Beauty In Decay Ii
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Author | : RomanyWG |
Publisher | : Gingko Press Editions |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Photography |
ISBN | : 9781908211101 |
Urban explorers find the beauty layers of history, multi-hued peeling paint, antique objects, ancient initials in the dust and the other physical manifestations of memory that abandoned, impermanent urban spaces manifest.
Author | : Dora Apel |
Publisher | : Rutgers University Press |
Total Pages | : 229 |
Release | : 2015-06-23 |
Genre | : Architecture |
ISBN | : 0813574099 |
Once the manufacturing powerhouse of the nation, Detroit has become emblematic of failing cities everywhere—the paradigmatic city of ruins—and the epicenter of an explosive growth in images of urban decay. In Beautiful Terrible Ruins, art historian Dora Apel explores a wide array of these images, ranging from photography, advertising, and television, to documentaries, video games, and zombie and disaster films. Apel shows how Detroit has become pivotal to an expanding network of ruin imagery, imagery ultimately driven by a pervasive and growing cultural pessimism, a loss of faith in progress, and a deepening fear that worse times are coming. The images of Detroit’s decay speak to the overarching anxieties of our era: increasing poverty, declining wages and social services, inadequate health care, unemployment, homelessness, and ecological disaster—in short, the failure of capitalism. Apel reveals how, through the aesthetic distancing of representation, the haunted beauty and fascination of ruin imagery, embodied by Detroit’s abandoned downtown skyscrapers, empty urban spaces, decaying factories, and derelict neighborhoods help us to cope with our fears. But Apel warns that these images, while pleasurable, have little explanatory power, lulling us into seeing Detroit’s deterioration as either inevitable or the city’s own fault, and absolving the real agents of decline—corporate disinvestment and globalization. Beautiful Terrible Ruins helps us understand the ways that the pleasure and the horror of urban decay hold us in thrall.
Author | : Martin ten Bouwhuijs |
Publisher | : Schiffer Publishing |
Total Pages | : 176 |
Release | : 2017 |
Genre | : Abandoned buildings |
ISBN | : 9780764352560 |
Photographer Martin ten Bouwhuijs's regular urban exploration missions throughout Western Europe have culminated in this second collection of images made in abandoned buildings throughout the world. Each location is described in a brief history.
Author | : Jonathan Maberry |
Publisher | : Simon and Schuster |
Total Pages | : 530 |
Release | : 2011-08-30 |
Genre | : Juvenile Fiction |
ISBN | : 1442402350 |
In post-apocalyptic America, 15-year-old Benny Imura and his friends set out into the great Rot & Ruin hoping to find a better future but are soon pitted against zombies, wild animals, insane murderers, and the horrors of Gameland.
Author | : Sylvia Lewis |
Publisher | : Running Press Kids |
Total Pages | : 306 |
Release | : 2013-04-09 |
Genre | : Juvenile Fiction |
ISBN | : 0762446110 |
A teenage girl who makes everything she touches rot learns to find the beautyand power in her life-altering ability.
Author | : Simon Sugden |
Publisher | : Amberley Publishing Limited |
Total Pages | : 76 |
Release | : 2020-09-15 |
Genre | : Architecture |
ISBN | : 1398104094 |
A haunting collection of images from photographer Simon Sugden revealing the beauty in decaying buildings around Britain.
Author | : Jonathan Maberry |
Publisher | : Simon and Schuster |
Total Pages | : 496 |
Release | : 2013-08-13 |
Genre | : Juvenile Fiction |
ISBN | : 1442439904 |
Benny, Nix, Lou, and Lilah journey through a fierce wilderness that was once America searching for the jet they saw months ago, while evading fierce animals and a new kind of zombie. "The third time's the charm with even more adventureNand goreNas the Rot & Ruin series continues."N"Kirkus Reviews."
Author | : |
Publisher | : |
Total Pages | : 428 |
Release | : 1902 |
Genre | : Agriculture |
ISBN | : |
Author | : Robert Jordan |
Publisher | : Macmillan |
Total Pages | : 485 |
Release | : 2002-01-07 |
Genre | : Juvenile Fiction |
ISBN | : 0765342219 |
An American Library Association “Best Books for Young Adults” A VOYA “Best Books for Young Adults” “Jordan has come to dominate the world that Tolkien began to reveal.” —The New York Times Pursued by Trollocs and Myrddraal, Rand and his friends find refuge in the deserted city of Shadar Logoth. But their wandering—and the many dangers they face—are far from over. For from the lips of a dying Aiel girl they learn that the Dark One means to blind the Eye of the World. Having barely escaped capture and death, Rand finds himself face to face with Aginor: a wielder of the One Power and an ally of the Dark One. In the battle that follows, Rand will discover his true identity...and destiny. “The most ambitious American fantasy saga [may] also be the finest. Rich in detail and his plot is rich in incident. Impressive work, and highly recommended.”—Booklist “Recalls the work of Tolkien.”—Publishers Weekly “This richly detailed fantasy presents fully realized, complex adventure. Recommended.”—Library Journal “The definitive American fantasy saga.” —Chicago Sun-Times
Author | : Martha Bayles |
Publisher | : University of Chicago Press |
Total Pages | : 466 |
Release | : 1996-05-15 |
Genre | : Music |
ISBN | : 9780226039596 |
From Queen Latifa to Count Basie, Madonna to Monk, Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music traces popular music back to its roots in jazz, blues, country, and gospel through the rise in rock 'n' roll and the emergence of heavy metal, punk, and rap. Yet despite the vigor and balance of these musical origins, Martha Bayles argues, something has gone seriously wrong, both with the sound of popular music and the sensibility it expresses. Bayles defends the tough, affirmative spirit of Afro-American music against the strain of artistic modernism she calls 'perverse.' She describes how perverse modernism was grafted onto popular music in the late 1960s, and argues that the result has been a cult of brutality and obscenity that is profoundly anti-musical. Unlike other recent critics of popular music, Bayles does not blame the problem on commerce. She argues that culture shapes the market and not the other way around. Finding censorship of popular music "both a practical and a constitutional impossibility," Bayles insists that "an informed shift in public tastes may be our only hope of reversing the current malignant mood."