Black Americans In Victorian Britain
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| Author | : Vanessa D. Dickerson |
| Publisher | : University of Illinois Press |
| Total Pages | : 178 |
| Release | : 2010-10-01 |
| Genre | : Social Science |
| ISBN | : 0252090985 |
Dark Victorians illuminates the cross-cultural influences between white Britons and black Americans during the Victorian age. In carefully analyzing literature and travel narratives by Ida B. Wells, Harriet Martineau, Charles Dickens, Frederick Douglass, Thomas Carlyle, W.E.B. Du Bois, and others, Vanessa D. Dickerson reveals the profound political, racial, and rhetorical exchanges between the groups. From the nineteenth-century black nationalist David Walker, who urged emigrating African Americans to turn to England, to the twentieth-century writer Maya Angelou, who recalls how those she knew in her childhood aspired to Victorian ideas of conduct, black Americans have consistently embraced Victorian England. At a time when scholars of black studies are exploring the relations between diasporic blacks, and postcolonialists are taking imperialism to task, Dickerson considers how Britons negotiated their support of African Americans with the controlling policies they used to govern a growing empire of often dark-skinned peoples, and how philanthropic and abolitionist Victorian discourses influenced black identity, prejudice, and racism in America.
| Author | : Gretchen Gerzina |
| Publisher | : |
| Total Pages | : 222 |
| Release | : 2003 |
| Genre | : History |
| ISBN | : 9780813532158 |
Black Victorians/Black Victoriana is a welcome attempt to correct the historical record. Although scholarship has given us a clear view of nineteenth-century imperialism, colonialism, and later immigration from the colonies, there has for far too long been a gap in our understanding of the lives of blacks in Victorian England. Without that understanding, it remains impossible to assess adequately the state of the black population in Britain today. Using a transatlantic lens, the contributors to this book restore black Victorians to the British national picture. They look not just at the ways blacks were represented in popular culture but also at their lives as they experienced them--as workers, travelers, lecturers, performers, and professionals. Dozens of period photographs bring these stories alive and literally give a face to the individual stories the book tells. The essays taken as a whole also highlight prevailing Victorian attitudes toward race by focusing on the ways in which empire building spawned a "subculture of blackness" consisting of caricature, exhibition, representation, and scientific racism absorbed by society at large. This misrepresentation made it difficult to be both black and British while at the same time it helped to construct British identity as a whole. Covering many topics that detail the life of blacks during this period, Black Victorians/Black Victoriana will be a landmark contribution to the emergent field of black history in England.
| Author | : Manchester City Art Gallery |
| Publisher | : Ben Uri Gallery & Museum |
| Total Pages | : 216 |
| Release | : 2005 |
| Genre | : Architecture |
| ISBN | : |
"The black presence in Victorian art is greater than may be supposed. Indeed, the expanding art market in the nineteenth century was largely based on British prosperity resulting from imperial commerce and conquest. It can therefore be said that Victorian art owes its existence to those who are relatively absent from its images. Black Victorians brings together over 100 images depicting black figures, to reveal the diversity of representation within nineteenth-century visual culture and to foreground the 'forgotten' presence of people of African descent in Victorian British art. The range of images is broad, from pictures of soldiers and sailors in Britain's armed forces and men and women in genre scenes to portraits of entertainers and political refugees and studies of artists' models. Notable individuals featured include actor Ira Aldridge, Crimean heroine Mary Seacole, the Queen's god-daughter Sarah Bonetta Davies, composer Samuel Coleridge-Taylor and Abolitionist leader Frederick Douglass. In addition to the fine arts of painting, drawing and sculpture, the selection includes photography, popular illustration, caricature and ephemera, which provide a cultural context for the portraits and subject pictures, as well as presenting black figures as members of British society in everyday settings. Many major artists of the period are represented, including Dante Gabriel Rossetti, William Holman Hunt, Edward Burne-Jones, Julia Margaret Cameron, Edgar Degas and J. A. M. Whistler. Many works are virtually unknown and collected here for the first time. Presenting an important opportunity to see and assess how black figures have been portrayed in British art, Black Victorians is an original and fascinating survey of a subject that has been given little coverage to date. It is essential reading for anyone wishing to seek a fresh perspective on a well-documented period of British history."--Book jacket.
