Bible And Film
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Author | : Matthew S. Rindge |
Publisher | : The Basics |
Total Pages | : 222 |
Release | : 2021 |
Genre | : Bible |
ISBN | : 9780815392224 |
Bible and Film: The Basics is a concise, accessible, and illuminating introduction to the study of Bible and Film. The book introduces non-specialists to the essential content in Bible and Film, and to some of the most common and important methods Bible and Film scholars use. Questions asked throughout the book include: How do films (re)interpret and illuminate biblical texts? How do films appropriate, reconfigure, and transform biblical texts? How does a film's treatment of biblical texts help interpret and illuminate the film? This book examines various types of interplay between film and the Bible. The theme of 'Bible on film' is explored through Hebrew Bible epics including The Prince of Egypt and Noah, and Jesus films such as The Last Temptation of Christ and Son of Man. The theme 'Bible in film' is analyzed through films including Mary Magdalene, Magnolia, Pulp Fiction, and The Book of Eli. Films that 'reimagine the Bible' include Ex Machina, mother!, and The Tree of Life; unusual Jesus figures in Pan's Labyrinth, Dogville, and Donnie Darko are also explored. 'Film as Bible' considers films such as To the Wonder, Silence, and Parasite. A conclusion examines television shows such as Dekalog, The West Wing, The Handmaid's Tale, and God on Trial. With a glossary of key terms and suggestions for further reading throughout, this book is an ideal starting point for anyone seeking a full introduction to religion and film, bible and film, bible and popular culture, and theology and film.
Author | : Adele Reinhartz |
Publisher | : Routledge |
Total Pages | : 305 |
Release | : 2013-10-08 |
Genre | : Religion |
ISBN | : 1134627017 |
This is a comprehensive introduction to the ways in which the Bible has been used and represented in mainstream cinema. Adele Reinhartz considers the pervasive use of the Bible in feature films, and the medium of film as part of the Bible’s reception history. The book examines how films draw on the Old and New Testament and the figure of Jesus Christ in various direct and indirect ways to develop their plots, characters, and themes. As well as movies that set out explicitly to retell biblical stories in their ancient context, it explores the ways in which contemporary, fictional feature films make use of biblical narrative. Topics covered include: how filmmakers make use of scripture to address and reflect their own time and place. the Bible as a vehicle through which films can address social and political issues, reflect human experiences and emotions, explore existential issues such as evil and death, and express themes such as destruction and redemption. the role of the Bible as a source of ethics and morality, and how this connection is both perpetuated and undermined in a range of contemporary Hollywood films. films that create an experience of transcendence, and the ways in which the Bible figures in that experience. Reinhartz offers insightful analysis of numerous films including The Ten Commandments and The Shawshank Redemption, paying attention to visual and aural elements as well as plot, character, and dialogue. Students will find this an invaluable guide to a growing field.
Author | : Rhonda Burnette-Bletsch |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 940 |
Release | : 2016-09-12 |
Genre | : Religion |
ISBN | : 1614513260 |
This two-part volume contains a comprehensive collection of original studies by well-known scholars focusing on the Bible’s wide-ranging reception in world cinema. It is organized into sections examining the rich cinematic afterlives of selected characters from the Hebrew Bible and New Testament; considering issues of biblical reception across a wide array of film genres, ranging from noir to anime; featuring directors, from Lee Chang-dong to the Coen brothers, whose body of work reveals an enduring fascination with biblical texts and motifs; and offering topical essays on cinema’s treatment of selected biblical themes (e.g., lament, apocalyptic), particular interpretive lenses (e.g., feminist interpretation, queer theory), and windows into biblical reception in a variety of world cinemas (e.g., Indian, Israeli, and Third Cinema). This handbook is intended for scholars of the Bible, religion, and film as well as for a wider general audience.
Author | : Matthew S. Rindge |
Publisher | : Routledge |
Total Pages | : 170 |
Release | : 2021-07-21 |
Genre | : Religion |
ISBN | : 1351199730 |
Bible and Film: The Basics is a concise, accessible, and illuminating introduction to the study of Bible and Film. The book introduces non-specialists to the essential content in Bible and Film, and to some of the most common and important methods Bible and Film scholars use. Questions asked throughout the book include: How do films (re)interpret and illuminate biblical texts? How do films appropriate, reconfigure, and transform biblical texts? How does a film's treatment of biblical texts help interpret and illuminate the film? This book examines various types of interplay between film and the Bible. The theme of ‘Bible on film’ is explored through Hebrew Bible epics including The Prince of Egypt and Noah, and Jesus films such as The Last Temptation of Christ and Son of Man. The theme ‘Bible in film’ is analyzed through films including Mary Magdalene, Magnolia, Pulp Fiction, and The Book of Eli. Films that ‘reimagine the Bible’ include Ex Machina, mother!, and The Tree of Life; unusual Jesus figures in Pan’s Labyrinth, Dogville, and Donnie Darko are also explored. ‘Film as Bible’ considers films such as To the Wonder, Silence, and Parasite. A conclusion examines television shows such as Dekalog, The West Wing, The Handmaid’s Tale, and God on Trial. With a glossary of key terms and suggestions for further reading throughout, this book is an ideal starting point for anyone seeking a full introduction to religion and film, bible and film, bible and popular culture, and theology and film.
