Beethovens Tempest Sonata
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| Author | : Pieter Bergé |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2009 |
| Genre | : Sonatas (Piano) |
| ISBN | : 9789042922891 |
For music analysts and performers alike, Beethoven's Tempest sonata (1802) represents one of the most challenging pieces of the classical and early romantic piano repertoire. This book is a collection of eleven essays, each dealing with this sonata from a different analytical perspective and investigating the possible connections between music analysis and the practice of performance. Under the editorship of Pieter Berge, Jeroen D'hoe and William E. Caplin, the book presents essays by Scott Burnham (hermeneutics), Poundie Burstein (Schenkerian approach), Kenneth Hamilton (history of performance), Robert Hatten (semiotics), James Hepokoski (Sonata Theory), William Kinderman (source studies), William Rothstein (tempo, rhythm, and meter), Douglas Seaton (narratology), Steven Vande Moortele (20th-century Formenlehre) and the editors themselves (motivic analysis and form-functional approach respectively).
| Author | : Timothy Jones |
| Publisher | : Cambridge University Press |
| Total Pages | : 164 |
| Release | : 1999-10-21 |
| Genre | : Music |
| ISBN | : 9780521598590 |
Even in Beethoven's day the 'Moonlight' Sonata was a popular favourite. This 1999 book provides an accessible introduction to the Sonatas Opp. 27 and 31 (including The 'Moonlight' and 'The Tempest'), aimed at pianists, students, and music lovers. It begins with the works' historical background - the emergence of a 'piano culture' at the end of the eighteenth century, Beethoven's aristocratic milieu in Vienna, and his oft-quoted intention to follow a new compositional path. An account of the sonatas' genesis is followed by a discussion of their reception history, including a survey of changing performing styles since the mid-nineteenth century. The concept of the Sonata quasi una Fantasia is examined in relation to the cult of artistic sensibility in early-nineteenth-century Vienna. The study concludes with a critical introduction to each sonata.
| Author | : Pieter Bergé |
| Publisher | : Peeters |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Piano music |
| ISBN | : 9789042926394 |
This book contains five graphic analyses of the opening movement of Beethoven's sonata Op. 31/2. The analyses are based on essays published in Beethoven's Tempest Sonata: Perspectives on Analysis and Performance, edited by Pieter Berge, William E. Caplin, and Jeroen D'hoe (Leuven, 2009). While the earlier collection was conceived for an academic readership, the present volume, by contrast, is intended primarily for practical musicians. The musical score itself accordingly serves as the point of departure, with analytical remarks introduced at the moment at which the relevant music appears. In so doing, this book aims to offer performers analytical insights within the familiar context of sitting at the piano, and following the chronology of the musical process itself. Five different analytical perspectives are presented: motivic (Pieter Berge and Jeroen D'hoe); Schenkerian (Poundie Burstein); form-functional (William E. Caplin); "sonata-theory" (James Hepokoski); and metrical (William Rothstein). This book contains five graphic analyses of the opening movement of Beethoven's sonata Op. 31/2. The analyses are based on essays published in Beethoven's Tempest Sonata: Perspectives on Analysis and Performance, edited by Pieter Berge, William E. Caplin, and Jeroen D'hoe (Leuven, 2009). While the earlier collection was conceived primarily for an academic readership, the present volume is also intended for practical musicians. The musical score itself accordingly serves as the point of departure, with analytical remarks introduced at the moment at which the relevant music appears. In so doing, this book aims to offer performers analytical insights within the familiar context of sitting at the piano, and following the chronology of the musical process itself. Five different analytical perspectives are presented: motivic (Pieter Berge and Jeroen D'hoe); Schenkerian (Poundie Burstein); form-functional (William E. Caplin); "sonata-theory" (James Hepokoski); and metrical (William Rothstein).
| Author | : Kenneth Drake |
| Publisher | : |
| Total Pages | : 223 |
| Release | : |
| Genre | : |
| ISBN | : 9780608174051 |
| Author | : Michael Spitzer |
| Publisher | : Routledge |
| Total Pages | : 553 |
| Release | : 2017-07-05 |
| Genre | : History |
| ISBN | : 1351574302 |
Our image of Beethoven has been transformed by the research generated by a succession of scholars and theorists who blazed new trails from the 1960s onwards. This collection of articles written by leading Beethoven scholars brings together strands of this mainly Anglo-American research over the last fifty years and addresses a range of key issues. The volume places Beethoven scholarship within a historical and contemporary context and considers the future of Beethoven studies.
| Author | : Robert Taub |
| Publisher | : Amadeus |
| Total Pages | : 0 |
| Release | : 2009 |
| Genre | : Sonatas (Piano) |
| ISBN | : 9781574671780 |
Acclaimed pianist Robert Taub offers the insights of a passionate musician who performs all 32 of Beethoven's well-loved piano sonatas in concert worldwide bringing a fresh perspective on Beethoven as the ÊNew York TimesÊ put it. In this book he shares his intimate understanding of these works with listeners and players alike.
| Author | : Ludwig van Beethoven |
| Publisher | : Warner Bros. Publications |
| Total Pages | : 0 |
| Release | : 1985-03 |
| Genre | : Piano music |
| ISBN | : 9780769254869 |
Re-engraved, corrected editions by Artur Schnabel, with Schnabel's notes and comments in five languages. Volume One contains Sonatas One through Seventeen and Volume Two contains Sonatas Eighteen through Thirty-Two.
| Author | : Jan Christoph Meister |
| Publisher | : Walter de Gruyter |
| Total Pages | : 314 |
| Release | : 2008-08-22 |
| Genre | : Literary Criticism |
| ISBN | : 3110201844 |
This anthology presents the results of the Second International Colloquium of the Narratology Research Group (Hamburg University). It engages in the exploration of approaches that broaden Narratology's realm. The contributions illustrate the transcendence of traditional models common to Narratology. They also reflect on the relevance of such a 'going beyond' as seen in more general terms: What interrelation can be observed between re-definition of object domain and re-definition of method? What potential interfaces with other methods and disciplines does the proposed innovation offer? Finally, what are the repercussions of the proposed innovation in terms of Narratology's self-definition? The innovative volume facilitates the inter-methodological debate between Narratology and other disciplines, enabling the conceptualization of a Narratology beyond traditional Literary Criticism.
| Author | : Joseph Horowitz |
| Publisher | : Amadeus Press |
| Total Pages | : 354 |
| Release | : 1984 |
| Genre | : Biography & Autobiography |
| ISBN | : |
| Author | : Ludwig van Beethoven |
| Publisher | : Warner Bros. Publications |
| Total Pages | : 0 |
| Release | : 1985-03 |
| Genre | : Piano music |
| ISBN | : 9780769239514 |
Re-engraved, corrected editions by Artur Schnabel, with Schnabel's notes and comments in five languages. Volume One contains Sonatas One through Seventeen and Volume Two contains Sonatas Eighteen through Thirty-Two.
