Beautiful Imperialist
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Author | : David Shambaugh |
Publisher | : Princeton University Press |
Total Pages | : 344 |
Release | : 2021-03-09 |
Genre | : History |
ISBN | : 0691227764 |
From President Nixon's historic visit to China in 1972 to the aftermath of the Tiananmen tragedy, this book examines the changing perceptions of the United States articulated by China's "America Watchers," whose occupation is to interpret the "beautiful imperialist" for China's elite and public. While other studies have looked at the behavioral history of U.S.-China relations, this is the first to probe the perceptual dimension.
Author | : David Shambaugh |
Publisher | : Princeton University Press |
Total Pages | : 348 |
Release | : 1993-05-23 |
Genre | : History |
ISBN | : 9780691024868 |
From President Nixon's historic visit to China in 1972 to the aftermath of the Tiananmen tragedy, this book examines the changing perceptions of the United States articulated by China's "America Watchers," whose occupation is to interpret the "beautiful imperialist" for China's elite and public. While other studies have looked at the behavioral history of U.S.-China relations, this is the first to probe the perceptual dimension.
Author | : Kim Brandt |
Publisher | : Duke University Press |
Total Pages | : 319 |
Release | : 2007-07-20 |
Genre | : History |
ISBN | : 0822389541 |
A Study of the Weatherhead East Asian Institute, Columbia University Kingdom of Beauty shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan became both a modern nation and an imperial world power. Kim Brandt’s account of the mingei movement locates its origins in colonial Korea, where middle-class Japanese artists and collectors discovered that imperialism offered them special opportunities to amass art objects and gain social, cultural, and even political influence. Later, mingei enthusiasts worked with (and against) other groups—such as state officials, fascist ideologues, rival folk art organizations, local artisans, newspaper and magazine editors, and department store managers—to promote their own vision of beautiful prosperity for Japan, Asia, and indeed the world. In tracing the history of mingei activism, Brandt considers not only Yanagi Muneyoshi, Hamada Shōji, Kawai Kanjirō, and other well-known leaders of the folk art movement but also the often overlooked networks of provincial intellectuals, craftspeople, marketers, and shoppers who were just as important to its success. The result of their collective efforts, she makes clear, was the transformation of a once-obscure category of pre-industrial rural artifacts into an icon of modern national style.
Author | : Paul S. Hirsch |
Publisher | : University of Chicago Press |
Total Pages | : 346 |
Release | : 2024-06-05 |
Genre | : Comics & Graphic Novels |
ISBN | : 0226829464 |
Winner of the Popular Culture Association's Ray and Pat Browne Award for Best Book in Popular or American Culture In the 1940s and ’50s, comic books were some of the most popular—and most unfiltered—entertainment in the United States. Publishers sold hundreds of millions of copies a year of violent, racist, and luridly sexual comics to Americans of all ages until a 1954 Senate investigation led to a censorship code that nearly destroyed the industry. But this was far from the first time the US government actively involved itself with comics—it was simply the most dramatic manifestation of a long, strange relationship between high-level policy makers and a medium that even artists and writers often dismissed as a creative sewer. In Pulp Empire, Paul S. Hirsch uncovers the gripping untold story of how the US government both attacked and appropriated comic books to help wage World War II and the Cold War, promote official—and clandestine—foreign policy and deflect global critiques of American racism. As Hirsch details, during World War II—and the concurrent golden age of comic books—government agencies worked directly with comic book publishers to stoke hatred for the Axis powers while simultaneously attempting to dispel racial tensions at home. Later, as the Cold War defense industry ballooned—and as comic book sales reached historic heights—the government again turned to the medium, this time trying to win hearts and minds in the decolonizing world through cartoon propaganda. Hirsch’s groundbreaking research weaves together a wealth of previously classified material, including secret wartime records, official legislative documents, and caches of personal papers. His book explores the uneasy contradiction of how comics were both vital expressions of American freedom and unsettling glimpses into the national id—scourged and repressed on the one hand and deployed as official propaganda on the other. Pulp Empire is a riveting illumination of underexplored chapters in the histories of comic books, foreign policy, and race.
