Biological Lectures Delivered at the Marine Biological Laboratory of Wood's Holl [sic] in the Summer Sessions of 1894
Author | : Marine Biological Laboratory (Woods Hole, Mass.) |
Publisher | : |
Total Pages | : 316 |
Release | : 1895 |
Genre | : Biology |
ISBN | : |
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Author | : Marine Biological Laboratory (Woods Hole, Mass.) |
Publisher | : |
Total Pages | : 316 |
Release | : 1895 |
Genre | : Biology |
ISBN | : |
Author | : Marine Biological Laboratory (Woods Hole, Mass.) |
Publisher | : |
Total Pages | : 312 |
Release | : 1895 |
Genre | : Biology |
ISBN | : |
Author | : Marine Biological Laboratory (Woods Hole, Mass.) |
Publisher | : |
Total Pages | : 260 |
Release | : 1894 |
Genre | : Marine biology |
ISBN | : |
Author | : Farlow Reference Library and Herbarium |
Publisher | : |
Total Pages | : 634 |
Release | : 1979 |
Genre | : Botany |
ISBN | : |
Author | : John Alexander Moore |
Publisher | : Harvard University Press |
Total Pages | : 548 |
Release | : 1993 |
Genre | : Science |
ISBN | : 9780674794825 |
This book makes Moore's wisdom available to students in a lively, richly illustrated account of the history and workings of life. Employing rhetoric strategies including case histories, hypotheses and deductions, and chronological narrative, it provides both a cultural history of biology and an introduction to the procedures and values of science.
Author | : |
Publisher | : Forgotten Books |
Total Pages | : 200 |
Release | : 2018-02-08 |
Genre | : Science |
ISBN | : 9780656099924 |
Excerpt from Biological Lectures: Delivered at the Marine Biological Laboratory of Wood's Holl; In the Summer Session of 1895 The science Of biology in its widest sense comprises the study of life in all its forms and activities, both normal and abnormal. For this reason I shall not apologize for bringing before you a subject closely related to pathology, a branch which is concerned only with the abnormal forms and activities of life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author | : Arie Wallert |
Publisher | : Getty Publications |
Total Pages | : 241 |
Release | : 1995-08-24 |
Genre | : Art |
ISBN | : 0892363223 |
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Author | : Barry Blesser |
Publisher | : MIT Press |
Total Pages | : 453 |
Release | : 2009-09-18 |
Genre | : Architecture |
ISBN | : 026251317X |
How we experience space by listening: the concepts of aural architecture, with examples ranging from Gothic cathedrals to surround sound home theater. We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relationships are strongly influenced by the way that space changes sound. In Spaces Speak, Are You Listening?, Barry Blesser and Linda-Ruth Salter examine auditory spatial awareness: experiencing space by attentive listening. Every environment has an aural architecture.The audible attributes of physical space have always contributed to the fabric of human culture, as demonstrated by prehistoric multimedia cave paintings, classical Greek open-air theaters, Gothic cathedrals, acoustic geography of French villages, modern music reproduction, and virtual spaces in home theaters. Auditory spatial awareness is a prism that reveals a culture's attitudes toward hearing and space. Some listeners can learn to "see" objects with their ears, but even without training, we can all hear spatial geometry such as an open door or low ceiling. Integrating contributions from a wide range of disciplines—including architecture, music, acoustics, evolution, anthropology, cognitive psychology, audio engineering, and many others—Spaces Speak, Are You Listening? establishes the concepts and language of aural architecture. These concepts provide an interdisciplinary guide for anyone interested in gaining a better understanding of how space enhances our well-being. Aural architecture is not the exclusive domain of specialists. Accidentally or intentionally, we all function as aural architects.
Author | : Bob Sheil |
Publisher | : UCL Press |
Total Pages | : 147 |
Release | : 2016-11-11 |
Genre | : Architecture |
ISBN | : 1911307266 |
Drawing Futures brings together international designers and artists for speculations in contemporary drawing for art and architecture.Despite numerous developments in technological manufacture and computational design that provide new grounds for designers, the act of drawing still plays a central role as a vehicle for speculation. There is a rich and long history of drawing tied to innovations in technology as well as to revolutions in our philosophical understanding of the world. In reflection of a society now underpinned by computational networks and interfaces allowing hitherto unprecedented views of the world, the changing status of the drawing and its representation as a political act demands a platform for reflection and innovation. Drawing Futures will present a compendium of projects, writings and interviews that critically reassess the act of drawing and where its future may lie.Drawing Futures focuses on the discussion of how the field of drawing may expand synchronously alongside technological and computational developments. The book coincides with an international conference of the same name, taking place at The Bartlett School of Architecture, UCL, in November 2016. Bringing together practitioners from many creative fields, the book discusses how drawing is changing in relation to new technologies for the production and dissemination of ideas.