Black Characters in the Brazilian Novel
| Author | : Giorgio Marotti |
| Publisher | : |
| Total Pages | : 484 |
| Release | : 1987 |
| Genre | : Black people in literature |
| ISBN | : |
Black Characters In The Brazilian Novel
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Visualizing Black Lives
| Author | : Reighan Gillam |
| Publisher | : University of Illinois Press |
| Total Pages | : 195 |
| Release | : 2022-04-26 |
| Genre | : Social Science |
| ISBN | : 0252053400 |
A new generation of Afro-Brazilian media producers have emerged to challenge a mainstream that frequently excludes them. Reighan Gillam delves into the dynamic alternative media landscape developed by Afro-Brazilians in the twenty-first century. With works that confront racism and focus on Black characters, these artists and the visual media they create identify, challenge, or break with entrenched racist practices, ideologies, and structures. Gillam looks at a cross-section of media to show the ways Afro-Brazilians assert control over various means of representation in order to present a complex Black humanity. These images--so at odds with the mainstream--contribute to an anti-racist visual politics fighting to change how Brazilian media depicts Black people while highlighting the importance of media in the movement for Black inclusion. An eye-opening union of analysis and fieldwork, Visualizing Black Lives examines the alternative and activist Black media and the people creating it in today's Brazil.
The Black Man in Brazilian Soccer
| Author | : Mario Filho |
| Publisher | : UNC Press Books |
| Total Pages | : 369 |
| Release | : 2021-02-10 |
| Genre | : Social Science |
| ISBN | : 1469637030 |
At turns lyrical, ironic, and sympathetic, Mario Filho's chronicle of "the beautiful game" is a classic of Brazilian sports writing. Filho (1908–1966)—a famous Brazilian journalist after whom Rio's Maracana stadium is officially named—tells the Brazilian soccer story as a boundary-busting one of race relations, popular culture, and national identity. Now in English for the first time, the book highlights national debates about the inclusion of African-descended people in the body politic and situates early black footballers as key creators of Brazilian culture. When first introduced to Brazil by British expatriots at the end of the nineteenth century, the game was reserved for elites, excluding poor, working-class, and black Brazilians. Filho, drawing on lively in-depth interviews with coaches, players, and fans, points to the 1920s and 1930s as watershed decades when the gates cracked open. The poor players and players of color entered the game despite virulent discrimination. By the mid-1960s, Brazil had established itself as a global soccer powerhouse, winning two World Cups with the help of star Afro-Brazilians such as Pele and Garrincha. As a story of sport and racism in the world's most popular sport, this book could not be more relevant today.
The Sun on My Head
| Author | : Geovani Martins |
| Publisher | : Macmillan + ORM |
| Total Pages | : 94 |
| Release | : 2019-06-11 |
| Genre | : Fiction |
| ISBN | : 0374719748 |
A bestselling literary sensation in Brazil, a powerful debut short-story collection about favela life in Rio de Janeiro In The Sun on My Head, Geovani Martins recounts the experiences of boys growing up in the favelas of Rio de Janeiro in the early years of the twenty-first century. Drawing on his childhood and adolescence, Martins uses the rhythms and slang of his neighborhood dialect to capture the texture of life in the slums, where every day is shadowed by a ubiquitous drug culture, the constant threat of the police, and the confines of poverty, violence, and racial oppression. And yet these are also stories of friendship, romance, and momentary relief, as in “Rolézim,” where a group of teenagers head to the beach. Other stories, all uncompromising in their realism and yet diverse in narrative form, explore the changes that occur when militarized police occupy the favelas in the lead-up to the World Cup, the cycles of violence in the narcotics trade, and the feelings of invisibility that define the realities of so many in Rio’s underclass. The Sun on My Head is a work of great talent and sensitivity, a daring evocation of life in the favelas by a rising star rooted in the community he portrays.
