Between National Fantasies And Regional Realities
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| Author | : Arne Koch |
| Publisher | : Peter Lang |
| Total Pages | : 278 |
| Release | : 2006 |
| Genre | : History |
| ISBN | : 9783039109395 |
Despite its popularity during the nineteenth century, regional literature has often been overlooked with regard to its role in the development of German national consciousness. By exploring various illustrations of geographic-historical landscapes in texts written before the 1848 revolutions and after the 1871 unification, this book investigates the vital polyphony generated by unique regional voices throughout the age of nationalism. Close readings of texts by Berthold Auerbach, Theodor Storm, Wilhelm Raabe, Fritz Reuter, Theodor Fontane, Gottfried Keller, and Marie von Ebner-Eschenbach examine recognizable and unfamiliar regions. Although this study concentrates on provincial writings, literary regionalism's fictionality and simultaneous referentiality raise broader questions for the programmatic aesthetics of Poetic Realism and for inquiries into identity formation.
| Author | : Ruth Whittle |
| Publisher | : Walter de Gruyter |
| Total Pages | : 208 |
| Release | : 2013-08-28 |
| Genre | : Literary Criticism |
| ISBN | : 3110259230 |
It has been shown that the total number of women who published in German in the 18th and 19th centuries was approximately 3,500, but even by 1918 only a few of them were known. The reason for this lies in the selection processes to which the authors have been subjected, and it is this selection process that is the focus of the research here presented. The selection criteria have not simply been gender-based but have had much to do with the urgent quest for establishing a German Nation State in 1848 and beyond. Prutz, Gottschall, Kreyßig and others found it necessary to use literary historiography, which had been established by 1835, in order to construct an ideal of ‘Germanness’ at a time when a political unity remained absent, and they wove women writers into this plot. After unification in 1872, this kind of weaving seemed to have become less pressing, and other discourses came to the fore, especially those revolving round femininity vs. masculinity, and races. The study of the processes at work here will enhance current debates about the literary canon by tracing its evolution and identifying the factors which came to determine the visibility or obscurity of particular authors and texts. The focus will be on a number of case studies, but, instead of isolating questions of gender, Gender, Canon and Literary History will discuss the broader cultural context.
| Author | : Marjanne Elaine Goozé |
| Publisher | : Peter Lang |
| Total Pages | : 326 |
| Release | : 2007 |
| Genre | : History |
| ISBN | : 9783039110186 |
This collection of essays centers on women writers who negotiated, interrogated, and challenged the gender ideology of separate spheres through their advocacy and representations of female Bildung. The term Bildung encompasses an individual's entire moral, spiritual, behavioral, emotional, political and intellectual development. The contributors analyze works of fiction, memoirs, autobiographies, letters, the periodical press, and conduct and cookbooks from the mid-1700s to circa 1900 that confront the separate spheres paradigm and promote women's educational and personal development. They examine women's writing and reading practices, moral and gender philosophies, political activism, and work from the home to the stage and factory. Most writers did not repudiate outright existing gender models, but both subtly and overtly subverted and reinterpreted them. In all the texts, the process of female education leads to an assertion of agency. The writers came from different social classes and professional backgrounds, ranging from noblewomen to working-class autobiographers of the later nineteenth century. This volume will be of interest to German cultural, literary, and historical scholars, as well as to those concerned with the development of European feminism, women's education and autobiography.
| Author | : Maarten De Pourcq |
| Publisher | : Routledge |
| Total Pages | : 461 |
| Release | : 2018-02-28 |
| Genre | : Literary Criticism |
| ISBN | : 1317501551 |
This clear and engaging book offers readers an introduction to European Literary History from antiquity through to the present day. Each chapter discusses a short extract from a literary text, whilst including a close reading and a longer essay examining other key texts of the period and their place within European Literature. Offering a view of Europe as an evolving cultural space and examining the mobility and travel of literature both within and out of Europe, this guide offers an introduction to the dynamics of major literary networks, international literary networks, publication cultures and debates, and the cultural history of 'Europe' as a region as well as a concept.
| Author | : K. Scott Baker |
| Publisher | : Peter Lang |
| Total Pages | : 196 |
| Release | : 2008 |
| Genre | : Drama |
| ISBN | : 9783039110957 |
This monograph details Gutzkow's recurring use of performance-within-the-play as a means of encouraging an active, political response by the audience. He incorporates an internal audience viewing a performance on stage in order to model an ideal of dramatic reception for the audiences of his own play. Gutzkow structures the narrative contextualization of these performances as reflections of specific issues in the German states of the Vormärz. Beginning with an overview of theoretical and literary texts from the 1830s, this study traces Gutzkow's transferral of self-reflexive structures from his novels of this decade into his first staged play, Richard Savage (1839), and on through Das Urbild des Tartüffe (1844) and Uriel Acosta (1845). It concludes by portraying Der Königsleutnant (1849) as a transitional work that shows Gutzkow's decision to return to the novel as a consequence of the failure of his plays to attain the reception he intended. By using the coherency of the communicated message instead of fealty to aesthetic norms as the evaluative criteria for discussing Gutzkow's plays, the book exposes an innovative mode of specifically literary social criticism in these works that complements their traditional assessment as documentation of the cultural history of Liberalism in this period.
| Author | : Karin Baumgartner |
| Publisher | : Peter Lang |
| Total Pages | : 284 |
| Release | : 2009 |
| Genre | : History |
| ISBN | : 9783039115754 |
This book examines the possibilities of political theorizing in the writings of early nineteenth-century German women and develops a new theory of reading women's domestic fiction. Drawing on feminism, new historicism, and hermeneutics for its theoretical framework, the study suggests significant changes to Jürgen Habermas's concept of the public sphere and women's role within it. The book re-evaluates the genre of domestic fiction and traces its use by women writers for political symbolism. Through novels, educational treatises, conduct manuals, poetry, and history books for women and children Caroline Fouqué, the principal voice in this study, and other authors of the period participated in the key debates of the early nineteenth century, among them the anguished discussions about the crisis in masculinity after the defeat of the Prussian army in 1806, the discourses of national identity, the construction of a national past, and the reorganization of the feudal state.
