Bergson The Modern Spirit
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Making Spirit Matter
Author | : Larry Sommer McGrath |
Publisher | : |
Total Pages | : 285 |
Release | : 2020 |
Genre | : France |
ISBN | : 022669982X |
"The problem of the relation between mind and brain has been among the most persistent in modern Western thought, one that even recent advances in neuroscience haven't been able to put to rest. Historian Larry McGrath's Making Spirit Matter is about how a particularly productive and influential generation of late nineteenth- and early twentieth-century French thinkers attempted to answer this puzzle by showing the mutual dependence of spirit and matter. The veritable revolution taking place across disciplines, from philosophy to psychology, located our spiritual powers in the brain and offered a radical reformulation of the meaning of science, spirit, and the self. Pulling out connections between thinkers such as Bergson, Blondel, and FouilleáI p1 se, among others, McGrath plots the intellectual movements that brought back to life themes of agency, time, and experience by putting into action the very sciences that seemed to undermine metaphysics and theology. In so doing, Making Spirit Matter lays bare the long legacy of this moment in the history of ideas and how it might renew our understanding of the relationship between mind and brain"--
The Belief in Intuition
Author | : Adriana Alfaro Altamirano |
Publisher | : University of Pennsylvania Press |
Total Pages | : 240 |
Release | : 2021-04-23 |
Genre | : Philosophy |
ISBN | : 0812252934 |
Within the Western tradition, it was the philosophers Henri Bergson and Max Scheler who laid out and explored the nonrational power of "intuition" at work in human beings that plays a key role in orienting their thinking and action within the world. As author Adriana Alfaro Altamirano notes, Bergon's and Scheler's philosophical explorations, which paralleled similar developments by other modernist writers, artists, and political actors of the early twentieth century, can yield fruitful insights into the ideas and passions that animate politics in our own time. The Belief in Intuition shows that intuition (as Bergson and Scheler understood it) leads, first and foremost, to a conception of freedom that is especially suited for dealing with hierarchy, uncertainty, and alterity. Such a conception of freedom is grounded in a sense of individuality that remains true to its "inner multiplicity," thus providing a distinct contrast to and critique of the liberal notion of the self. Focusing on the complex inner lives that drive human action, as Bergson and Scheler did, leads us to appreciate the moral and empirical limits of liberal devices that mean to regulate our actions "from the outside." Such devices, like the law, may not only carry pernicious effects for freedom but, more troublingly, oftentimes "erase their traces," concealing the very ways in which they are detrimental to a richer experience of subjectivity. According to Alfaro Altamirano, Bergson's and Scheler's conception of intuition and personal authority puts contemporary discussions about populism in a different light: It shows that liberalism would only at its own peril deny the anthropological, moral, and political importance of the bearers of charismatic authority. Personal authority thus understood relies on a dense, but elusive, notion of personality, for which personal authority is not only consistent with freedom, but even contributes to it in decisive ways.
Bergson and American Culture
Author | : Tom Quirk |
Publisher | : UNC Press Books |
Total Pages | : 415 |
Release | : 2017-10-10 |
Genre | : Literary Criticism |
ISBN | : 1469639610 |
Bergsonian "vitalism" challenged the dominance of Spencerian determinism in the early twentieth century and seemed to offer a new foundation for belief in human freedom and individual possibility. Quirk traces the impact of Bergsonism upon the American sensibility and shows how individual writers -- particularly two such different artists as Willa Cather and Wallace Stevens -- appropriated vitalistic notions and made them serve the peculiar requirements of their own unique creative imaginations. Originally published in 1990. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
The Modern Spirit of Asia
Author | : Peter van der Veer |
Publisher | : Princeton University Press |
Total Pages | : 296 |
Release | : 2014 |
Genre | : History |
ISBN | : 0691128154 |
A comparative look at religion and spirituality in postcolonial China and India The Modern Spirit of Asia challenges the notion that modernity in China and India are derivative imitations of the West, arguing that these societies have transformed their ancient traditions in unique and distinctive ways. Peter van der Veer begins with nineteenth-century imperial history, exploring how Western concepts of spirituality, secularity, religion, and magic were used to translate the traditions of India and China. He traces how modern Western notions of religion and magic were incorporated into the respective nation-building projects of Chinese and Indian nationalist intellectuals, yet how modernity in China and India is by no means uniform. While religion is a centerpiece of Indian nationalism, it is viewed in China as an obstacle to progress that must be marginalized and controlled. The Modern Spirit of Asia moves deftly from Kandinsky's understanding of spirituality in art to Indian yoga and Chinese qi gong, from modern theories of secularism to histories of Christian conversion, from Orientalist constructions of religion to Chinese campaigns against magic and superstition, and from Muslim Kashmir to Muslim Xinjiang. Van der Veer, an outspoken proponent of the importance of comparative studies of religion and society, eloquently makes his case in this groundbreaking examination of the spiritual and the secular in China and India.
Studies in the Comic Spirit in Modern Japanese Fiction
Author | : Joel Ralph Cohn |
Publisher | : Harvard Univ Asia Center |
Total Pages | : 288 |
Release | : 1998 |
Genre | : Education |
ISBN | : 9780674847118 |
Unlike traditional Japanese literature, with its rich tradition of comedy, modern Japanese literature is commonly associated with high seriousness. Cohn analyzes works by three writers--Ibuse Masuji (1898-1993), Dazai Osamu (1909-1948), and Inoue Hisashi (1934- )--that assault the notion that comedy cannot be part of serious literature.
A New Philosophy: Henri Bergson
Author | : Edouard Leroy |
Publisher | : Sheba Blake Publishing Corporation |
Total Pages | : 175 |
Release | : 2022-02-14 |
Genre | : Fiction |
ISBN | : 3985107041 |
Henri-Louis Bergson was a French scholar and philosopher who would eventually come to be recognized as one of the most influential thinkers of the twentieth century. This volume served as one of the first overviews of Bergson's work to be published. Geared toward a wider audience of general readers, it serves as a concise and comprehensive introduction to Bergson's philosophy, which emphasized the importance of intuition over scientific rationality.
Henri Bergson
Author | : Vladimir Jankelevitch |
Publisher | : Duke University Press |
Total Pages | : 344 |
Release | : 2015-09-17 |
Genre | : Philosophy |
ISBN | : 0822375338 |
Appearing here in English for the first time, Vladimir Jankélévitch's Henri Bergson is one of the two great commentaries written on Henri Bergson. Gilles Deleuze's Bergsonism renewed interest in the great French philosopher but failed to consider Bergson's experiential and religious perspectives. Here Jankélévitch covers all aspects of Bergson's thought, emphasizing the concepts of time and duration, memory, evolution, simplicity, love, and joy. A friend of Bergson's, Jankélévitch first published this book in 1931 and revised it in 1959 to treat Bergson's later works. This unabridged translation of the 1959 edition includes an editor's introduction, which contextualizes and outlines Jankélévitch's reading of Bergson, additional essays on Bergson by Jankélévitch, and Bergson's letters to Jankélévitch.