Benin Studies
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| Author | : R. E. Bradbury |
| Publisher | : Routledge |
| Total Pages | : 385 |
| Release | : 2018-08-16 |
| Genre | : Social Science |
| ISBN | : 1351031244 |
This collection of R. E. Bradbury's papers, originally published in 1973 includes edited sections of his (then hitherto) unpublished thesis on the Benin village in Western Nigeria. The book is arranged in 3 parts: historical and political studies of the kingdom of Benin; Benin village organization and religion and art. An introduction by Peter Morton-Williams traces bradbury's development as an interpreter of the culture, society and art of Benin, beginning with his first studies in the filed and culminating in the important anthropological and historical essays.
| Author | : Dan Hicks |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : BUSINESS & ECONOMICS |
| ISBN | : 9781786806833 |
Walk into any European museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the objectsare all stolen. Few artefacts embody this history of rapacious and extractive colonialism better than the Benin Bronzes - a collection of thousands of brass plaques and carved ivory tusks depicting the history of the Royal Court of the Obas of BeninCity, Nigeria. Pillaged during a British naval attack in 1897, the loot was passed on to Queen Victoria, the British Museum and countless private collections. The story of the Benin Bronzes sits at the heart of a heated debate about cultural restitution, repatriation and the decolonisation of museums. In The Brutish Museums, Dan Hicks makes a powerful case for the urgent return of such objects, as part of a wider project of addressing the outstanding debt of colonialism.
| Author | : Peter M. Roese |
| Publisher | : Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften |
| Total Pages | : 404 |
| Release | : 2003 |
| Genre | : Foreign Language Study |
| ISBN | : |
The history of the former Kingdom of Benin is a fascinating subject which aroused the interest of many scholars during more than one hundred years. However, today, when Africa unfortunately attracts much less public and professional interest than in the times of de-colonisation and subsequent cold war struggle for the continent between the socialist and capitalist blocs, only a few specialists outside Nigeria are undertaking Benin researches and, therefore, the authors felt the need to make a new attempt for writing a history of this remarkable kingdom, including newest results of researches. Besides the general public, the book is destined for graduate and undergraduate students, as well as lecturers on African studies. To make easier reading for the general public, the book contains some elements of what may be called popular history .
| Author | : Kathryn Wysocki Gunsch |
| Publisher | : Routledge |
| Total Pages | : 276 |
| Release | : 2017-12-15 |
| Genre | : Art |
| ISBN | : 1351254596 |
The 16th century bronze plaques from the kingdom of Benin are among the most recognized masterpieces of African art, and yet many details of their commission and installation in the palace in Benin City, Nigeria, are little understood. The Benin Plaques, A 16th Century Imperial Monument is a detailed analysis of a corpus of nearly 850 bronze plaques that were installed in the court of the Benin kingdom at the moment of its greatest political power and geographic reach. By examining European accounts, Benin oral histories, and the physical evidence of the extant plaques, Gunsch is the first to propose an installation pattern for the series.
| Author | : Peter Palmer Ekeh |
| Publisher | : Urhobo Historical Society |
| Total Pages | : 800 |
| Release | : 2005 |
| Genre | : History |
| ISBN | : 9789780677695 |
This unique book is the product of pioneering research carried out by scholars native to the Urhobo culture and language. Unlike many of the other major ethnic cultures in Nigeria, which were studied by Western anthropologist in the nineteenth and twentieth centuries, the Urhobo language and culture remained neglected. Studies in Urhobo Culture represents a comparatively new area of research, approached from an indigenous perspective. The result is a wide-ranging survey of Urhobo culture in Nigeria, offering diverse perspectives on topics such as: naming traditions and practices of the Urhobo; religious beliefs, values and movements; traditions of marriage; artistic productions, food and dress subcultures; and the geography of Urhoboland and agricultural practices. In-depth consideration is given to Urhobo traditional poetry and the intellectual aspects of Urhobo culture and language, within the wider complex of the Edoid languages and cultures. The contributors further situate the language question within the global context of language endangerment, arguing the Urhobo case is an example of how English and Pidgin are imperilling small and medium-sized languages in Africa, and weakening the hold of indigenous cultures on the younger generation.
