Biographies And Autobiographies In Modern Italy
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| Author | : Martin McLaughlin |
| Publisher | : Routledge |
| Total Pages | : 400 |
| Release | : 2017-12-02 |
| Genre | : Literary Criticism |
| ISBN | : 1351195417 |
"Critical interest in biography and autobiography has never been higher. However, while life-writing flourishes in the UK, in Italy it is a less prominent genre. The twelve essays collected here are written against this backdrop, and address issues in biographical and autobiographical writing in Italy from the later nineteenth century to the present, with a particular emphasis on the interplay between individual lives and life-writing and the wider social and political history of Italy. The majority of essays focus on well-known writers (D'Annunzio, Svevo, Bontempelli, Montale, Levi, Calvino, Eco and Fallaci), and their varying anxieties about autobiographical writing in their work. This picture is rounded out by a series of studies of similar themes in lesser known figures: the critic Enrico Nencioni, the Welsh-Italian painter Llewellyn Lloyd and Italian writers and journalists covering the Spanish Civil War. The contributors, all specialists in their fields, are Antonella Braida, Charles Burdett, Jane Everson, John Gatt Rutter, Robert Gordon, Gwyn Griffith, Peter Hainsworth, Martin McLaughlin, Gianni Oliva, Giuliana Pieri, and Jon Usher. The volume is dedicated to John Woodhouse, on his seventieth birthday, and concludes with a bibliography of his writings."
| Author | : Peter France |
| Publisher | : Oxford University Press |
| Total Pages | : 368 |
| Release | : 2004-09-23 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780197263181 |
These essays on the problems and functions of biography - particularly those of writers, thinkers and artists - investigate a subject of enduring importance for those interested in culture.
| Author | : Ursula Fanning |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 261 |
| Release | : 2017-09-07 |
| Genre | : Literary Criticism |
| ISBN | : 1683930320 |
This book highlights the centrality of the autobiographical enterprise to Italian women’s writing through the twentieth century—a century that has frequently been referred to as the century of the self. Ursula Fanning addresses the thorny issue of essentialism potentially involved in underlining links between women’s writing and autobiographical modes, and ultimately rejects it in favor of an argument based on the cultural, linguistic, and literary marginalization of women writers within the Italian context. It is concerned with Italian women writers’ various ways of grappling with constructions of subjectivity throughout the century and sets out to explore them. Fanning reads autobiographical writing as subject to many of the same constraints as fiction and, in doing so, draws attention to the significance of the recurring use of the terms “pure” and “impure” in many critical and theoretical discussions of the autobiographical (where “pure” is used to suggest a truthful representation of a life, while “impure” suggests the messy undertaking of mixing lived experience with fiction). Recurring patterns and paradigms are found in the works of the various writers considered (eighteen in all), and these paradigms are analyzed through close readings of their works. These close readings offer insights into approaches to the constructions of subjectivity in the narratives and are informed by feminist theories. The chapters focus on selves in relationship, taking their lead from the patterns unfolding in the writers’ work, hence the subjects are constructed as daughters (with different views of the self in relation to fathers and mothers), within the confines of the romantic relationship (which involves reconsiderations and rewritings of the romance plot), as maternal subjects, and as writers (with an eye on their relationship to the literary canon, as well as to the relationship with readers). This book argues that there is such a thing as gendered subjectivity and that its constructions may be traced through the texts analyzed.
| Author | : Giovanni Ciappelli |
| Publisher | : BRILL |
| Total Pages | : 321 |
| Release | : 2014-04-10 |
| Genre | : History |
| ISBN | : 9004270752 |
The family book, a kind of diary written by and about the family for its various members, was established by scholars as a genre in Italy in the 1980s. Although initially regarded as an Italian genre, the family book can also be found in other parts of Europe. Nevertheless, the genre can be traced back to Florence, where it first emerged and consequently flourished with the lavish production of such documents. This abundance springs from the social structure of the city, where such texts were essential for establishing and cultivating the basis for the social promotion of Florentine families. This book presents a reconstruction of the evolution and persistency of Tuscan family books, as well as a study of several aspects of social history, including: reading and private libraries, domestic devotion, and the memory of historical events. Starting with the Renaissance, the investigation then broadens to the 17th-18th centuries and considers other forms of memory, such as private diaries and autobiographies. A final section is dedicated to the issue of memory in the egodocuments of early modern Europe. This book was translated by Susan Amanda George.
| Author | : Tobias Hof |
| Publisher | : University of Toronto Press |
| Total Pages | : 469 |
| Release | : 2021 |
| Genre | : Biography & Autobiography |
| ISBN | : 1487507984 |
Through the prism of the rise and fall of Galeazzo Ciano (1903-1944), this biography is a comprehensive study of a leading member of the fascist regime other than Benito Mussolini.
