Church Misericords and Bench Ends

Church Misericords and Bench Ends
Author: Richard Hayman
Publisher: Bloomsbury Publishing
Total Pages: 117
Release: 2011-11-20
Genre: Antiques & Collectibles
ISBN: 0747811830

With the increasing disappearance of stained glass in medieval churches, the surviving wood carvings on church misericords and bench ends are extremely important in providing an insight into the medieval mind. The carved images were often used to convey the messages of the Christian faith in the Middle Ages but they were not just concerned with religion and religious symbols – they also told stories of mythology, humour and satire, showing illustrations of everyday life and people. This book outlines the history of church seating and discusses the craftsmen and the influences behind their work. Using illustrations, the author then explains the subject matter of these wood carvings, revealing how one can discover so much about medieval life – the spiritualism, moralism and the wit – within the carvings still found in churches today.

English Medieval Sculpture

English Medieval Sculpture
Author: Arthur Gardner
Publisher: Cambridge University Press
Total Pages: 363
Release: 2011-08-11
Genre: Architecture
ISBN: 0521166195

First published in 1951, this volume provides a historical study of English sculpture during the medieval period.

The Practicalities of Early English Performance: Manuscripts, Records, and Staging

The Practicalities of Early English Performance: Manuscripts, Records, and Staging
Author: Peter Meredith
Publisher: Routledge
Total Pages: 368
Release: 2018-01-02
Genre: History
ISBN: 1351266020

Collected Studies CS1069 The essays selected for this volume reflect Peter Meredith’s major contribution to the revival and revision of academic and public interest in medieval English drama and theatre. A number of coinciding factors in the last quarter of the twentieth century brought together a group of scholars, represented here in the Shifting Paradigms series, determined to place the study of medieval drama in a broader context than that of solely reading texts. The publication of Records of Early English Drama, the University of Leeds facsimiles of medieval drama manuscripts, the establishment of the journal and annual meetings of Medieval English Theatre, brought a wider perspective to the discipline. And, by no means least, the bringing to bear of all these ground-breaking developments to the mammoth tasks of recreating in the public domain the original-staging of medieval plays. Peter Meredith had a hand in the formation and lasting influence of all these crucial innovations. The variety and depth of his comprehensive approach to the study of medieval drama and theatre is clearly evinced in each of the essays chosen for this volume.