Beyond Greece And Rome
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| Author | : Jane Grogan |
| Publisher | : Oxford University Press |
| Total Pages | : 521 |
| Release | : 2020-04-23 |
| Genre | : Literary Criticism |
| ISBN | : 0191079847 |
Though the subject of classical reception in early modern Europe is a familiar one, modern scholarship has tended to assume the dominance of Greece and Rome in engagements with the classical world during that period. The essays in this volume aim to challenge this prevailing view by arguing for the significance and familiarity of the ancient near east to early modern Europe, establishing the diversity and expansiveness of the classical world known to authors like Shakespeare and Montaigne in what we now call the 'global Renaissance'. However, global Renaissance studies has tended to look away from classical reception, exacerbating the blind spot around the significance of the ancient near east for early modern Europe. Yet this wider classical world supported new modes of humanist thought and unprecedented cross-cultural encounters, as well as informing new forms of writing, such as travel writing and antiquarian treatises; in many cases, and befitting its Herodotean origins, the ancient near east raises questions of travel, empire, religious diversity, cultural relativism, and the history of European culture itself in ways that prompted detailed, engaging, and functional responses by early modern readers and writers. Bringing together a range of approaches from across the fields of classical studies, history, and comparative literature, this volume seeks both to emphasize the transnational, interdisciplinary, and interrogative nature of classical reception, and to make a compelling case for the continued relevance of the texts, concepts, and materials of the ancient near east, specifically, to early modern culture and scholarship.
| Author | : Jane Grogan |
| Publisher | : |
| Total Pages | : 356 |
| Release | : 2020 |
| Genre | : History |
| ISBN | : 0198767110 |
Classical reception in early modern Europe is often perceived in modern scholarship as being dominated by engagements with Greece and Rome. The essays in this volume aim to challenge this prevailing view by collectively arguing for the significance and familiarity of the ancient near east to early modern Europe as part of a wider classical world.
| Author | : Denis Feeney |
| Publisher | : Harvard University Press |
| Total Pages | : 392 |
| Release | : 2016-01-01 |
| Genre | : History |
| ISBN | : 0674496043 |
A History Today Best Book of the Year A Choice Outstanding Academic Title of the Year Virgil, Ovid, Cicero, Horace, and other authors of ancient Rome are so firmly established in the Western canon today that the birth of Latin literature seems inevitable. Yet, Denis Feeney boldly argues, the beginnings of Latin literature were anything but inevitable. The cultural flourishing that in time produced the Aeneid, the Metamorphoses, and other Latin classics was one of the strangest events in history. “Feeney is to be congratulated on his willingness to put Roman literary history in a big comparative context...It is a powerful testimony to the importance of Denis Feeney’s work that the old chestnuts of classical literary history—how the Romans got themselves Hellenized, and whether those jack-booted thugs felt anxiously belated or smugly domineering in their appropriation of Greek culture for their own purposes—feel fresh and urgent again.” —Emily Wilson, Times Literary Supplement “[Feeney’s] bold theme and vigorous writing render Beyond Greek of interest to anyone intrigued by the history and literature of the classical world.” —The Economist
| Author | : Charles Freeman |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 734 |
| Release | : 2004 |
| Genre | : History |
| ISBN | : 0199263647 |
| Author | : Antony Spawforth |
| Publisher | : Yale University Press |
| Total Pages | : 403 |
| Release | : 2018-01-01 |
| Genre | : History |
| ISBN | : 0300217110 |
The extraordinary story of the intermingled civilizations of ancient Greece and Rome, spanning more than six millennia from the late Bronze Age to the seventh century The magnificent civilization created by the ancient Greeks and Romans is the greatest legacy of the classical world. However, narratives about the "civilized" Greek and Roman empires resisting the barbarians at the gate are far from accurate. Tony Spawforth, an esteemed scholar, author, and media contributor, follows the thread of civilization through more than six millennia of history. His story reveals that Greek and Roman civilization, to varying degrees, was supremely and surprisingly receptive to external influences, particularly from the East. From the rise of the Mycenaean world of the sixteenth century B.C., Spawforth traces a path through the ancient Aegean to the zenith of the Hellenic state and the rise of the Roman empire, the coming of Christianity and the consequences of the first caliphate. Deeply informed, provocative, and entirely fresh, this is the first and only accessible work that tells the extraordinary story of the classical world in its entirety.
