Ben Jonson And The Lucianic Tradition
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Author | : Douglas Duncan |
Publisher | : Cambridge University Press |
Total Pages | : 266 |
Release | : 1979-06-28 |
Genre | : Juvenile Nonfiction |
ISBN | : 0521223598 |
Duncan suggests Jonson's challenge to the audience originates in the practice of 'oblique teaching', which was developed by Erasmus and More out of their admiration for Lucian.
Author | : Ben Jonson |
Publisher | : Cambridge University Press |
Total Pages | : 468 |
Release | : 1989-08-25 |
Genre | : Drama |
ISBN | : 9780521292481 |
A volume containing three of Ben Jonson's greatest plays: Sejanus, Volpone and Epicoene.
Author | : W. David Kay |
Publisher | : Springer |
Total Pages | : 249 |
Release | : 1995-03-15 |
Genre | : Literary Criticism |
ISBN | : 1349237787 |
This concise biography surveys Jonson's career and provides an introduction to his works in the context of Jacobean politics, court patronage and his many literary rivalries. Stressing his wit and inventiveness, it explores the strategies by which he attempted to maintain his independence from the conditions of theatrical production and from his patrons and introduces new evidence that, despite his vaunted classicism, he repeatedly appropriated the matter or forms of other English writers in order to demonstrate his own artistic superiority.
Author | : David Riggs |
Publisher | : Harvard University Press |
Total Pages | : 420 |
Release | : 1989 |
Genre | : Biography & Autobiography |
ISBN | : 9780674066267 |
'Compelling... Riggs's approach to the man-as-artist is to see him as a paradox, a man of reckless defiance who boasted openly about his womanizing and criminal record, and who nonetheless represented himself in Renaissance England as the great model of a self-restrained and chastely austere classical style of writing... David Riggs's eminently readable and generously illustrated study not only fully justifies our curiosity, but handles with admirable tact what might be lurid and sensational if our only interest were the gossip.'New York Times Book Review
Author | : Ben Johnson |
Publisher | : Routledge |
Total Pages | : 714 |
Release | : 2014-06-11 |
Genre | : Literary Criticism |
ISBN | : 1317897919 |
This edition of Ben Jonson's four middle comedies places the works in the popular history and culture of the times, 1605-1614, and surveys the influences, both classical and contemporary, on Jonson as a playwright. On-the-page annotations recreate the audiences perception of the plays as performances by commenting on the stage-directions, the self-conscious theatricality of characters and scenes, and the vivid colloquialisms of early modern London that give the dialogue a heightened dimension of realism. Brief introductions to each play discuss the local settings, sources, theatre history and further readings. The general introduction includes a biography of Jonson, a chronology of the plays and masques, and separate essays on each play, dealing particularly with Jonson's satirical treatments of trends and shams of the day, whether political, social, commercial, or spiritual.
Author | : James E. Hirsh |
Publisher | : Fairleigh Dickinson Univ Press |
Total Pages | : 234 |
Release | : 1997 |
Genre | : Drama |
ISBN | : 9780838636879 |
Alexander Leggatt revisits the issue of the double plot in Volpone and finds that an emphasis on simple thematic parallels between the two plots distorts the dramatic significance of their relationship. As Kate D. Levin shows, conventional critical approaches have obscured both the structural peculiarities that Jonson's plays share with his masques and his occasional disregard of playhouse pragmatism.
Author | : William W. E. Slights |
Publisher | : University of Toronto Press |
Total Pages | : 357 |
Release | : 1994-12-15 |
Genre | : Literary Criticism |
ISBN | : 1442656093 |
Secrets accomplish their cultural work by distinguishing the knowable from the (at least temporarily) unknowable, those who know from those who don't. Within these distinctions resides an enormous power that Ben Jonson (1572-1637) both deplored and exploited in his art of making plays. Conspiracies and intrigues are the driving force of Jonson's dramatic universe. Focusing on Sejanus, His Fall; Volpone, or the Fox; Epicoene, or the Silent Woman; The Alchemist; Catiline, His Conspiracy, and Bartholomew Fair, William Slights places Jonson within the context of the secrecy- ridden culture of the court of King James I and provides illuminating readings of his best-known plays. Slights draws on the sociology of secrecy, the history of censorship, and the theory of hermeneutics to investigate secrecy, intrigue, and conspiracy as aspects of Jonsonian dramatic form, contemporary court/city/church politics, and textual interpretation. He argues that the tension between concealment and revelation in the plays affords a model for the poise that sustained Jonson in the intricately linked worlds of royal court and commercial theatre and that made him a pivotal figure in the cultural history of early modern England. Equally rejecting the position that Jonson was a renegade subverter of the arcana imperii and that he was a thorough-going court apologist, Slights finds that the playwright redraws the lines between private and public discourse for his own and subsequent ages.
Author | : Rosalind Miles |
Publisher | : Routledge |
Total Pages | : 266 |
Release | : 2017-03-27 |
Genre | : Performing Arts |
ISBN | : 1351998080 |
Though he is one of the undisputed giants of English literature, Ben Jonson is known to most people only as the author of one or two masterly plays which regularly appear in the drama repertory. He is much less well-known for his whole oeuvre, which encompasses poetry, criticism, masque-making, and a lifetime of linguistic and lexicographical study. In this book, first published in 1990, the author presents a comprehensive critical study of the whole of Jonson’s output from his earliest beginnings through to the final achievement. Looking at every word he ever wrote, in drama, masque, poetry, philosophy and literary criticism, the author reveals an interesting and varied picture of Jonson. This title will be of interest to students of English literature and Renaissance drama.
Author | : J. Sanders |
Publisher | : Springer |
Total Pages | : 272 |
Release | : 1998-08-19 |
Genre | : Literary Criticism |
ISBN | : 0230389449 |
This timely book challenges conventional critical wisdom about the work of Ben Jonson. Looking in particular at his Jacobean and Caroline plays, it explores his engagement with concepts of republicanism. Julie Sanders investigates notions of community in Jonson's stage worlds - his 'theatrical republics' - and reveals a Jonson to contrast with the traditional image of the writer as conservative, absolutist, misogynist, and essentially 'anti-theatrical'. The Jonson presented here is a positive celebrant of the social and political possibilities of theatre.
Author | : Ben Jonson |
Publisher | : Cambridge University Press |
Total Pages | : 558 |
Release | : 1989-05-26 |
Genre | : Drama |
ISBN | : 9780521318426 |
Dr Butler's edition is full and informative in its annotations and survey of criticisms to date, and cautiously respectful of Jonsonian punctuation.