Terms of Inclusion
| Author | : Paulina L. Alberto |
| Publisher | : UNC Press Books |
| Total Pages | : 413 |
| Release | : 2011-05-02 |
| Genre | : History |
| ISBN | : 0807877719 |
In this history of black thought and racial activism in twentieth-century Brazil, Paulina Alberto demonstrates that black intellectuals, and not just elite white Brazilians, shaped discourses about race relations and the cultural and political terms of inclusion in their modern nation. Drawing on a wide range of sources, including the prolific black press of the era, and focusing on the influential urban centers of Sao Paulo, Rio de Janeiro, and Salvador da Bahia, Alberto traces the shifting terms that black thinkers used to negotiate their citizenship over the course of the century, offering fresh insight into the relationship between ideas of race and nation in modern Brazil. Alberto finds that black intellectuals' ways of engaging with official racial discourses changed as broader historical trends made the possibilities for true inclusion appear to flow and then recede. These distinct political strategies, Alberto argues, were nonetheless part of black thinkers' ongoing attempts to make dominant ideologies of racial harmony meaningful in light of evolving local, national, and international politics and discourse. Terms of Inclusion tells a new history of the role of people of color in shaping and contesting the racialized contours of citizenship in twentieth-century Brazil.
The People of the River
| Author | : Oscar de la Torre |
| Publisher | : UNC Press Books |
| Total Pages | : 243 |
| Release | : 2018-08-17 |
| Genre | : History |
| ISBN | : 1469643251 |
In this history of the black peasants of Amazonia, Oscar de la Torre focuses on the experience of African-descended people navigating the transition from slavery to freedom. He draws on social and environmental history to connect them intimately to the natural landscape and to Indigenous peoples. Relying on this world as a repository for traditions, discourses, and strategies that they retrieved especially in moments of conflict, Afro-Brazilians fought for autonomous communities and developed a vibrant ethnic identity that supported their struggles over labor, land, and citizenship. Prior to abolition, enslaved and escaped blacks found in the tropical forest a source for tools, weapons, and trade--but it was also a cultural storehouse within which they shaped their stories and records of confrontations with slaveowners and state authorities. After abolition, the black peasants' knowledge of local environments continued to be key to their aspirations, allowing them to maintain relationships with powerful patrons and to participate in the protest cycle that led Getulio Vargas to the presidency of Brazil in 1930. In commonly referring to themselves by such names as "sons of the river," black Amazonians melded their agro-ecological traditions with their emergent identity as political stakeholders.
The Anti-Black City
| Author | : Jaime Amparo Alves |
| Publisher | : U of Minnesota Press |
| Total Pages | : 349 |
| Release | : 2018-02-13 |
| Genre | : Social Science |
| ISBN | : 1452956030 |
An important new ethnographic study of São Paulo’s favelas revealing the widespread use of race-based police repression in Brazil While Black Lives Matter still resonates in the United States, the movement has also become a potent rallying call worldwide, with harsh police tactics and repressive state policies often breaking racial lines. In The Anti-Black City, Jaime Amparo Alves delves into the dynamics of racial violence in Brazil, where poverty, unemployment, residential segregation, and a biased criminal justice system create urban conditions of racial precarity. The Anti-Black City provocatively offers race as a vital new lens through which to view violence and marginalization in the supposedly “raceless” São Paulo. Ironically, in a context in which racial ambiguity makes it difficult to identify who is black and who is white, racialized access to opportunities and violent police tactics establish hard racial boundaries through subjugation and death. Drawing on two years of ethnographic research in prisons and neighborhoods on the periphery of this mega-city, Alves documents the brutality of police tactics and the complexity of responses deployed by black residents, including self-help initiatives, public campaigns against police violence, ruthless gangs, and self-policing of communities. The Anti-Black City reveals the violent and racist ideologies that underlie state fantasies of order and urban peace in modern Brazil. Illustrating how “governing through death” has become the dominant means for managing and controlling ethnic populations in the neoliberal state, Alves shows that these tactics only lead to more marginalization, criminality, and violence. Ultimately, Alves’s work points to a need for a new approach to an intractable problem: how to govern populations and territories historically seen as “ungovernable.”
Imagining the Mulatta
| Author | : Jasmine Mitchell |
| Publisher | : University of Illinois Press |
| Total Pages | : 408 |
| Release | : 2020-05-25 |
| Genre | : Social Science |
| ISBN | : 0252052161 |
Brazil markets itself as a racially mixed utopia. The United States prefers the term melting pot. Both nations have long used the image of the mulatta to push skewed cultural narratives. Highlighting the prevalence of mixed race women of African and European descent, the two countries claim to have perfected racial representation—all the while ignoring the racialization, hypersexualization, and white supremacy that the mulatta narrative creates. Jasmine Mitchell investigates the development and exploitation of the mulatta figure in Brazilian and U.S. popular culture. Drawing on a wide range of case studies, she analyzes policy debates and reveals the use of mixed-Black female celebrities as subjects of racial and gendered discussions. Mitchell also unveils the ways the media moralizes about the mulatta figure and uses her as an example of an ”acceptable” version of blackness that at once dreams of erasing undesirable blackness while maintaining the qualities that serve as outlets for interracial desire.