Author | : Adele Reinhartz |
Publisher | : Routledge |
Total Pages | : 374 |
Release | : 2022-03-30 |
Genre | : Religion |
ISBN | : 1000557073 |
Bible and Cinema: An Introduction is a comprehensive examination of how the Bible has been used and represented in mainstream cinema to develop its plots, characters, and themes. The book considers two general types of films: Bible movies that retell biblical stories, such as the Exodus and the life of Jesus, and Bible-related movies that make use of biblical books, stories, verses, and figures, and Bibles themselves to tell non-biblical, often fictional, narratives. Topics covered include: the contribution of Bible and Bible-related movies to the history of the Bible’s reception; the ways in which filmmakers make use of scripture to address and reflect their own time and place; the Bible as a vehicle through which films can address social and political issues, reflect human experiences and emotions, explore existential issues such as evil and death, and express themes such as destruction and redemption; the role of the Bible as a source of ethics and morality, and how this role is both perpetuated and undermined in a range of contemporary Hollywood films; and film as a medium for experiences of transcendence, and the role of the Bible in creating such experiences. This thoroughly updated second edition includes insightful analysis of films such as Noah, Gods and Men, Mary Magdalene, and The Shawshank Redemption, paying attention to visual and aural elements as well as plot, character, and dialogue. The book also includes pedagogical resources including discussions of film theory, as well as key words and discussion questions. Teachers, students, and anyone interested in the intersection of Bible and cinema will find this an invaluable guide to a growing field.
Author | : Adele Reinhartz |
Publisher | : Routledge |
Total Pages | : 313 |
Release | : 2013-10-08 |
Genre | : Religion |
ISBN | : 1134627084 |
This is a comprehensive introduction to the ways in which the Bible has been used and represented in mainstream cinema. Adele Reinhartz considers the pervasive use of the Bible in feature films, and the medium of film as part of the Bible’s reception history. The book examines how films draw on the Old and New Testament and the figure of Jesus Christ in various direct and indirect ways to develop their plots, characters, and themes. As well as movies that set out explicitly to retell biblical stories in their ancient context, it explores the ways in which contemporary, fictional feature films make use of biblical narrative. Topics covered include: how filmmakers make use of scripture to address and reflect their own time and place. the Bible as a vehicle through which films can address social and political issues, reflect human experiences and emotions, explore existential issues such as evil and death, and express themes such as destruction and redemption. the role of the Bible as a source of ethics and morality, and how this connection is both perpetuated and undermined in a range of contemporary Hollywood films. films that create an experience of transcendence, and the ways in which the Bible figures in that experience. Reinhartz offers insightful analysis of numerous films including The Ten Commandments and The Shawshank Redemption, paying attention to visual and aural elements as well as plot, character, and dialogue. Students will find this an invaluable guide to a growing field.
Author | : Gini Scott |
Publisher | : |
Total Pages | : 38 |
Release | : 2020-01-13 |
Genre | : |
ISBN | : 9781659761726 |
How to Pitch a TV or Film Series with a Show Bible describes what to put in a Show Bible to successfully pitch a TV or film series. It includes a listing of the major sections to include, along with a sample episode. It explains how to find other films in your genre.The book is formatted like a journal, so readers can write down their ideas for what to do after reading each tip.The book is part of a series of short books, in which each book features tips and techniques for becoming more successful in the film industry.GINI GRAHAM SCOTT, PhD is a screenplay writer, indie producer, and TV game/reality show developer, plus a nonfiction writer who has published over 200 books, 50 for traditional publishers and 150 for her own company Changemakers Publishing. She also writes, reviews, and ghostwrites scripts and books for clients. She has written scripts for 20 feature films and has written and executive produced 10 film and TV projects.
Author | : Adele Reinhartz |
Publisher | : Routledge |
Total Pages | : 298 |
Release | : 2013 |
Genre | : Performing Arts |
ISBN | : 0415677203 |
Bible and Cinema: Fifty Key Films introduces a wide range of those movies - among the most important, critically-acclaimed and highest-grossing films of all time - which have drawn inspiration, either directly or indirectly, from the Bible.
Author | : Timothy K. Beal |
Publisher | : University of Chicago Press |
Total Pages | : 221 |
Release | : 2006 |
Genre | : Performing Arts |
ISBN | : 0226039765 |
Biblical scholars Timothy K. Beal and Tod Linafelt, along with an esteemed group of contributors, offer a provocative range of views on The Passion of the Christ. The book is organized in three parts. The first analyzes the film in terms of its religious foundations, including the Gospels and nonbiblical religious texts. The second group of essays focuses on the ethical and theological implications of the film's presentation of the Christian Gospel. Finally, the third section explores the film as a pop cultural phenomenon.
Author | : Steve A. Wiggins |
Publisher | : McFarland |
Total Pages | : 216 |
Release | : 2018-12-03 |
Genre | : Performing Arts |
ISBN | : 1476633711 |
What, exactly, makes us afraid? Is it monsters, gore, the unknown? Perhaps it's a biblical sense of malice, lurking unnoticed in the corners of horror films. Holy Writ attempts to ward off aliens, ghosts, witches, psychopaths and demons, yet it often becomes a source of evil itself. Looking first at Psycho (1960) and continuing through 2017, this book analyzes the starring and supporting roles of the Good Book in horror films, monster movies and thrillers to discover why it incites such fear. In a culture with high biblical awareness and low biblical literacy, horrific portrayals can greatly influence an audience's canonical beliefs.