| Author | : Jeffrey Green |
| Publisher | : Pen and Sword |
| Total Pages | : 275 |
| Release | : 2018-09-30 |
| Genre | : History |
| ISBN | : 1526737604 |
The first study of its kind, exploring the experiences of some of the black American citizens who ventured forth to Britain in the nineteenth century. With the arrival of black Americans in Britain during the Victorian era, residents of villages, towns, and cities from Dorchester to Cambridge, Belfast to Hull, and Dumfries to Brighton heard about slavery and repression in the US, and learned of the diverse ambitions and achievements of black Americans both at home and overseas. Across the country, numerous publications were sold to the curious, and lectures were crowded. Ultimately, many of these refugees settled in Britain; some worked as domestic servants, others qualified as doctors, wrote books, taught, or labored in factories and on ships while their youngsters went to school. We might not think of black immigrants when we consider the population of Victorian Britain, but this is a shameful oversight. Their presence was important and their stories, recorded here, are both fascinating and powerful. Black Americans in Victorian Britain documents the experience of refugees, settlers, and their families as well as pioneering entertainers in both minstrel shows and stage adaptations of the 1850s bestselling novel Uncle Tom’s Cabin. This is a timely and engaging new perspective on both Victorian and Afro-American history.
| Author | : David Olusoga |
| Publisher | : Pan Macmillan |
| Total Pages | : 226 |
| Release | : 2020-10-01 |
| Genre | : Young Adult Nonfiction |
| ISBN | : 1529064422 |
Winner of the Book of the Year, Children's Illustrated and Non-Fiction at The British Book Awards, 2021 Shortlisted for Waterstones Book of the Year 2020 A short, essential introduction to Black British history for readers of 12+ by award-winning historian and broadcaster David Olusoga. When did Africans first come to Britain? Who are the well-dressed black children in Georgian paintings? Why did the American Civil War disrupt the Industrial Revolution? These and many other questions are answered in this essential introduction to 1800 years of the Black British history: from the Roman Africans who guarded Hadrian’s Wall right up to the present day. This children's version of the bestseller Black and British: A Forgotten History is illustrated with maps, photos and portraits. Macmillan Children's Books will donate 50p from every copy sold to The Black Curriculum.
| Author | : Francis Grose |
| Publisher | : Prabhat Prakashan |
| Total Pages | : 285 |
| Release | : 2024-11-01 |
| Genre | : Reference |
| ISBN | : |
*1811 Dictionary of the Vulgar Tongue* by Francis Grose is an entertaining and insightful exploration of the colloquial language and slang of early 19th-century England. This unique work serves as both a dictionary and a cultural commentary, capturing the vibrant and often humorous vernacular that characterized the everyday speech of the time. Grose meticulously compiles a plethora of terms and phrases, many of which reflect the social customs, occupations, and idiosyncrasies of the period. In this dictionary, readers will encounter a rich tapestry of language that ranges from the whimsical to the vulgar, providing a window into the lives of ordinary people, including their struggles, triumphs, and playful expressions. Grose’s definitions are often laced with wit and insight, showcasing his keen understanding of the human experience and the linguistic creativity of his contemporaries. The book also features anecdotes and examples that illustrate the use of slang in context, making it a lively and engaging read. *1811 Dictionary of the Vulgar Tongue* stands out not only as a linguistic resource but also as a historical document that captures the spirit of its time. Grose’s work serves as an important reminder of the evolving nature of language and how it reflects societal changes. For language enthusiasts, historians, and casual readers alike, this dictionary offers a delightful journey through the colorful expressions of the past. Readers are drawn to *1811 Dictionary of the Vulgar Tongue* for its quirky charm and invaluable insights into a bygone era. It is a must-have for anyone interested in the evolution of English slang, the nuances of informal language, or the rich tapestry of human expression. Adding this book to your collection is not just an investment in a linguistic treasure but also an invitation to explore the humor and creativity that language can offer.
