Beitrage Zum Satz Vom Widerspruch Und Zur Aristotelischen Pradikationstheorie
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Other Criteria
Author | : Leo Steinberg |
Publisher | : University of Chicago Press |
Total Pages | : 466 |
Release | : 2007-11-15 |
Genre | : Art |
ISBN | : 0226771857 |
Leo Steinberg’s classic Other Criteria comprises eighteen essays on topics ranging from “Contemporary Art and the Plight of Its Public” and the “flatbed picture plane” to reflections on Picasso, Rauschenberg, Rodin, de Kooning, Pollock, Guston, and Jasper Johns. The latter, which Francine du Plessix Gray called “a tour de force of critical method,” is widely regarded as the most eye-opening analysis of the Johns’s work ever written. This edition includes a new preface and a handful of additional illustrations. “The art book of the year, if not of the decade and possibly of the century. . . .The significance of this volume lies not so much in the quality of its insights—although the quality is very high and the insights are important—as in the richness, precision, and elegance of its style. . . . A meeting with the mind of Leo Steinberg is one of the most enlightening experiences that contemporary criticism affords.” —Alfred Frankenstein, Art News “Not only one of the most lucid and independent minds among art critics, but a profound one.”—Robert Motherwell
Sculpture and Photography
Author | : Geraldine A. Johnson |
Publisher | : |
Total Pages | : 255 |
Release | : 1998 |
Genre | : Art |
ISBN | : 9780521621373 |
Sculpture and Photography: Envisioning the Third Dimension examines the complex ways that sculpture and photography have intersected, historically, aesthetically, and theoretically. The essays consider a wide range of topics, including the use of photography by Rodin, Brancusi, David Smith, and various Minimalist sculptors; the manipulation of photographs of sculpture for aesthetic and political purposes; the relationship among sculpture, photography, and gender in the late nineteenth century, as well as in the work of Hesse and Mapplethorpe; and the redefinition of the boundaries between sculpture and photography by artists such as Joseph Beuys and Jeff Wall.
Origins of Modern Sculpture: Pioneers and Premises
Author | : Albert E. Elsen |
Publisher | : New York : G. Braziller |
Total Pages | : 200 |
Release | : 1974 |
Genre | : Art |
ISBN | : |
An examination of revolutionary sculptors and pieces of sculpture that emerged between 1890 and 1918.
Passages in Modern Sculpture
Author | : Rosalind E. Krauss |
Publisher | : MIT Press |
Total Pages | : 326 |
Release | : 1981-02-26 |
Genre | : Design |
ISBN | : 9780262610339 |
Studies major works by important sculptors since Rodin in the light of different approaches to general sculptural issues to reveal the logical progressions from nineteenth-century figurative works to the conceptual work of the present.
"Interior Portraiture and Masculine Identity in France, 1789?914 "
Author | : HeatherBelnap Jensen |
Publisher | : Routledge |
Total Pages | : 300 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351562606 |
Focusing specifically on portraiture as a genre, this volume challenges scholarly assumptions that regard interior spaces as uniquely feminine. Contributors analyze portraits of men in domestic and studio spaces in France during the long nineteenth century; the preponderance of such portraits alone supports the book's premise that the alignment of men with public life is oversimplified and more myth than reality. The volume offers analysis of works by a mix of artists, from familiar names such as David, Delacroix, Courbet, Manet, Rodin, and Matisse to less well-known image makers including Dominique Doncre, Constance Mayer, Anders Zorn and Lucien-Etienne Melingue. The essays cover a range of media from paintings and prints to photographs and sculpture that allows exploration of the relation between masculinity and interiority across the visual culture of the period. The home and other interior spaces emerge from these studies as rich and complex locations for both masculine self-expression and artistic creativity. Interior Portraiture and Masculine Identity in France, 1789-1914 provides a much-needed rethinking of modern masculinity in this period.