Between Page And Screen
Download Between Page And Screen full books in PDF, epub, and Kindle. Read online free Between Page And Screen ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Amaranth Borsuk |
Publisher | : Springgun Press |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Art |
ISBN | : 9780986176425 |
Poetry. Art. Collaboration. An unlikely marriage of print and digital, BETWEEN PAGE AND SCREEN chronicles a love affair between two characters, P and S. The book has no words, only inscrutable black and white geometric patterns that, when coupled with a webcam, conjure the written word. Reflected on screen, the reader sees him or herself with open book in hand, language springing alive and shape- shifting with each turn of the page. The story unfolds through a playful and cryptic exchange of letters between P and S as they struggle to define their relationship. Rich with innuendo, anagrams, etymological and sonic affinities between words, BETWEEN PAGE AND SCREEN revels in language and the act of reading.
Author | : Amaranth Borsuk |
Publisher | : Siglio Press |
Total Pages | : 0 |
Release | : 2012 |
Genre | : American poetry |
ISBN | : 9780979956287 |
Summary: Each leaf displays one block of machine-readable code with no eye-readable text. Book must be used in conjunction with a computer with a video camera and an internet connection. When code is scanned, three-dimensional, interactive poems will appear on the computer screen. Text and animations can be manipulated on the screen by moving the book in view of the web cam.
Author | : Kiene Brillenburg Wurth |
Publisher | : Fordham Univ Press |
Total Pages | : 347 |
Release | : 2012 |
Genre | : Language Arts & Disciplines |
ISBN | : 0823239055 |
The contributors to this volume re-assess literary practice at the edges of paper, electronic media, and film. They show how the emergence of a new medium reinvigorates the book and the page as literary media, rather than announcing their impending death.
Author | : Ingrid E. Castro |
Publisher | : Lexington Books |
Total Pages | : 350 |
Release | : 2018-12-20 |
Genre | : Literary Criticism |
ISBN | : 1498574955 |
Representing Agency in Popular Culture addresses the intersection of child and youth agency and popular culture. Here, scholars expand understandings of agency, power, and voice in children’s lives, identifying popular culture as an important source of inspiration and inquiry within the future of childhood studies.
Author | : John Hill |
Publisher | : Indiana University Press |
Total Pages | : 284 |
Release | : 1996 |
Genre | : Art |
ISBN | : 9781860200052 |
This work features contributions from academics and media professionals who ask: what is the history of involvement between film and television in the US, Europe, Britain and Ireland; what are the sources of television finance for film; and what are the consequences for the type of film made?
Author | : Dr Kathryn Grossman |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 265 |
Release | : 2015-11-28 |
Genre | : Literary Criticism |
ISBN | : 1472440854 |
Exploring the enduring popularity of Victor Hugo’s Les Misérables, this collection combines readings of the best-selling novel with reflections on how it has permeated the popular imagination through a selection of its multimedia adaptations including musical theater and film from the silent period to today's digital platforms. The essays deepen our understanding of Les Misérables as a work that blends social commentary with artistic vision and raise important questions about the cultural practice of adaptation.
Author | : Stephane Vial |
Publisher | : MIT Press |
Total Pages | : 278 |
Release | : 2019-11-12 |
Genre | : Design |
ISBN | : 0262043165 |
How digital technology is profoundly renewing our sense of what is real and how we perceive. Digital technologies are not just tools; they are structures of perception. They determine the way in which the world appears to us. For nearly half a century, technology has provided us with perceptions coming from an unknown world. The digital beings that emerge from our screens and our interfaces disrupt the notion of what we experience as real, thereby leading us to relearn how to perceive. In Being and the Screen, Stéphane Vial provides a philosophical analysis of technology in general, and of digital technologies in particular, that relies on the observation of experience (phenomenology) and the history of technology (epistemology). He explains that technology is no longer separate from ourselves—if it ever was. Rather, we are as much a part of the machine as the machine is part of us. Vial argues that the so-called difference between the real and the virtual does not exist and never has. We are living in a hybrid environment—which is both digital and nondigital, online and offline. With this book, Vial endows philosophical meaning to what we experience daily in our digital age. In A Short Treatise on Design, Vial offers a concise introduction to the discipline of design—not a history book, but a book built of philosophical problems, developing a theory of the effect of design. This book is published with the support of the University of Nîmes, France.