| Author | : Monica L. Miller |
| Publisher | : Duke University Press |
| Total Pages | : 409 |
| Release | : 2009-10-08 |
| Genre | : Social Science |
| ISBN | : 0822391511 |
Slaves to Fashion is a pioneering cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art worlds of London and New York. It is populated by sartorial impresarios such as Julius Soubise, a freed slave who sometimes wore diamond-buckled, red-heeled shoes as he circulated through the social scene of eighteenth-century London, and Yinka Shonibare, a prominent Afro-British artist who not only styles himself as a fop but also creates ironic commentaries on black dandyism in his work. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora. Dandyism was initially imposed on black men in eighteenth-century England, as the Atlantic slave trade and an emerging culture of conspicuous consumption generated a vogue in dandified black servants. “Luxury slaves” tweaked and reworked their uniforms, and were soon known for their sartorial novelty and sometimes flamboyant personalities. Tracing the history of the black dandy forward to contemporary celebrity incarnations such as Andre 3000 and Sean Combs, Miller explains how black people became arbiters of style and how they have historically used the dandy’s signature tools—clothing, gesture, and wit—to break down limiting identity markers and propose new ways of fashioning political and social possibility in the black Atlantic world. With an aplomb worthy of her iconographic subject, she considers the black dandy in relation to nineteenth-century American literature and drama, W. E. B. Du Bois’s reflections on black masculinity and cultural nationalism, the modernist aesthetics of the Harlem Renaissance, and representations of black cosmopolitanism in contemporary visual art.
| Author | : Madge Dresser |
| Publisher | : Historic England Publishing |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Architecture |
| ISBN | : 9781848020641 |
The British country house has long been regarded as the jewel in the nation's heritage crown. But the country house is also an expression of wealth and power, and as scholars reconsider the nation's colonial past, new questions are being posed about these great houses and their links to Atlantic slavery.This book, authored by a range of academics and heritage professionals, grew out of a 2009 conference on 'Slavery and the British Country house: mapping the current research' organised by English Heritage in partnership with the University of the West of England, the National Trust and the Economic History Society. It asks what links might be established between the wealth derived from slavery and the British country house and what implications such links should have for the way such properties are represented to the public today.Lavishly illustrated and based on the latest scholarship, this wide-ranging and innovative volume provides in-depth examinations of individual houses, regional studies and critical reconsiderations of existing heritage sites, including two studies specially commissioned by English Heritage and one sponsored by the National Trust.
| Author | : Francis Michael Longstreth Thompson |
| Publisher | : Harvard University Press |
| Total Pages | : 396 |
| Release | : 1988 |
| Genre | : History |
| ISBN | : 9780674772854 |
'The Rise of Respectable Society' offers a new map of this territory as revealed by close empirical studies of marriage, the family, domestic life, work, leisure and entertainment in 19th century Britain.
| Author | : Page DuBois |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 168 |
| Release | : 2021-03-25 |
| Genre | : Social Science |
| ISBN | : 0755614275 |
'Life, liberty and the pursuit of happiness' is perhaps the most famous phrase of all in the American Declaration of Independence. Thomas Jefferson's momentous words are closely related to the French concept of 'liberte, egalite, fraternite'; and both ideas incarnate a notion of freedom as inalienable human right that in the modern world we expect to take for granted. In the ancient world, by contrast, the concepts of freedom and equality had little purchase. Athenians, Spartans and Romans all possessed slaves or helots (unfree bondsmen), and society was unequal at every stratum. Why, then, if modern society abominates slavery, does what antiquity thought about serfdom matter today? Page duBois shows that slavery, far from being extinct, is alive and well in the contemporary era. Slaves are associated not just with the Colosseum of ancient Rome but also with Californian labour factories and south Asian sweatshops, while young women and children appear increasingly vulnerable to sexual trafficking. Applying such modern experiences of bondage (economic or sexual) to slavery in antiquity, the author explores the writings on the subject of Aristotle, Plautus, Terence and Aristophanes. She also examines the case of Spartacus, famous leader of a Roman slave rebellion, and relates ancient notions of liberation to the all-too-common immigrant experience of enslavement to a globalized world of rampant corporatism and exploitative capitalism.
