Bertoluccis Dream Loom
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Author | : Thomas Jefferson Kline |
Publisher | : |
Total Pages | : 224 |
Release | : 1987 |
Genre | : Performing Arts |
ISBN | : |
Forfatteren diskuterer forholdet mellem psykoanalyse og filmkunst, og analyserer på det grundlag syv væsentlige film af den italienske filminstruktør Bernardo Bertolucci (f. 1941)
Author | : Bruce H. Sklarew |
Publisher | : Wayne State University Press |
Total Pages | : 286 |
Release | : 1998 |
Genre | : Performing Arts |
ISBN | : 9780814327005 |
In this anthology, filmmakers, psychoanalysts, film scholars, and cultural historians use a psychoanalytic approach to examine Bernardo Bertolucci's epic film The Last Emperor (I988). Evolving out of a conference on Bertolucci's work, the essays interweave psychological, political, and cinematic themes in The Last Emperor as well as in much of Bertolucci's other works. This volume includes a foreword by Bernardo Bertolucci and is organized into four parts or "takes," including "Filmcraft," "Psychoanalysis," "Film Scholarship," and "Cultural History." Although we can never fully know the real Aisingioro Pu Yi, Bertolucci used his vision of the intricate relationship between art, ideology, and the psychic experience to tell the story of one ordinary man's extraordinary life. Bertolucci's The Last Emperor hopes to illuminate this complex and often enigmatic creation as well as renew an excitement about the possibilities of interdisciplinary criticism in film studies.
Author | : Yosefa Loshitzky |
Publisher | : Wayne State University Press |
Total Pages | : 296 |
Release | : 1995 |
Genre | : Performing Arts |
ISBN | : 9780814324462 |
From the radical 1960s through the neo-conservative 1980s and into the early 1990s, the provocative cinematic careers of French director Jean-Luc Godard and Italian director Bernardo Bertolucci have captured the imagination of filmgoers and critics alike. Although their films differ greatly - Godard produces highly cerebral and theoretical works while Bertolucci creates films with more spectacle and emotionalism - their careers have sparked lively discussion and debate, mostly centred around the notion of an Oedipal struggle between them.
Author | : Bernardo Bertolucci |
Publisher | : |
Total Pages | : 320 |
Release | : 2000 |
Genre | : Performing Arts |
ISBN | : 9781578062041 |
Forty years of collected interviews with the influential filmmaker of The Last Emperor, Last Tango in Paris, and Little Buddha
Author | : Lynn Gamwell |
Publisher | : Cornell University Press |
Total Pages | : 316 |
Release | : 2000 |
Genre | : Dream interpretation |
ISBN | : 080143730X |
"Written to commemorate the centenary of Freud's classic work, this illustrated book examines the shifting roles that dreams have played in twentieth century art and science."--BOOK JACKET.
Author | : Wheeler Winston Dixon |
Publisher | : Rutgers University Press |
Total Pages | : 481 |
Release | : 2008-03-01 |
Genre | : Performing Arts |
ISBN | : 0813544750 |
The history of international cinema is now available in a concise, conveniently sized, and affordable volume. Succinct yet comprehensive, A Short History of Film provides an accessible overview of the major movements, directors, studios, and genres from the 1880s to the present. More than 250 rare stills and illustrations accompany the text, bringing readers face to face with many of the key players and films that have marked the industry. Beginning with precursors of what we call moving pictures, Wheeler Winston Dixon and Gwendolyn Audrey Foster lead a fast-paced tour through the invention of the kinetoscope, the introduction of sound and color between the two world wars, and ultimately the computer generated imagery of the present day. They detail significant periods in world cinema, including the early major industries in Europe, the dominance of the Hollywood studio system in the 1930s and 1940s, and the French New Wave of the 1960s. Special attention is also given to small independent efforts in developing nations and the corresponding more personal independent film movement that briefly flourished in the United States, the significant filmmakers of all nations, censorship and regulation and how they have affected production everywhere, and a wide range of studios and genres. Along the way, the authors take great care to incorporate the stories of women and other minority filmmakers who have often been overlooked in other texts. Compact and easily readable, this is the best one-stop source for the history of world film available to students, teachers, and general audiences alike.
Author | : Wheeler Winston Dixon |
Publisher | : Rutgers University Press |
Total Pages | : 525 |
Release | : 2018-03-30 |
Genre | : Art |
ISBN | : 0813595169 |
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
Author | : Andrea Sabbadini |
Publisher | : Routledge |
Total Pages | : 363 |
Release | : 2007-04-11 |
Genre | : Performing Arts |
ISBN | : 1134089287 |
There is currently only a limited selection of titles on psychoanalysis and European cinema The contributors are all experts in their field
Author | : Marcia Landy |
Publisher | : Cambridge University Press |
Total Pages | : 446 |
Release | : 2000-04-13 |
Genre | : Performing Arts |
ISBN | : 9780521649773 |
Examines the extraordinary cinematic tradition of Italy, from the silent era to the present.
Author | : Clodagh Brook |
Publisher | : University of Toronto Press |
Total Pages | : 241 |
Release | : 2010-04-02 |
Genre | : Performing Arts |
ISBN | : 1442698543 |
Marco Bellocchio is one of Italy's most important and prolific directors, with a career spanning five decades. In this book, Clodagh J. Brook explores the boundaries between the public and the private, the political and the personal, and the collective and the individual as they appear in Bellocchio's films. Including work on psychoanalysis, politics, film production, autobiography, and the relationship between film tradition and contemporary culture, Marco Bellocchio touches on fundamental issues in film analysis. Brook's study interrogates what it means to make personal or anti-institutional art in a medium dominated by a late-capitalist industrial model of production. Her readings of Bellocchio's often enigmatic and perplexing work suggest new ways to answer questions about subjectivity, objectivity, and political commentary in modes of filmmaking. Relating the art of a private director to a public medium, Clodagh J. Brook's work is an important contribution to our understanding of film.