| Author | : Susan E. Alcock |
| Publisher | : Getty Publications |
| Total Pages | : 412 |
| Release | : 2016-05-01 |
| Genre | : Art |
| ISBN | : 1606064711 |
The Roman Empire had a rich and multifaceted visual culture, which was often variegated due to the sprawling geography of its provinces. In this remarkable work of scholarship, a group of international scholars has come together to find alternative ways to discuss the nature and development of the art and archaeology of the Roman provinces. The result is a collection of nineteen compelling essays—accompanied by carefully curated visual documentation, seven detailed maps, and an extensive bibliography—organized around the four major themes of provincial contexts, tradition and innovation, networks and movements, and local accents in an imperial context. Easy assumptions about provincial dependence on metropolitian models give way to more complicated stories. Similarities and divergences in local and regional responses to Rome appear, but not always in predictable places and in far from predictable patterns. The authors dismiss entrenched barriers between art and archaeology, center and provinces, even “good art” and “bad art,” extending their observations well beyond the empire’s boundaries, and examining phenomena, sites, and monuments not often found in books about Roman art history or archaeology. The book thus functions to encourage continued critical engagement with how scholars study the material past of the Roman Empire and, indeed, of imperial systems in general.
| Author | : Sara E. Cole |
| Publisher | : Getty Publications |
| Total Pages | : 364 |
| Release | : 2018-04-17 |
| Genre | : Art |
| ISBN | : 1606065513 |
From about 2000 BCE onward, Egypt served as an important nexus for cultural exchange in the eastern Mediterranean, importing and exporting not just wares but also new artistic techniques and styles. Egyptian, Greek, and Roman craftsmen imitated one another’s work, creating cultural and artistic hybrids that transcended a single tradition. Yet in spite of the remarkable artistic production that resulted from these interchanges, the complex vicissitudes of exchange between Egypt and the Classical world over the course of nearly 2500 years have not been comprehensively explored in a major exhibition or publication in the United States. It is precisely this aspect of Egypt’s history, however, that Beyond the Nile uncovers. Renowned scholars have come together to provide compelling analyses of the constantly evolving dynamics of cultural exchange, first between Egyptians and Greeks—during the Bronze Age, then the Archaic and Classical periods of Greece, and finally Ptolemaic Egypt—and later, when Egypt passed to Roman rule with the defeat of Cleopatra. Beyond the Nile, a milestone publication issued on the occasion of a major international exhibition, will become an indispensable contribution to the field. With gorgeous photographs of more than two hundred rare objects, including frescoes, statues, obelisks, jewelry, papyri, pottery, and coins, this volume offers an essential and inter-disciplinary approach to the rich world of artistic cross-pollination during antiquity.
