore and Dave Gibbonss Watchmen 1987 in particular revolutionized the genre. During this same period, underground and alternative genres began to garner critical acclaim and media attention, as best represented by Art Spiegelmans Maus. The Rise of the American Comics Artist is an insightful volume surveying the
Author | : Andrew Wilson-Dickson |
Publisher | : Fortress Press |
Total Pages | : 268 |
Release | : 2003 |
Genre | : Music |
ISBN | : 9780800634742 |
Music has been at the heart of Christian worship since the beginning, and this lavishly illustrated and wonderfully written volume fully surveys the many centuries of creative Christian musical experimentation. From its roots in Jewish and Hellenistic music, through the rich tapestry of medieval chant to the full flowering of Christian music in the centuries after the Reformation and the many musical expressions of a now-global Christianity, Wilson-Dickson conveys 'a glimpse of the fecundity of imagination with which humanity has responded to the creator God.' Book jacket.
Author | : Esau McCaulley |
Publisher | : InterVarsity Press |
Total Pages | : 215 |
Release | : 2020-09-01 |
Genre | : Religion |
ISBN | : 0830854878 |
Reading Scripture from the perspective of Black church tradition can help us connect with a rich faith history and address the urgent issues of our times. Demonstrating an ongoing conversation between the collective Black experience and the Bible, New Testament scholar Esau McCaulley shares a personal and scholarly testament to the power and hope of Black biblical interpretation.
Author | : Kymberly N Pinder |
Publisher | : University of Illinois Press |
Total Pages | : 0 |
Release | : 2016-03-01 |
Genre | : Social Science |
ISBN | : 9780252081439 |
Innovative and lavishly illustrated, Painting the Gospel offers an indispensable contribution to conversations about African American art, theology, politics, and identity in Chicago. Kymberly N. Pinder escorts readers on an eye-opening odyssey to the murals, stained glass, and sculptures dotting the city's African American churches and neighborhoods. Moving from Chicago's oldest black Christ figure to contemporary religious street art, Pinder explores ideas like blackness in public, art for black communities, and the relationship of Afrocentric art to Black Liberation Theology. She also focuses attention on art excluded from scholarship due to racial or religious particularity. Throughout, she reflects on the myriad ways private black identities assert public and political goals through imagery. Painting the Gospel includes maps and tour itineraries that allow readers to make conceptual, historical, and geographical connections among the works.