Black Christmas
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Author | : Patrick D. Jones |
Publisher | : Harvard University Press |
Total Pages | : 353 |
Release | : 2010-10-30 |
Genre | : History |
ISBN | : 0674274490 |
Between 1958 and 1970, a distinctive movement for racial justice emerged from unique circumstances in Milwaukee. A series of local leaders inspired growing numbers of people to participate in campaigns against employment and housing discrimination, segregated public schools, the membership of public officials in discriminatory organizations, welfare cuts, and police brutality. The Milwaukee movement culminated in the dramatic—and sometimes violent—1967 open housing campaign. A white Catholic priest, James Groppi, led the NAACP Youth Council and Commandos in a militant struggle that lasted for 200 consecutive nights and provoked the ire of thousands of white residents. After working-class mobs attacked demonstrators, some called Milwaukee “the Selma of the North.” Others believed the housing campaign represented the last stand for a nonviolent, interracial, church-based movement. Patrick Jones tells a powerful and dramatic story that is important for its insights into civil rights history: the debate over nonviolence and armed self-defense, the meaning of Black Power, the relationship between local and national movements, and the dynamic between southern and northern activism. Jones offers a valuable contribution to movement history in the urban North that also adds a vital piece to the national story.
Author | : Bartłomiej Paszylk |
Publisher | : McFarland |
Total Pages | : 245 |
Release | : 2009-06-08 |
Genre | : Performing Arts |
ISBN | : 0786453273 |
The horror genre harbors a number of films too bold or bizarre to succeed with mainstream audiences, but offering unique, startling and often groundbreaking qualities that have won them an enduring following. Beginning with Victor Sjostrom's The Phantom Carriage in 1921, this book tracks the evolution and influence of underground cult horror over the ensuing decades, closing with William Winckler's Frankenstein vs. the Creature from Blood Cove in 2005. It discusses the features that define a cult film, trends and recurring symbols, and changing iconography within the genre through insightful analysis of 88 movies. Included are works by popular directors who got their start with cult horror films, including Oliver Stone, David Cronenberg and Peter Jackson.
Author | : Todd K. Platts |
Publisher | : University of Wales Press |
Total Pages | : 305 |
Release | : 2022-05-15 |
Genre | : Fiction |
ISBN | : 1786838656 |
Blumhouse Productions is the first book that systematically examines the corpus of Blumhouse’s cinematic output. Individual chapters written by emerging and established scholars consider thematic trends across Blumhouse films, such as the use of found footage, haunted bodies/haunted houses, and toxic masculinity. Blumhouse’s business strategies and funding model are considered – including the company’s high-profile franchises Paranormal Activity, Insidious, The Purge, Happy Death Day, and Halloween – alongside such key standalone films as Get Out and Black Christmas, and nonhorror films like BlackKklansman. Taken together, the chapters provide a thorough primer for one of the most significant drivers behind the contemporary resurgence of horror cinema.
Author | : |
Publisher | : |
Total Pages | : 64 |
Release | : 1970-01-01 |
Genre | : |
ISBN | : |
The weekly source of African American political and entertainment news.
Author | : |
Publisher | : |
Total Pages | : 124 |
Release | : 1970-02 |
Genre | : |
ISBN | : |
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
Author | : John Kenneth Muir |
Publisher | : McFarland |
Total Pages | : 682 |
Release | : 2012-11-22 |
Genre | : Performing Arts |
ISBN | : 0786491566 |
The seventies were a decade of groundbreaking horror films: The Exorcist, Carrie, and Halloween were three. This detailed filmography covers these and 225 more. Section One provides an introduction and a brief history of the decade. Beginning with 1970 and proceeding chronologically by year of its release in the United States, Section Two offers an entry for each film. Each entry includes several categories of information: Critical Reception (sampling both '70s and later reviews), Cast and Credits, P.O.V., (quoting a person pertinent to that film's production), Synopsis (summarizing the film's story), Commentary (analyzing the film from Muir's perspective), Legacy (noting the rank of especially worthy '70s films in the horror pantheon of decades following). Section Three contains a conclusion and these five appendices: horror film cliches of the 1970s, frequently appearing performers, memorable movie ads, recommended films that illustrate how 1970s horror films continue to impact the industry, and the 15 best genre films of the decade as chosen by Muir.
Author | : Richard Nowell |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 300 |
Release | : 2010-12-23 |
Genre | : Performing Arts |
ISBN | : 1441143165 |
Scholars have consistently applied psychoanalytic models to representations of gender in early teen slasher films such as Black Christmas (1974), Halloween (1978) and Friday the 13th (1980) in order to claim that these were formulaic, excessively violent exploitation films, fashioned to satisfy the misogynist fantasies of teenage boys and grind house patrons. However, by examining the commercial logic, strategies and objectives of the American and Canadian independents that produced the films and the companies that distributed them in the US, Blood Money demonstrates that filmmakers and marketers actually went to extraordinary lengths to make early teen slashers attractive to female youth, to minimize displays of violence, gore and suffering and to invite comparisons to a wide range of post-classical Hollywood's biggest hits; including Love Story (1970), The Exorcist (1973), Saturday Night Fever (1977), Grease and Animal House (both 1978). Blood Money is a remarkable piece of scholarship that highlights the many forces that helped establish the teen slasher as a key component of the North American film industry's repertoire of youth-market product.
Author | : |
Publisher | : |
Total Pages | : 64 |
Release | : 1968-12-26 |
Genre | : |
ISBN | : |
The weekly source of African American political and entertainment news.
Author | : |
Publisher | : |
Total Pages | : 64 |
Release | : 1969-01-02 |
Genre | : |
ISBN | : |
The weekly source of African American political and entertainment news.
Author | : Gladys L. Knight |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 750 |
Release | : 2008-12-30 |
Genre | : Social Science |
ISBN | : 1573567361 |
Protest has always been a catalyst for change. It is the cornerstone of America's own birth. Did not the first immigrants help America take its first steps upon the road to greatness when they long ago protested against the oppression of their native government and established new edicts promoting the ideals of freedom and opportunity? Since the first African slave was forced to board a ship bound for this continent, protest has been a major motif in the African American experience. It was a critical weapon during the raging violence against blacks following the end of Reconstruction, the Jim Crow years, and against the grisly conditions in the ghettoes in the North. Throughout history protest has been used to combat economic and political oppression, racism, discrimination, and exclusion from mainstream America. Icons of African American Protest reveals the extraordinary strength, courage, and sacrifice displayed by individuals for the cause of freedom and civil rights. The 24 leaders showcased here cover a broad spectrum of descriptors-vibrant, tame, intense, aggressive, and diffident-and their politics ran the gamut from conservative to ultra-radical. Nevertheless, whatever techniques, modes, or tactics employed-such as Thurgood Marshall's legal fights in the court room, Dr. King's reliance on nonviolent civil disobedience and direct action, and Huey P. Newton's advocacy for armed self-defense-they were all, in their time, radicals who strove to eradicate racism and the climate of exclusion. This two-volume reference provides both students and general readers in-depth coverage of contemporary voices of protest, supplemented by sidebars on major turning points, freedom songs, and important symbols, such as the clenched fist of the Black Power Movement. Also included are a timeline of key events, historical documents, a glossary, and a thorough bibliography of print and electronic resources to encourage further research.