Author | : Katie Trumpener |
Publisher | : Yale University Press |
Total Pages | : 325 |
Release | : 2020-11-17 |
Genre | : Art |
ISBN | : 0300184794 |
A wide-ranging study of the painted panorama’s influence on art, photography, and film This ambitious volume presents a multifaceted account of the legacy of the circular painted panorama and its far-reaching influence on art, photography, film, and architecture. From its 18th-century origins, the panorama quickly became a global mass-cultural phenomenon, often linked to an imperial worldview. Yet it also transformed modes of viewing and exerted a lasting, visible impact on filmmaking techniques, museum displays, and contemporary installation art. On the Viewing Platform offers close readings of works ranging from proto-panoramic Renaissance cityscapes and 19th-century paintings and photographs to experimental films and a wide array of contemporary art. Extensively researched and spectacularly illustrated, this volume proposes an expansive new framework for understanding the histories of art, film, and spectatorship.
Author | : Samuel Crowl |
Publisher | : A&C Black |
Total Pages | : 173 |
Release | : 2014-01-30 |
Genre | : Performing Arts |
ISBN | : 1472538927 |
Hamlet is the most often produced play in the western literary canon, and a fertile global source for film adaptation. Samuel Crowl, a noted scholar of Shakespeare on film, unpacks the process of adapting from text to screen through concentrating on two sharply contrasting film versions of Hamlet by Laurence Olivier (1948) and Kenneth Branagh (1996). The films' socio-political contexts are explored, and the importance of their screenplay, film score, setting, cinematography and editing examined. Offering an analysis of two of the most important figures in the history of film adaptations of Shakespeare, this study seeks to understand a variety of cinematic approaches to translating Shakespeare's “words, words, words” into film's particular grammar and rhetoric
Author | : Kate Zambreno |
Publisher | : HarperCollins |
Total Pages | : 241 |
Release | : 2019-07-23 |
Genre | : Fiction |
ISBN | : 0062392034 |
Best Book of 2019: Nylon, Domino, Bustle, Book Riot, Buzzfeed, Vol. 1 Brooklyn A new work equal parts observational micro-fiction and cultural criticism reflecting on the dailiness of life as a woman and writer, on fame and failure, aging and art, from the acclaimed author of Heroines, Green Girl, and O Fallen Angel. In the first half of Kate Zambreno’s astoundingly original collection Screen Tests, the narrator regales us with incisive and witty swatches from a life lived inside a brilliant mind, meditating on aging and vanity, fame and failure, writing and writers, along with portraits of everyone from Susan Sontag to Amal Clooney, Maurice Blanchot to Louise Brooks. The series of essays that follow, on figures central to Zambreno’s thinking, including Kathy Acker, David Wojnarowicz, and Barbara Loden, are manifestoes about art, that ingeniously intersect and chime with the stories that came before them. "If Thomas Bernhard's and Fleur Jaeggy's work had a charming, slightly misanthropic baby—with Diane Arbus as nanny—it would be Screen Tests. Kate Zambreno turns her precise and meditative pen toward a series of short fictions that are anything but small. The result is a very funny, utterly original look at cultural figures and tropes and what it means to be a human looking at humans.”—Amber Sparks “In Screen Tests, a voice who both is and is not the author picks up a thread and follows it wherever it leads, leaping from one thread to another without quite letting go, creating a delicate and ephemeral and wonderful portrait of how a particular mind functions. Call them stories (after Lydia Davis), reports (after Gerald Murnane), or screen tests (inventing a new genre altogether like Antoine Volodine). These are marvelously fugitive pieces, carefully composed while giving the impression of being effortless, with a quite lovely Calvino-esque lightness, that are a joy to try to keep up with.”—Brian Evenson