Betye Saar
Download Betye Saar full books in PDF, epub, and Kindle. Read online free Betye Saar ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Stephanie Seidel |
Publisher | : Delmonico Books |
Total Pages | : 208 |
Release | : 2022-06 |
Genre | : Art |
ISBN | : 9781636810362 |
Rarely seen installation works that exemplify this pioneering artist's critical focus on Black identity and Black feminism Showcasing a lesser-known aspect of Saar's art, Betye Saar: Serious Moonlight provides new insights into her explorations of ritual, spirituality and cosmologies, as well as themes of the African diaspora. Featured here are significant installations created by Saar from 1980 to 1998, including Oasis (1984), a work that will be reconfigured at ICA Miami's Saar exhibition for the first time in more than 30 years. With compelling scholarship and rich illustration--combining new installation photography and archival material--the monograph provides a fresh look at this significant artist's critical and influential practice. Betye Saar: Serious Moonlight reinforces and celebrates Saar's standing as a visionary artist, storyteller and mythmaker, and the ongoing significance and relevance of her work to the most pressing issues in America today. Betye Saar (born 1926) is renowned for pioneering Black feminism and West Coast assemblage in her visionary artistic practice, through dense, complexly referential objects. For over six decades, Saar's work has led dialogues on race and gender, reflecting changing cultural and political contexts. Most recently, solo presentations have been hosted by the Museum of Modern Art, New York, and the Los Angeles County Museum of Art. Saar's work was prominently featured in We Wanted a Revolution: Black Radical Women, 1965-85 at the Brooklyn Museum, New York, and in Soul of a Nation: Art in the Age of Black Power at Tate Modern, London, which traveled to Crystal Bridges Museum of American Art, Bentonville, Arkansas; Brooklyn Museum; The Broad, Los Angeles; and the M.H. de Young Memorial Museum, Fine Arts Museums of San Francisco.
Author | : Jane H. Carpenter |
Publisher | : Pomegranate |
Total Pages | : 142 |
Release | : 2003 |
Genre | : Electronic books |
ISBN | : 0764923498 |
Considered a premier assemblage artist, Betye Saar has been creating inspired pieces since the early 1960s. Her works are in the collections of notable museums like Corcoran Gallery of Art, Washington, D.C.; Metropolitan Museum of Art and the Whitney Museum of American Art, New York City; Museum of Fine Art, Boston; The Studio Museum in Harlem; and San Francisco Museum of Modern Art. She has taught at the University of California and at the Parsons-Otis Institute, both in Los Angeles, and has participated in numerous solo and group exhibitions. Betye Saar is a comprehensive look at Saar's works, from the 1960 print Samsara to the powerful mixed-media assemblage Blackbird (2002), and a dynamic career.
Author | : Betye Saar |
Publisher | : University of California Press |
Total Pages | : 184 |
Release | : 2005 |
Genre | : Art |
ISBN | : |
An illustrated collection of mixed-media collages by early twentieth-century African-American artist Betye Saar that blends spiritual, political, and cultural iconography to create complex works.
Author | : Carol S. Eliel |
Publisher | : Prestel Publishing |
Total Pages | : 0 |
Release | : 2019 |
Genre | : ART |
ISBN | : 9783791358789 |
This publication presents Betye Saar's sketchbooks--which she has kept during her entire career--for the first time and offers insights into the artist's creative process. A child of the Great Depression and one of the only African American students in her UCLA art program, Betye Saar has, over the course of more than six decades, made work that exposes stereotypes and injustices based on race and gender. From early prints and watercolors to Joseph Cornell-inspired assemblages and full-scale sculptural tableaux, her work has inspired generations of artists. This ingeniously designed publication plays off the format of Saar's original sketchbooks. Made throughout her extraordinary career, Saar's sketches are an integral part of her creative process and offer a greater understanding of the themes woven into her finished works, which are also featured in the book. Saar's sources and influences range from Simon Rodia's Watts Towers and Haitian Vodou fetishes to Australian Aboriginal paintings, Native American leatherwork, and African American history, literature, and music. An original, intimate, and valuable resource for Saar's many fans, this book will also educate future generations about Saar's significant contributions to American art. Published with the Los Angeles County Museum of Art
Author | : Betye Saar |
Publisher | : |
Total Pages | : 272 |
Release | : 2017 |
Genre | : Art |
ISBN | : 9780979893667 |
Catalog of an exhibition held at De Domijnen in Sittard, the Netherlands, July 28 - November 15, 2015 and at the Scottsdale Museum of Contemporary Art, Scottsdale, Arizona, January 30 - May 1, 2016.
