Birth Of The Grotesque
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Author | : Natsuo Kirino |
Publisher | : Vintage |
Total Pages | : 482 |
Release | : 2007-03-13 |
Genre | : Fiction |
ISBN | : 0307267296 |
Life at the prestigious Q High School for Girls in Tokyo exists on a precise social axis: a world of insiders and outsiders, of haves and have-nots. Beautiful Yuriko and her unpopular, unnamed sister exist in different spheres; the hopelessly awkward Kazue Sato floats around among them, trying to fit in.Years later, Yuriko and Kazue are dead — both have become prostitutes and both have been brutally murdered. Natsuo Kirino, celebrated author of Out, seamlessly weaves together the stories of these women’s struggles within the conventions and restrictions of Japanese society. At once a psychological investigation of the pressures facing Japanese women and a classic work of noir fiction, Grotesque is a brilliantly twisted novel of ambition, desire, beauty, cruelty, and identity by one of our most electrifying writers.
Author | : Justin Edwards |
Publisher | : Routledge |
Total Pages | : 177 |
Release | : 2013-05-29 |
Genre | : Literary Criticism |
ISBN | : 1134105983 |
Grotesque provides an invaluable and accessible guide to the use (and abuse) of this complex literary term. Justin D. Edwards and Rune Graulund explore the influence of the grotesque on cultural forms throughout history, with particular focus on its representation in literature, visual art and film. The book: presents a history of the literary grotesque from Classical writing to the present examines theoretical debates around the term in their historical and cultural contexts introduce readers to key writers and artists of the grotesque, from Homer to Rabelais, Shakespeare, Carson McCullers and David Cronenberg analyses key terms such as disharmony, deformed and distorted bodies, misfits and freaks explores the grotesque in relation to queer theory, post-colonialism and the carnivalesque. Grotesque presents readers with an original and distinctive overview of this vital genre and is an essential guide for students of literature, art history and film studies.
Author | : Thomas Wright |
Publisher | : Theclassics.Us |
Total Pages | : 158 |
Release | : 2013-09 |
Genre | : |
ISBN | : 9781230447742 |
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1875 edition. Excerpt: ... be in labour Meanwhile the shepherds awake, discover the loss of a flieep, and percerring that Mak has disappeared also, they naturally suspect him to be the depredator, and pursue him. They find everything very cunningly prepared in the cottage to deceive them, but, after a large amount of roundabout inquiry and research, and much drollery, they discover that the boy of which Mak's wife pretends to have been just delivered, is nothing ell' but the sheep which had been stolen from their flocks. The wife frill asserts that it is her child, and Mak sets up as his defence that the bab had been ' forfpoken," or enchanted, by an elf at midnight, and that 1' had thus been changed into the appearance of a sheep; but the shepherds refuse to be satisfied with this explanation. The whole of this list's comedy is carried out with great skill, and with infinite drollery. The shepherds, while still wrangling with Mak and his wife, are seized with drowsiness, and lie down to sleep; but they are aroused by the voice of the angel, who proclaims the birth of the Saviour. The next play in which the drollery is introduced, is that of " Herod and the Slaughter of the Innocents." Herod's bluster and bombast, and the vulgar abuse which passes between the Hebrew mothers and the soldiers who are murdering their children, are wonderfully laughable. The plays which represented the arrest, trial, and execution of Jesus, are all full of drollery, for the grotesque character.which had been given to the demons in the earlier middle ages, appears to have been transferred to the executioners or, as they were called, the " tormentors," and the language and manner in which they executed their duties, must have kept the audience in a continual...
Author | : Patrick McGrath |
Publisher | : Vintage |
Total Pages | : 193 |
Release | : 2012-07-11 |
Genre | : Fiction |
ISBN | : 0307822974 |
This exuberantly spooky novel, in which horror, repressed eroticism, and sulfurous social comedy intertwine like the vines in an overgrown English garden, is now a major motion picture, starring Alan Bates, Sting, and Theresa Russell.
Author | : Thomas Wright |
Publisher | : DigiCat |
Total Pages | : 583 |
Release | : 2022-05-28 |
Genre | : History |
ISBN | : |
A History of Caricature and Grotesque in Literature and Art is a book by Thomas Wright. It provides a view into the history of comical art with its different branches of popular literature existing at different time periods.
