Black British Cultural Studies
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| Author | : Houston A. Baker (Jr.) |
| Publisher | : University of Chicago Press |
| Total Pages | : 184 |
| Release | : 1996-09 |
| Genre | : Art |
| ISBN | : 9780226144801 |
Black British Cultural Studies has attracted significant attention recently in the American academy both as a model for cultural studies generally and as a corrective to reigning constructions of Blackness within African-American studies. This anthology offers the first book-length selection of writings by key figures in this field. From Stuart Hall's classic study of racially structured societies to an interview by Manthia Diawara with Sonia Boyce, a leading figure in the Black British arts movement, the papers included here have transformed cultural studies through their sustained focus on the issue of race. Much of the book centers on Black British arts, especially film, ranging from a historical overview of Black British cinema to a weighing of the costly burden on Black artists of representing their communities. Other essays consider such topics as race and representation and colonial and postcolonial discourse. This anthology will be an invaluable and timely resource for everyone interested in cultural studies. It also has much to offer students of anthropology, sociology, media and film studies, and literary criticism.
| Author | : Kobena Mercer |
| Publisher | : Routledge |
| Total Pages | : 348 |
| Release | : 2013-09-13 |
| Genre | : Art |
| ISBN | : 1135204772 |
Welcome to the Jungle brings a black British perspective to the critical reading of a wide range of cultural texts, events and experiences arising from volatile transformations in the politics of ethnicity, sexuality and "race" during the 1980s. The ten essays collected here examine new forms of cultural expression in black film, photography and visual art exerging with a new generation of black British artists, and interprets this prolific creativity within a sociological framework that reveals fresh perspectives on the bewildering complexity of identity and diversity in an era of postmodernity. Kobena Mercer documents a wealth of insights opened up by the overlapping of Asian, African and Caribbean cultures that constitute Black Britain as a unique domain of diaspora.
| Author | : Kwesi Owusu |
| Publisher | : Psychology Press |
| Total Pages | : 639 |
| Release | : 2000 |
| Genre | : Social Science |
| ISBN | : 0415178460 |
From the Windrush immigration of the 1950s to contemporary multicultural Britain, Black British Culture and Society examines the Afro-Caribbean diaspora in post-war Britain.
| Author | : Alison Donnell |
| Publisher | : Routledge |
| Total Pages | : 662 |
| Release | : 2002-09-11 |
| Genre | : Reference |
| ISBN | : 1134700245 |
The Companion to Contemporary Black British Culture is the first comprehensive reference book to provide multidisciplinary coverage of the field of black cultural production in Britain. The publication is of particular value because despite attracting growing academic interest in recent years, this field is still often subject to critical and institutional neglect. For the purpose of the Companion, the term 'black' is used to signify African, Caribbean and South Asian ethnicities, while at the same time addressing the debates concerning notions of black Britishness and cultural identity. This single volume Companion covers seven intersecting areas of black British cultural production since 1970: writing, music, visual and plastic arts, performance works, film and cinema, fashion and design, and intellectual life. With entries on distinguished practitioners, key intellectuals, seminal organizations and concepts, as well as popular cultural forms and local activities, the Companion is packed with information and suggestions for further reading, as well as offering a wide lens on the events and issues that have shaped the cultural interactions and productions of black Britain over the last thirty years. With a range of specialist advisors and contributors, this work promises to be an invaluable sourcebook for students, researchers and academics interested in exploring the diverse, complex and exciting field of black cultural forms in postcolonial Britain.
| Author | : Houston A. Baker (Jr.) |
| Publisher | : University of Chicago Press |
| Total Pages | : 360 |
| Release | : 1996-09 |
| Genre | : Art |
| ISBN | : 9780226144801 |
Black British Cultural Studies has attracted significant attention recently in the American academy both as a model for cultural studies generally and as a corrective to reigning constructions of Blackness within African-American studies. This anthology offers the first book-length selection of writings by key figures in this field. From Stuart Hall's classic study of racially structured societies to an interview by Manthia Diawara with Sonia Boyce, a leading figure in the Black British arts movement, the papers included here have transformed cultural studies through their sustained focus on the issue of race. Much of the book centers on Black British arts, especially film, ranging from a historical overview of Black British cinema to a weighing of the costly burden on Black artists of representing their communities. Other essays consider such topics as race and representation and colonial and postcolonial discourse. This anthology will be an invaluable and timely resource for everyone interested in cultural studies. It also has much to offer students of anthropology, sociology, media and film studies, and literary criticism.
| Author | : Paul Warmington |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : EDUCATION |
| ISBN | : 9780415809375 |
Black British Intellectuals and Education provides a critical history of the diverse currents and shifts in black British intellectual production, focusing on the sometimes hidden impacts of black thinkers on educational theories and practices.