Race in Another America
| Author | : Edward E. Telles |
| Publisher | : Princeton University Press |
| Total Pages | : 337 |
| Release | : 2006-09-25 |
| Genre | : Social Science |
| ISBN | : 0691127921 |
This is the most comprehensive and up-to-date book on the increasingly important and controversial subject of race relations in Brazil. North American scholars of race relations frequently turn to Brazil for comparisons, since its history has many key similarities to that of the United States. Brazilians have commonly compared themselves with North Americans, and have traditionally argued that race relations in Brazil are far more harmonious because the country encourages race mixture rather than formal or informal segregation. More recently, however, scholars have challenged this national myth, seeking to show that race relations are characterized by exclusion, not inclusion, and that fair-skinned Brazilians continue to be privileged and hold a disproportionate share of wealth and power. In this sociological and demographic study, Edward Telles seeks to understand the reality of race in Brazil and how well it squares with these traditional and revisionist views of race relations. He shows that both schools have it partly right--that there is far more miscegenation in Brazil than in the United States--but that exclusion remains a serious problem. He blends his demographic analysis with ethnographic fieldwork, history, and political theory to try to "understand" the enigma of Brazilian race relations--how inclusiveness can coexist with exclusiveness. The book also seeks to understand some of the political pathologies of buying too readily into unexamined ideas about race relations. In the end, Telles contends, the traditional myth that Brazil had harmonious race relations compared with the United States encouraged the government to do almost nothing to address its shortcomings.
Traditional Brazilian Black Magic
| Author | : Diego de Oxóssi |
| Publisher | : Simon and Schuster |
| Total Pages | : 169 |
| Release | : 2021-07-27 |
| Genre | : Body, Mind & Spirit |
| ISBN | : 1644112272 |
• Explains how Kimbanda’s presiding deity Eshu embodies both masculine and feminine principles, both god and devil, and thus represents human nature itself with all its vices and virtues • Discusses Kimbanda’s magical practices, initiation rites, sacred knives, and sacrificial offerings • Details the seven realms and the entities that inhabit and govern each of them Although it has been demonized as a form of Satanic cult, Kimbanda--the tradition of Afro-Brazilian black magic--is a spiritual practice that embraces both the light and dark aspects of life through worship of the entities known as Eshu and Pombajira. Exploring the history and practice of Kimbanda, also known as Quimbanda, Diego de Oxóssi builds a timeline from the emergence of Afro-Brazilian religions in the 17th century when African slaves were first brought to Brazil, through the development of Orisha cults and the formation of Candomblé, Batuque, Macumba, and Umbanda religious practices, to the modern codification of Kimbanda by Mãe Ieda do Ogum in the 1960s. He explains how Kimbanda’s presiding deity Eshu Mayoral embodies both masculine and feminine principles, both god and devil, and thus represents human nature itself with all its vices and virtues. Discussing the magical practices, initiation rites, and spiritual landscape of Kimbanda, the author explains how there are seven realms, each with nine dominions, and he discusses the entities that inhabit and govern each of them. The author explores spirit possession and Kimbanda’s sacrificial practices, which are performed in order to honor and obtain the blessing of the entities of the seven realms. He discusses the sacred knives of the practice and the role each plays in it. He also explores the 16 zimba symbols and sigils used to attract the spirits most apt to realizing the magician’s will as well as traditional enchantment songs to summon and work with those spirits. Offering an accessible guide to Kimbanda, the author shows that this religion of the people is popular because it recognizes the dark and light sides of human morality and provides a way to interact with the deities to produce direct results. DIEGO DE OXÓSSI is a Chief of Kimbanda and Orishas Priest. For more than 20 years he has been researching and presenting courses, lectures, and workshops on pagan and African-Brazilian religions. He writes a weekly column at CoreSpirit.com and is the publisher at Arole Cultural. He lives in São Paulo, Brazil.