| Author | : Alan Sumler |
| Publisher | : Lexington Books |
| Total Pages | : 142 |
| Release | : 2018-10-31 |
| Genre | : Philosophy |
| ISBN | : 1498560369 |
Did the ancient Greeks and Romans use psychoactive cannabis? Scholars say that hemp was commonplace in the ancient world, but there is no consensus on cannabis usage. According to botany, hemp and cannabis are the same plant and thus the ancient Greeks and Romans must have used it in their daily lives. Cultures parallel to the ancient Greeks and Romans, like the Egyptians, Scythians, and Hittites, were known to use cannabis in their medicine, religion and recreational practices. Cannabis in the Ancient Greek and Roman World surveys the primary references to cannabis in ancient Greek and Roman texts and covers emerging scholarship about the plant in the ancient world. Ancient Greek and Latin medical texts from the Roman Empire contain the most mentions of the plant, where it served as an effective ingredient in ancient pharmacy. Cannabis in the Ancient Greek and Roman World focuses on the ancient rationale behind cannabis and how they understood the plant’s properties and effects, as well as its different applications. For the first time ever, this book provides a sourcebook with the original ancient Greek and Latin, along with translations, of all references to psychoactive cannabis in the Greek and Roman world. It covers the archaeology of cannabis in the ancient world, including amazing discoveries from Scythian burial sites, ancient proto-Zoroastrian fire temples, Bronze Age Chinese burial sites, as well as evidence in Greece and Rome. Beyond cannabis, Cannabis in the Ancient Greek and Roman World also explores ancient views on medicine, pharmacy, and intoxication.
| Author | : Ian Worthington |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 425 |
| Release | : 2020 |
| Genre | : History |
| ISBN | : 0190633980 |
"When we think of ancient Athens, the image invariably coming to mind is of the Classical city, with monuments beautifying everywhere; the Agora swarming with people conducting business and discussing political affairs; and a flourishing intellectual, artistic, and literary life, with life anchored in the ideals of freedom, autonomy, and democracy. But in 338 that forever changed when Philip II of Macedonia defeated a Greek army at Chaeronea to impose Macedonian hegemony over Greece. The Greeks then remained under Macedonian rule until the new power of the Mediterranean world, Rome, annexed Macedonia and Greece into its empire. How did Athens fare in the Hellenistic and Roman periods? What was going on in the city, and how different was it from its Classical predecessor? There is a tendency to think of Athens remaining in decline in these eras, as its democracy was curtailed, the people were forced to suffer periods of autocratic rule, and especially under the Romans enforced building activity turned the city into a provincial one than the "School of Hellas" that Pericles had proudly proclaimed it to be, and the Athenians were forced to adopt the imperial cult and watch Athena share her home, the sacred Acropolis, with the goddess Roma. But this dreary picture of decline and fall belies reality, as my book argues. It helps us appreciate Hellenistic and Roman Athens and to show it was still a vibrant and influential city. A lot was still happening in the city, and its people were always resilient: they fought their Macedonian masters when they could, and later sided with foreign kings against Rome, always in the hope of regaining that most cherished ideal, freedom. Hellenistic Athens is far from being a postscript to its Classical predecessor, as is usually thought. It was simply different. Its rich and varied history continued, albeit in an altered political and military form, and its Classical self lived on in literature and thought. In fact, it was its status as a cultural and intellectual juggernaut that enticed Romans to the city, some to visit, others to study. The Romans might have been the ones doing the conquering, but in adapting aspects of Hellenism for their own cultural and political needs, they were the ones, as the poet Horace claimned, who ended up being captured"--
| Author | : Fergus Millar |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 414 |
| Release | : 2003-01-14 |
| Genre | : History |
| ISBN | : 0807875082 |
Fergus Millar is one of the most influential contemporary historians of the ancient world. His essays and books, including The Emperor in the Roman World and The Roman Near East, have enriched our understanding of the Greco-Roman world in fundamental ways. In his writings Millar has made the inhabitants of the Roman Empire central to our conception of how the empire functioned. He also has shown how and why Rabbinic Judaism, Christianity, and Islam evolved from within the wider cultural context of the Greco-Roman world. Opening this collection of sixteen essays is a new contribution by Millar in which he defends the continuing significance of the study of Classics and argues for expanding the definition of what constitutes that field. In this volume he also questions the dominant scholarly interpretation of politics in the Roman Republic, arguing that the Roman people, not the Senate, were the sovereign power in Republican Rome. In so doing he sheds new light on the establishment of a new regime by the first Roman emperor, Caesar Augustus.