| Author | : Anna Helm |
| Publisher | : Peter Lang |
| Total Pages | : 190 |
| Release | : 2009 |
| Genre | : Business & Economics |
| ISBN | : 9783039110841 |
This work explores the intersection of the material and poetic economies in Soll und Haben and Der Nachsommer. It demonstrates how the main poetical strategies of the two novels, dichotomization (Soll und Haben) and total economization (Der Nachsommer), are defined by economic themes, structures, and forms. The «economopoetics» of the novels, i.e. the multitude of connections between economics and aesthetics, pervades the texts on three different levels: as content, as representational model, and as literary strategy. Although very different in their treatment of topics relating to business and economics, both novels are driven by narratives parsed with economic expression. The diverging patterns of economopoetics support central commentaries on their underlying realist aesthetics. One important finding is that, in spite of money's apparent absence from the core content of some literary texts, economic relations are inherent in the narrative structure of those texts. The book shows that economopoetics is relevant not only to any extant literature which attempts explicitly to thematize business and economics (such as Soll und Haben), but also to that which does not (such as Der Nachsommer). Economic organizing principles are pervasive signatures of the novel's aesthetic.
| Author | : Christine Cornea |
| Publisher | : Edinburgh University Press |
| Total Pages | : 320 |
| Release | : 2007-06-06 |
| Genre | : Performing Arts |
| ISBN | : 0748628703 |
This major new study offers a broad historical and theoretical reassessment of the science fiction film genre. The book explores the development of science fiction in cinema from its beginnings in early film through to recent examples of the genre. Each chapter sets analyses of chosen films within a wider historical/cultural context, while concentrating on a specific thematic issue. The book therefore presents vital and unique perspectives in its approach to the genre, which include discussion of the relevance of psychedelic imagery, the 'new woman of science', generic performance and the prevalence of 'techno-orientalism' in recent films. While American films will be one of the principle areas covered, the author also engages with a range of pertinent examples from other nations, as well as discussing the centrality of science fiction as a transnational film genre. Films discussed include The Day the Earth Stood Still, The Body Snatchers, Forbidden Planet, The Quatermass Experiment, 2001: A Space Odyssey, Demon Seed, Star Trek: The Motion Picture, Star Wars, Altered States, Alien, Blade Runner, The Brother from Another Planet, Back to the Future, The Terminator, Predator, The One, Dark City, The Matrix, Fifth Element and eXistenZ. Key Features*Thematically organised for use as a course text.*Introduces current and past theories and practices, and provides an overview of the main themes, approaches and areas of study.*Covers new and burgeoning approaches such as generic performance and aspects of postmodern identity.*Includes new interviews with some of the main practitioners in the field: Roland Emmerich, Paul Verhoeven, Ken Russell, Stan Winston, William Gibson, Brian Aldiss, Joe Morton, Dean Norris and Billy Gray.
| Author | : Peter Loewenberg |
| Publisher | : Oxford University Press |
| Total Pages | : 246 |
| Release | : 1995-10-19 |
| Genre | : History |
| ISBN | : 019536189X |
In Fantasy and Reality in History, Peter Loewenberg brings what the discipline of psychoanalysis has learned about human conduct and the irrational to bear on the analysis and writing of history. The result is a remarkable series of studies on individual and social anxiety, racism and nationalism, and crisis management. First examining early twentieth century Zürich and the first practitioners of psychoanalysis--Freud, C.G. Jung, Karl Abraham, and others--to establish the discipline's understanding of the unconscious and how it functions, Loewenberg then explores the tensions in the lives and politics of modern political leaders. The great British Liberal Prime Minister Walther Rathenau, and the Russian fascist demagogue Vladimir Zhirinovsky are among those studied. In each of these interconnected essays, Fantasy and Reality in History makes readily evident the advantages, and unique insights, that psychoanalytical techniques can provide in the examination of history. Loewenberg's blend of clinical and historico-political methods not only produces new exciting research, but demonstrates how it is done.
| Author | : Kim Fordham |
| Publisher | : Peter Lang Publishing |
| Total Pages | : 164 |
| Release | : 2007 |
| Genre | : Literary Criticism |
| ISBN | : |
What makes the trial so appealing as dramatic form? Why do we watch? Is it simply the quest for truth and justice? Or is it much more than that? From the time of Sophocles, the court has fascinated audiences and dramatists alike. Kleist is no exception, as each of his dramas and many of his stories and anecdotes contain a trial of some sort from its most primitive form of hand-to-hand combat in the duel to more conventional legal proceedings in secular, military and ecclesiastical courts. At trial, we desire, whether consciously or unconsciously, to have our own system of beliefs and behaviours affirmed rather than to attempt to achieve justice: self interest prevails at the expense of truth and equity. The focus of this book is the tension between the restoration of dike, the balance of natural order, and the pursuit of truth and justice as impetus behind the trial. With recourse to the concept of legal instrumentalism, which underscores this preference for order over justice in both the law and literature, the author examines Kleist's dramas to determine the extent to which those individuals in positions of power are able to manipulate the proceedings, seeking not justice and truth, but rather the validation of their own particular version of order. The trial, a tool generally thought to be designed to discover truth and to mete out justice, is used instead, in the hands of the powerful, as an instrument of control and degradation.