| Author | : Steven F. White |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 267 |
| Release | : 2020-05-28 |
| Genre | : History |
| ISBN | : 1474215513 |
Modern Italy's Founding Fathers offers a fresh perspective on the genesis of the Italian republic as viewed through the efforts of its three most influential leaders: Christian Democrat Alcide De Gasperi, Socialist Pietro Nenni and Communist Palmiro Togliatti. In concise, accessible prose, this work demonstrates how De Gasperi – the Republic's inaugural prime minister from 1945 to 1953 – and his fellow statesmen's shared experience of Fascist oppression, belief in popular sovereignty, and ability to compromise despite deep ideological differences, enabled the creation of Italy's post-war republic. This path-breaking collective biography traces the genesis of the Italian republic, commencing with the overthrow of Mussolini in 1943 and concluding with the death of De Gasperi in 1954. Drawing on the speeches, writings and personal papers of the three protagonists, on Italian and U.S. archives, on contemporary memoirs and on secondary scholarship, Steven F. White demonstrates how these leaders forged political practices and customs which continue to define Italian parliamentary life to the present day. Examining the interplay of personalities, leadership styles, ideas and political context, this study is a vital text for any student of modern Italy and, more broadly, of Cold War Europe.
| Author | : Margaretta Jolly |
| Publisher | : Routledge |
| Total Pages | : 3905 |
| Release | : 2013-12-04 |
| Genre | : Literary Criticism |
| ISBN | : 1136787437 |
First published in 2001. This is the first substantial reference work in English on the various forms that constitute "life writing." As this term suggests, the Encyclopedia explores not only autobiography and biography proper, but also letters, diaries, memoirs, family histories, case histories, and other ways in which individual lives have been recorded and structured. It includes entries on genres and subgenres, national and regional traditions from around the world, and important auto-biographical writers, as well as articles on related areas such as oral history, anthropology, testimonies, and the representation of life stories in non-verbal art forms.
| Author | : Paola Govoni |
| Publisher | : V&R unipress GmbH |
| Total Pages | : 290 |
| Release | : 2014 |
| Genre | : Biography & Autobiography |
| ISBN | : 384710263X |
Following discussions on scientific biography carried out over the past few decades, this book proposes a kaleidoscopic survey of the uses of biography as a tool to understand science and its context. The authors belong to a variety of academic and professional fields, including the history of science, anthropology, literary studies, and science journalism. The period covered spans from 1732, when Laura Bassi was the first woman to get a tenured professorship of physics, to 2009, when Elizabeth H. Blackburn and Carol W. Greider were the first women's team to have won a Nobel Prize in science.
| Author | : David Gentilcore |
| Publisher | : OUP Oxford |
| Total Pages | : 446 |
| Release | : 2006-09-21 |
| Genre | : History |
| ISBN | : 0191514292 |
From the mid-sixteenth century onwards, the Italian Protomedicato tribunals, Colleges of Physicians, or Health Offices (jurisdiction varied from state to state) required charlatans to submit their wares for inspection and, upon approval, pay a licence fee in order to set up a stage from which to perform and sell them. The licensing of charlatans became an administrative routine. As far as the medical magistracies were concerned, charlatans had a defineable identity, constituting a specific trade or occupation. This book studies the way charlatans were represented, by contemporaries and by historians, how they saw themselves and, most importantly, it reconstructs the place of charlatans in early modern Italy. It explores the goods and services charlatans provided, their dealings with the public and their marketing strategies. It does so from a range of perspectives: social, cultural, economic, political, geographical, biographical and, of course, medical. Charlatans are not just some curiosity on the fringes of medicine: they offered health care to an extraordinarily wide sector of the population. Moreover, from their origins in Renaissance Italy, the Italian ciarlatano was the prototype for itinerant medical practitioners throughout Europe. This book offers a different look at charlatans. It is the first to take seriously the licences issued to charlatans in the Italian states, compiling them into a 'charlatans database' of over 1,300 charlatans active throughout Italy over the course of some three centuries. In addition, it makes use of other types of archival documents, such as trial records and wills, to give the charlatans a human face, as well as a wide range of artistic and printed sources, not forgetting the output of the charlatans themselves, in the form of handbills and pamphlets.
| Author | : Emilio Lussu |
| Publisher | : Rizzoli Publications |
| Total Pages | : 277 |
| Release | : 2014-02-25 |
| Genre | : Biography & Autobiography |
| ISBN | : 0847842797 |
A rediscovered World War I masterpiece—one of the few memoirs about the Italian front—for fans of military history and All Quiet on the Western Front An infantryman’s “harrowing, moving, [and] occasionally comic” account of trench warfare on the alpine front seen in A Farewell to Arms (Times Literary Supplement). Taking its place alongside works by Ernst JŸnger, Robert Graves, and Erich Maria Remarque, Emilio Lussu’s memoir as an infantryman is one of the most affecting accounts to come out of the First World War. A classic in Italy but virtually unknown in the English-speaking world, it reveals in spare and detached prose the almost farcical side of the war as seen by a Sardinian officer fighting the Austrian army on the Asiago plateau in northeastern Italy—the alpine front so poignantly evoked by Ernest Hemingway in A Farewell to Arms. For Lussu, June 1916 to July 1917 was a year of continuous assaults on impregnable trenches, absurd missions concocted by commanders full of patriotic rhetoric and vanity but lacking in tactical skill, and episodes often tragic and sometimes grotesque, where the incompetence of his own side was as dangerous as the attacks waged by the enemy. A rare firsthand account of the Italian front, Lussu’s memoir succeeds in staging a fierce indictment of the futility of war in a dry, often ironic style that sets his tale wholly apart from the Western Front of Remarque and adds an astonishingly modern voice to the literature of the Great War.
