Beethoven Variations On A Life
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Beethoven: Variations on a Life
| Author | : Mark Evan Bonds |
| Publisher | : Oxford University Press |
| Total Pages | : 160 |
| Release | : 2020-07-01 |
| Genre | : Music |
| ISBN | : 0190054093 |
Despite the ups and downs of his personal life and professional career-even in the face of deafness-Beethoven remained remarkably consistent in his most basic convictions about his art. This inner consistency, the music historian Mark Evan Bonds argues, provides the key to understanding the composer's life and works. Beethoven approached music as he approached life, weighing whatever occupied him from a variety of perspectives: a melodic idea, a musical genre, a word or phrase, a friend, a lover, a patron, money, politics, religion. His ability to unlock so many possibilities from each helps explain the emotional breadth and richness of his output as a whole, from the heaven-storming Ninth Symphony to the eccentric Eighth, and from the arcane Great Fugue to the crowd-pleasing Wellington's Victory. Beethoven's works, Bonds argues, are a series of variations on his life. The iconic scowl so familiar from later images of the composer is but one of many attitudes he could assume and project through his music. The supposedly characteristic furrowed brow and frown, moreover, came only after his time. Discarding tired myths about the composer, Bonds proposes a new way of listening to Beethoven by hearing his music as an expression of his entire self, not just his scowling self.
Beethoven Variations
| Author | : Ruth Padel |
| Publisher | : Random House |
| Total Pages | : 116 |
| Release | : 2020-01-30 |
| Genre | : Poetry |
| ISBN | : 1473558581 |
From the author of the bestselling Darwin: A Life in Poems, Ruth Padel’s new collection follows in the footsteps of one of the world’s greatest composers, Beethoven, and investigates what his life and music might mean to us today Two hundred and fifty years since Beethoven was born, Ruth Padel goes on a personal search for him, retracing his steps through war-torn Europe of the early nineteenth century, delving into his music, letters, diaries and the conversation books he used when deaf, to uncover the man behind the legend. Her quest, exploring the life of one of the most creative artists who ever lived, turns more personal than she expects, taking her into the sources of her own creativity and musicality. From a deeply musical family herself, Padel’s parents met through music, and she grew up playing chamber music on viola – Beethoven’s instrument as a child. Her father’s grandfather, a concert pianist born on the German–Danish border, studied in Leipzig with a friend of Beethoven before immigrating to the UK. The poems in this illuminating biography in verse conjure not only Beethoven’s life and personality, but her own music-making and love both of the European music-making tradition to which her father’s family belongs, and to the continent itself Europe.
The Beethoven Syndrome
| Author | : Mark Evan Bonds |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 345 |
| Release | : 2019 |
| Genre | : Music |
| ISBN | : 0190068477 |
The "Beethoven Syndrome" is the inclination of listeners to hear music as the projection of a composer's inner self. This was a radically new way of listening that emerged only after Beethoven's death. Beethoven's music was a catalyst for this change, but only in retrospect, for it was not until after his death that listeners began to hear composers in general--and not just Beethoven--in their works, particularly in their instrumental music. The Beethoven Syndrome: Hearing Music as Autobiography traces the rise, fall, and persistence of this mode of listening from the middle of the eighteenth century to the present. Prior to 1830, composers and audiences alike operated within a framework of rhetoric in which the burden of intelligibility lay squarely on the composer, whose task it was to move listeners in a calculated way. But through a confluence of musical, philosophical, social, and economic changes, the paradigm of expressive objectivity gave way to one of subjectivity in the years around 1830. The framework of rhetoric thus yielded to a framework of hermeneutics: concert-goers no longer perceived composers as orators but as oracles to be deciphered. In the wake of World War I, however, the aesthetics of "New Objectivity" marked a return not only to certain stylistic features of eighteenth-century music but to the earlier concept of expression itself. Objectivity would go on to become the cornerstone of the high modernist aesthetic that dominated the century's middle decades. Masterfully citing a broad array of source material from composers, critics, theorists, and philosophers, Mark Evan Bonds's engaging study reveals how perceptions of subjective expression have endured, leading to the present era of mixed and often conflicting paradigms of listening.