Author | : Acree Graham Macam |
Publisher | : Groundwood Books Ltd |
Total Pages | : 44 |
Release | : 2016-09-01 |
Genre | : Juvenile Fiction |
ISBN | : 1554989906 |
A young girl brings home a peacock, but he refuses to show off his colorful tail! Inspired by the life of Flannery O'Connor. In this picture book, inspired by the life of Flannery O’Connor, a young fan of fowl brings home a peacock to be the king of her collection, but he refuses to show off his colorful tail. The girl goes to great lengths to encourage the peacock to display his plumage — she throws him a party, lets him play in the fig tree, feeds him flowers and stages a parade — all to no avail. Then she finally stumbles on the perfect solution. When she introduces the queen of the birds — a peahen — to her collection, the peacock immediately displays his glorious shimmering tail. This delightful story, full of humor and heart, celebrates the legacy of a great American writer. Includes an author’s note about Flannery O’Connor. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.2.5 Describe the overall structure of a story, including describing how the beginning introduces the story and the ending concludes the action.
Author | : Sandra Lim |
Publisher | : |
Total Pages | : 76 |
Release | : 2006 |
Genre | : Drama |
ISBN | : |
Poetry. "LOVELIEST GROTESQUE is a darkly fascinating book. It's a sweet, shape-shifting creature and a fun postmodern romp. Page after page fills with energetic surprises, keeping the reader intrigued--formal quatrains juxtaposed against prose vignettes... short-line riffs against skinny sonnets against a ballad that spreads across the page against a pantoum with the word "orient" in it. Finally, the slippery slope of too much fun might stop for a nano moment to contemplate an important existential question: "Why were there manatees at all?" Obviously, the answer is this: after 9/11, in the new millennium, all formal discourses must explode, splinter and fragment and coalesce again into a stunning, new voice."--Marilyn Chin
Author | : David L. Ulin |
Publisher | : Sasquatch Books |
Total Pages | : 89 |
Release | : 2010-06-01 |
Genre | : Literary Criticism |
ISBN | : 157061721X |
Reading is a revolutionary act, an act of engagement in a culture that wants us to disengage. In The Lost Art of Reading, David L. Ulin asks a number of timely questions - why is literature important? What does it offer, especially now? Blending commentary with memoir, Ulin addresses the importance of the simple act of reading in an increasingly digital culture. Reading a book, flipping through hard pages, or shuffling them on screen - it doesn't matter. The key is the act of reading, and it's seriousness and depth. Ulin emphasizes the importance of reflection and pause allowed by stopping to read a book, and the accompanying focus required to let the mind run free in a world that is not one's own. Are we willing to risk our collective interest in contemplation, nuanced thinking, and empathy? Far from preaching to the choir, The Lost Art of Reading is a call to arms, or rather, to pages.
Author | : Scott Weiss |
Publisher | : |
Total Pages | : |
Release | : 2019 |
Genre | : |
ISBN | : |
This dissertation argues for shared dynamics within visual and literary culture in the Neronian period. By analyzing literary texts and Fourth Style wall paintings, my project reveals overlapping aesthetics in different media through an exploration of three essential themes: (1) the conflation of fantasy and reality, (2) the prevalence of hybrid forms, and (3) a style that accentuates ornament. In these areas, diverse cultural artifacts emerge as participants in a collective mode of display. As a hermeneutic framework for making these connections, I employ theories of the grotesque, a concept rooted in the Renaissance reception of Nero's Domus Aurea. Around 1480, antiquarians uncovered the subterranean ruins of the structure, and in these "grottoes" they marveled at wall paintings they named grottesche. Artists such as Pinturicchio and Raphael emulated these ancient forms to create a new artistic style, which over the centuries became broadly associated with the strange and fantastic as it developed into what we now call the grotesque. In my work, I define the grotesque as a mode of representation that disrupts normative ways of comprehending the world. It challenges preconceived notions about the stability of natural forms and provides alternative strategies for representing reality. By considering the grotesque, I help explain the Neronian predilection for fanciful and sometimes repulsive imagery as a desire to challenge expectations and to expand aesthetic limits.
Author | : Shun-Liang Chao |
Publisher | : Routledge |
Total Pages | : 391 |
Release | : 2017-07-05 |
Genre | : Foreign Language Study |
ISBN | : 1351551132 |
How are we to define what is grotesque, in art or literature? Since the Renaissance the term has been used for anything from the fantastic to the monstrous, and been associated with many artistic genres, from the Gothic to the danse macabre. Shun-Liang Chao's new study adopts a rigorous approach by establishing contradictory physicality and the notion of metaphor as two keys to the construction of a clear identity of the grotesque. With this approach, Chao explores the imagery of Richard Crashaw, Charles Baudelaire, and Rene Magritte as individual exemplars of the grotesque in the Baroque, Romantic, and Surrealist ages, in order to suggest a lineage of this curious aesthetic and to cast light on the functions of the visual and of the verbal in evoking it.