| Author | : Sarita Malik |
| Publisher | : SAGE |
| Total Pages | : 209 |
| Release | : 2001-10-25 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 141293284X |
`This is one of the most important books on race, representation and politics to come along in a decade.... Sarita Malik′s book is a brilliant contribution to the literature on race, cultural studies and public pedagogy′ - Henry Giroux, Penn State University Representing Black Britain offers a critical history of Black and Asian representation on British television from the earliest days of broadcasting to the present day. Working through programmes as wide-ranging as the early documentaries to `ethnic sitcoms′ and youth television, this book provides a detailed analysis of shifting institutional contexts, images of `race′ and ethnic-minority cultural politics in modern Britain. Representing Black Britain: focuses on issues of representation, ideology, `race′ and difference; covers a spectrum of television genres including documentary, news, comedy, light entertainment, youth television, drama, film and sport; examines the sociopolitical context of Black Britain; and looks at questions of policy and the institutional context of British broadcasting.
| Author | : Clive Nwonka |
| Publisher | : MIT Press |
| Total Pages | : 250 |
| Release | : 2021-03-02 |
| Genre | : Performing Arts |
| ISBN | : 1912685639 |
The politics of race in British screen culture over the last 30 years vis-a-vis the institutional, textual, cultural and political shifts that have occurred during this period. Black Film British Cinema II considers the politics of blackness in contemporary British cinema and visual practice. This second iteration of Black Film British Cinema, marking over 30 years since the ground-breaking ICA Documents 7 publication in 1988, continues this investigation by offering a crucial contemporary consideration of the textual, institutional, cultural and political shifts that have occurred from this period. It focuses on the practices, values and networks of collaborations that have shaped the development of black film culture and representation. But what is black British film? How do such films, however defined, produce meaning through visual culture, and what are the political, social and aesthetic motivations and effects? How are the new forms of black British film facilitating new modes of representation, authorship and exhibition? Explored in the context of film aesthetics, curatorship, exhibition and arts practice, and the politics of diversity policy, Black Film British Cinema II provides the platform for new scholars, thinkers and practitioners to coalesce on these central questions. It is explicitly interdisciplinary, operating at the intersections of film studies, media and communications, sociology, politics and cultural studies. Through a diverse range of perspectives and theoretical interventions that offer a combination of traditional chapters, long-form essays, shorter think pieces, and critical dialogues, Black Film British Cinema II is a comprehensive, sustained, wide ranging collection that offers new framework for understanding contemporary black film practices and the cultural and creative dimensions that shape the making of blackness and race. Contributors Bidisha, Ashley Clark, Shelley Cobb, James Harvey, Melanie Hoyes, Maryam Jameela, Kara Keeling, Ozlem Koksal, Rabz Lansiquot, Sarita Malik, Richard Martin, So Mayer, Alessandra Raengo, Richard T. Rodríguez, Tess S. Skadegård Thorsen, Natalie Wreyford
| Author | : Sarah Daynes |
| Publisher | : Cambridge University Press |
| Total Pages | : 0 |
| Release | : 2008-10-23 |
| Genre | : Social Science |
| ISBN | : 9780521680479 |
What do people mean when they talk about race? Are they acknowledging a biological fact, a social reality, or a cultural identity? Is race real, or is it merely an illusion? This book brings analytical clarity to one of the most vexed topics in the social sciences today, arguing that race is no more than a social construction, unsupported in biological terms and upheld for the simple reason that we continue to believe in its reality. Deploying concepts from the sociology of knowledge, religion, social memory, and psychoanalysis, the authors consider the conditions that contribute to this persistence of belief and suggest ways in which the idea of race can free itself from outdated nineteenth-century notions of biological essentialism. By conceiving of race as something that is simultaneously real and unreal, this study generates a new conceptualization that will be required reading for scholars in this field.
| Author | : Alison Donnell |
| Publisher | : Routledge |
| Total Pages | : 385 |
| Release | : 2002-09-11 |
| Genre | : Reference |
| ISBN | : 1134700253 |
The Companion to Contemporary Black British Culture is the first comprehensive reference book to provide multidisciplinary coverage of the field of black cultural production in Britain. The publication is of particular value because despite attracting growing academic interest in recent years, this field is still often subject to critical and institutional neglect. For the purpose of the Companion, the term 'black' is used to signify African, Caribbean and South Asian ethnicities, while at the same time addressing the debates concerning notions of black Britishness and cultural identity. This single volume Companion covers seven intersecting areas of black British cultural production since 1970: writing, music, visual and plastic arts, performance works, film and cinema, fashion and design, and intellectual life. With entries on distinguished practitioners, key intellectuals, seminal organizations and concepts, as well as popular cultural forms and local activities, the Companion is packed with information and suggestions for further reading, as well as offering a wide lens on the events and issues that have shaped the cultural interactions and productions of black Britain over the last thirty years. With a range of specialist advisors and contributors, this work promises to be an invaluable sourcebook for students, researchers and academics interested in exploring the diverse, complex and exciting field of black cultural forms in postcolonial Britain.