| Author | : Gore Charles Gore |
| Publisher | : Edinburgh University Press |
| Total Pages | : 256 |
| Release | : 2019-07-30 |
| Genre | : Benin City (Nigeria) |
| ISBN | : 1474468586 |
This book explores the roles of contemporary urban shrines and their visual traditions in Benin City. It focuses on the charismatic priests and priestesses who are possessed by a pantheon of deities, the communities of devotees, and the artists who make artifacts for their shrines. The visual arts are part of a wider configuration of practices that include song, dance, possession and healing. These practices provide the means for exploring the relationships of the visual to both the verbal and performance arts that feature at these shrines. The analysis in this book raises fundamental questions about how the art of Benin, and non-Western art histories more generally, are understood. The book throws critical light on the taken-for-granted assumptions which underpin current interpretations and presents an original and revisionist account of Benin art history.
| Author | : Mathurin C. Houngnikpo |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 489 |
| Release | : 2013 |
| Genre | : History |
| ISBN | : 0810871718 |
Benin is now perceived of as a model of democracy in Africa because it has successfully established a democratic political system based on consensus and regular and fair elections, and it continues to improve its electoral and parliamentary systems. Since its democracy it has taken important steps towards laying the foundation for the rule of law by establishing stable political institutions that can withstand the test of time. It has also engaged in an important legal, institutional, and regulatory reform to establish a more favorable environment for private initiative. The fourth edition of Historical Dictionary of Benin covers its history through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 900 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about Benin.
| Author | : Douglas J. Falen |
| Publisher | : University of Wisconsin Press |
| Total Pages | : 249 |
| Release | : 2018-11-27 |
| Genre | : Social Science |
| ISBN | : 0299318907 |
In this sensitive and personal investigation into Benin's occult world, Douglas J. Falen wrestles with the challenges of encountering a reality in which magic, science, and the Vodun religion converge into a single universal force. He takes seriously his Beninese interlocutors' insistence that the indigenous phenomenon known as àze ("witchcraft") is an African science, credited with fantastic and productive deeds, such as teleportation and supernatural healing. Although the Beninese understanding of àze reflects positive scientific properties in its use of specialized knowledge to harness nature's energy and realize economic success, its boundless power is inherently ambivalent because it can corrupt its users, who dispense death and destruction. Witches and healers are equivalent to supervillains and superheroes, locked in epic battles over malevolent and benevolent human desires. Beninese people's discourse about such mystical confrontations expresses a philosophy of moral duality and cosmic balance. Falen demonstrates how a deep engagement with another lived reality opens our minds and contributes to understanding across cultural difference.
| Author | : Kathy Curnow |
| Publisher | : University of Pennsylvania Museum |
| Total Pages | : 149 |
| Release | : 2024-06-05 |
| Genre | : Art |
| ISBN | : 1949057208 |
This guide examines America's oldest collection of Benin art, and one of its least published. Ivory, brass, and wooden art from one of the greatest African precolonial states--the only sub-Saharan polity with 500 years of surviving art--are examined through contextual lenses that provide insight into the Ẹdo people's creativity and world view. The guide also considers the collection's specific history and growth, and current plans to repatriate the artworks back to Nigeria's Benin Kingdom. For readers unfamiliar with Benin and its art, this introduces the complexities of the palace, its successive monarchs and chiefs, and interprets metaphorical motifs such as mudfish, leopards, and elephants. Artworks refer to family and court rivalries, as well as the strict court hierarchies that dictated who could use which materials and wear particular regalia. Interactions with the Portuguese in the 15th and 16th centuries, their impact on trade and luxury goods, and their introduction of Catholicism paint a portrait of a society that absorbed only what they found useful and flourished in both war and peace. Original fieldwork illuminates Benin art and culture and previously published archival material provides insight regarding major collectors and individuals who shaped the field of African art history.
| Author | : Graham Connah |
| Publisher | : |
| Total Pages | : 348 |
| Release | : 1975 |
| Genre | : Social Science |
| ISBN | : |