Beethoven
| Author | : Laura Tunbridge |
| Publisher | : Penguin UK |
| Total Pages | : 288 |
| Release | : 2020-07-16 |
| Genre | : Biography & Autobiography |
| ISBN | : 0241987458 |
**WINNER of Presto Books' Best Composer Biography** NINE WORKS OF BEETHOVEN, NINE WINDOWS INTO THE LIFE AND LEGACY OF A MUSICAL GENIUS. 'We are doubly blessed that Beethoven should have led such an extraordinary life. Laura has combined the two - the genius of his music and the richness of his experiences - to shine a revealing light on our greatest composer' John Humphrys _________________________ Ludwig van Beethoven: to some, simply the greatest ever composer of Western classical music. Yet his life remains shrouded in myths. In Beethoven, Oxford professor Laura Tunbridge cuts through the noise. With each chapter focusing on a period of his life, piece of music and revealing theme - from family to friends, from heroism to liberty - she provides a rich insight into the man and the music. Revealing a wealth of never-before-seen material, this tour de force is a compelling, accessible portrayal of one of the world's most creative minds and it will transform how you listen for ever. _________________________ 'Tunbridge has come up with the seemingly impossible: a new way of approaching Beethoven's life and music . . . profoundly original and hugely readable' John Suchet, author Beethoven: The Man Revealed 'This well researched and accessible book is a must read for all who seek to know more about the flesh and blood tangible Beethoven.' John Clubbe, author of Beethoven: The Relentless Revolutionary 'This book is really wonderful! ... However many books on Beethoven you own, find the space for one more. This one' Stephen Hough, pianist, composer, writer 'In a year when everyone's looking for a new take on Beethoven, Laura Tunbridge has found nine. Fresh and engaging' Norman Lebrecht, author of Genius and Anxiety 'Remarkable . . . she captures the essence of his genius and character. I'll always want to keep it in easy reach' Julia Boyd, author of Travellers in the third Reich
33 Variations
| Author | : Moisés Kaufman |
| Publisher | : Dramatists Play Service, Inc. |
| Total Pages | : 116 |
| Release | : 2011 |
| Genre | : Parenthood |
| ISBN | : 9780822223924 |
THE STORY: A mother coming to terms with her daughter. A composer coming to terms with his genius. And, even though they're separated by 200 years, these two people share an obsession that might, even just for a moment, make time stand still. Drama
Music as Thought
| Author | : Mark Evan Bonds |
| Publisher | : Princeton University Press |
| Total Pages | : 194 |
| Release | : 2015-07-28 |
| Genre | : Music |
| ISBN | : 0691168059 |
Before the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as "more pleasure than culture," and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrumental music was now being hailed as a means to knowledge and embraced precisely because of its independence from the limits of language. What had once been perceived as entertainment was heard increasingly as a vehicle of thought. Listening had become a way of knowing. Music as Thought traces the roots of this fundamental shift in attitudes toward listening in the late eighteenth and early nineteenth centuries. Focusing on responses to the symphony in the age of Beethoven, Mark Evan Bonds draws on contemporary accounts and a range of sources--philosophical, literary, political, and musical--to reveal how this music was experienced by those who heard it first. Music as Thought is a fascinating reinterpretation of the causes and effects of a revolution in listening.
Ludwig Van Beethoven: a Very Short Introduction
| Author | : Mark Evan Bonds |
| Publisher | : Oxford University Press |
| Total Pages | : 169 |
| Release | : 2022 |
| Genre | : MUSIC |
| ISBN | : 0190051736 |
"Despite the ups and downs of his personal life and professional career - even in the face of deafness - Beethoven remained remarkably consistent in his most basic convictions about his art. This inner consistency provides the key to understanding the composer's life and works more than 250 years after his birth in 1770. Beethoven approached music as he approached life, weighing from a variety of perspectives whatever occupied him: a melodic idea, a musical genre, a word or phrase, a friend, a lover, a patron, money, politics, religion. His ability to recognize and unlock so many possibilities from each helps explain the emotional breadth and richness of his output as a whole, from the heaven-storming Ninth Symphony to the eccentric Eighth, and from the arcane Great Fugue to the crowd-pleasing Wellington's Victory. Beethoven's works are a series of variations on his life. The iconic scowl so familiar from later images of the composer is but one of many attitudes he could assume and project through his music. The supposedly characteristic frown and furrowed brow, moreover, came only after his time. Discarding tired myths about the composer, this study proposes a new way of listening to Beethoven by hearing his music as an expression of his entire self, not just his scowling self"--
Beethoven
| Author | : Jeremy Siepmann |
| Publisher | : |
| Total Pages | : 232 |
| Release | : 2006 |
| Genre | : Biography & Autobiography |
| ISBN | : |
Sourcebooks MediaFusion and Naxos proudly present this fascinating biography, complete with two CDs of his greatest works plus an exclusive website with extended compositions. Jeremy Siepmann draws an accessible portrait of the turbulent, troubled but determined figure of Beethoven, regarded by many as the greatest composer who ever lived. And with the words comes the music: Two CDs of carefully chosen pieces covering all the different genres in which Beethoven made his mark. Readers also gain access to an exclusive website that offers the musical works in full, the music of Beethoven's contemporaries, new essays and more. This revolutionary biography utilizes traditional and new media to provide a uniquely rounded portrait of the composer himself. Naxos is the world's leading classical music label and provider of classical music over the Internet at www.naxos.com.
Immortal
| Author | : Jessica Duchen |
| Publisher | : Unbound Publishing |
| Total Pages | : 424 |
| Release | : 2020-10-29 |
| Genre | : Fiction |
| ISBN | : 1789651166 |
Who was Beethoven's 'Immortal Beloved'? After Ludwig van Beethoven’s death, a love letter in his writing was discovered, addressed only to his ‘Immortal Beloved’. Decades later, Countess Therese Brunsvik claims to have been the composer’s lost love. Yet is she concealing a tragic secret? Who is the one person who deserves to know the truth? Becoming Beethoven’s pupils in 1799, Therese and her sister Josephine followed his struggles against the onset of deafness, Viennese society’s flamboyance, privilege and hypocrisy and the upheavals of the Napoleonic wars. While Therese sought liberation, Josephine found the odds stacked against even the most unquenchable of passions...