Author | : Jessica Dallow |
Publisher | : University of Washington Press |
Total Pages | : 131 |
Release | : 2005 |
Genre | : Art |
ISBN | : 9780295985640 |
Family Legacies celebrates the remarkable art of Betye Saar and her daughters, Lezley and Alison Saar. It explores the sharing of artistic and spiritual traditions within a family and shows how two generations of women use art to express changing ideas about gender, race, and ethnicity. Looking at the formal and thematic parallels in this family’s work reveals a fascinating glimpse into their creative dynamic. Each artist’s response to contemporary social issues -- identity, sexuality, spirituality, the female body, and stereotypes -- emerges through her strikingly beautiful creations. During the 1960s and 1970s, Betye became an established artist in Los Angeles. Her autobiographical and political assemblages during this period affirmed the important role played by women, African Americans, and the artworks they created in defining contemporary culture. Lezley and Alison built upon the direction forged by their mother, with assemblages and sculptures that interpret both their family’s history and spiritual traditions. All three artists challenge the prevailing idea of a singular and unchanging African American identity by creating alternative interpretations of history, culture, and race. Betye, Lezley, and Alison Saar share a passion for mixing media and incorporating objects into their work to create compositions that are layered with both personal and universal meaning. Drawing upon popular culture as well as sacred arts and beliefs from around the word, the three artists attempt to formulate a more multilayered view of themselves. The objects featured, dating from the 1960s to 2005, include mixed media sculptures and paintings, assemblages, collages, and a collaborative installation created by the three Saars. Key works by each artist, representing the full chronological range and stylistic evolution of their oeuvre, underline their family ties, multi-racial heritage, and strong affinities to nature and diverse cultures. The works demonstrate a desire to reclaim the visual representation of African American women by exploring such subjects as slavery, stereotypes of domestic labor, and historical images of the female body. Through distinctive yet parallel styles, Betye, Lezley, and Alison Saar have created a body of transcendent and empowering work that has impacted the history of contemporary art. This book and its accompanying exhibition highlight their position at the crossroads of artistic, feminist, and African American cultural legacies.
Author | : Kellie Jones |
Publisher | : Prestel Publishing |
Total Pages | : 362 |
Release | : 2011 |
Genre | : Art |
ISBN | : |
This comprehensive, lavishly illustrated catalogue offers an in-depth survey of the incredibly vital but often overlooked legacy of Los Angeles's African American artists, featuring many never-before-seen works.
Author | : Lisa Gail Collins |
Publisher | : Rutgers University Press |
Total Pages | : 403 |
Release | : 2006-05-16 |
Genre | : Social Science |
ISBN | : 0813541077 |
During the 1960s and 1970s, a cadre of poets, playwrights, visual artists, musicians, and other visionaries came together to create a renaissance in African American literature and art. This charged chapter in the history of African American culture—which came to be known as the Black Arts Movement—has remained largely neglected by subsequent generations of critics. New Thoughts on the Black Arts Movement includes essays that reexamine well-known figures such as Amiri Baraka, Larry Neal, Gwendolyn Brooks, Sonia Sanchez, Betye Saar, Jeff Donaldson, and Haki Madhubuti. In addition, the anthology expands the scope of the movement by offering essays that explore the racial and sexual politics of the era, links with other period cultural movements, the arts in prison, the role of Black colleges and universities, gender politics and the rise of feminism, color fetishism, photography, music, and more. An invigorating look at a movement that has long begged for reexamination, this collection lucidly interprets the complex debates that surround this tumultuous era and demonstrates that the celebration of this movement need not be separated from its critique.
Author | : Betye Saar |
Publisher | : |
Total Pages | : 40 |
Release | : 1988 |
Genre | : African American art |
ISBN | : |
Author | : Kellie Jones |
Publisher | : Duke University Press |
Total Pages | : 530 |
Release | : 2011-05-27 |
Genre | : Art |
ISBN | : 082234873X |
Selections of writing by the influential art critic and curator Kellie Jones reveal her role in bringing attention to the work of African American, African, Latin American, and women artists.