Author | : Efraim Karsh |
Publisher | : Yale University Press |
Total Pages | : 286 |
Release | : 2007-01-01 |
Genre | : History |
ISBN | : 0300122632 |
From the first Arab-Islamic Empire of the mid-seventh century to the Ottomans, the last great Muslim empire, the story of the Middle East has been the story of the rise and fall of universal empires and, no less important, of imperialist dreams. So argues Efraim Karsh in this highly provocative book. Rejecting the conventional Western interpretation of Middle Eastern history as an offshoot of global power politics, Karsh contends that the region's experience is the culmination of long-existing indigenous trends, passions, and patterns of behavior, and that foremost among these is Islam's millenarian imperial tradition. The author explores the history of Islam's imperialism and the persistence of the Ottoman imperialist dream that outlasted World War I to haunt Islamic and Middle Eastern politics to the present day. September 11 can be seen as simply the latest expression of this dream, and such attacks have little to do with U.S. international behavior or policy in the Middle East, says Karsh. The House of Islam's war for world mastery is traditional, indeed venerable, and it is a quest that is far from over.
Author | : William T. Vollmann |
Publisher | : Penguin |
Total Pages | : 1854 |
Release | : 2009-07-30 |
Genre | : History |
ISBN | : 1101105151 |
From the author of Europe Central, winner of the National Book Award, a journalistic tour de force along the Mexican-American border – a finalist for the National Book Critics Circle Award For generations of migrant workers, Imperial Country has held the promise of paradise and the reality of hell. It sprawls across a stirring accidental sea, across the deserts, date groves and labor camps of Southeastern California, right across the border into Mexico. In this eye-opening book, William T. Vollmann takes us deep into the heart of this haunted region, exploring polluted rivers and guarded factories and talking with everyone from Mexican migrant workers to border patrolmen. Teeming with patterns, facts, stories, people and hope, this is an epic study of an emblematic region.
Author | : Daniel Immerwahr |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 382 |
Release | : 2019-02-19 |
Genre | : History |
ISBN | : 0374715122 |
Named one of the ten best books of the year by the Chicago Tribune A Publishers Weekly best book of 2019 | A 2019 NPR Staff Pick A pathbreaking history of the United States’ overseas possessions and the true meaning of its empire We are familiar with maps that outline all fifty states. And we are also familiar with the idea that the United States is an “empire,” exercising power around the world. But what about the actual territories—the islands, atolls, and archipelagos—this country has governed and inhabited? In How to Hide an Empire, Daniel Immerwahr tells the fascinating story of the United States outside the United States. In crackling, fast-paced prose, he reveals forgotten episodes that cast American history in a new light. We travel to the Guano Islands, where prospectors collected one of the nineteenth century’s most valuable commodities, and the Philippines, site of the most destructive event on U.S. soil. In Puerto Rico, Immerwahr shows how U.S. doctors conducted grisly experiments they would never have conducted on the mainland and charts the emergence of independence fighters who would shoot up the U.S. Congress. In the years after World War II, Immerwahr notes, the United States moved away from colonialism. Instead, it put innovations in electronics, transportation, and culture to use, devising a new sort of influence that did not require the control of colonies. Rich with absorbing vignettes, full of surprises, and driven by an original conception of what empire and globalization mean today, How to Hide an Empire is a major and compulsively readable work of history.
Author | : Zareer Masani |
Publisher | : Random House India |
Total Pages | : 218 |
Release | : 2012-11-16 |
Genre | : Biography & Autobiography |
ISBN | : 8184003609 |
Thomas Macaulay is most famous for having introduced the English language as a medium for learning in India, creating a class of westernized Indians who are sometimes derisively referred to as ‘Macaulay’s children’. Was this an act of cultural imperialism or a modernizing move far before its time? Macaulay has always inspired both admiration and hostility in India. Ever since he served on the Supreme Council of India in the 1830s, his thinking and policies have had a profound, transformative impact on the subcontinent. Today, some Dalit activists even celebrate him as their liberator from caste tyranny. Macaulay is the first biography of this vastly influential figure for the general reader, giving a vivid sense of a brilliant, eccentric, contradictory man and his complex times. In a portrait that is as elegant as it is intriguing, Zareer Masani traces Macaulay’s fascinating journey from child prodigy, historian and parliamentary orator in London to imperial administrator in India, and then a revered elder statesman back in Britain. The reader is allowed a glimpse into what it felt like to be at the centre of power in a global empire, ruling over hundreds of millions of Indian subjects and shaping the destiny of a subcontinent.
Author | : John Atkinson Hobson |
Publisher | : |
Total Pages | : 424 |
Release | : 1902 |
Genre | : Great Britain |
ISBN | : |
Author | : Anne Mcclintock |
Publisher | : Routledge |
Total Pages | : 544 |
Release | : 2013-10-01 |
Genre | : Art |
ISBN | : 1135209103 |
Imperial Leather chronicles the dangerous liaisons between gender, race and class that shaped British imperialism and its bloody dismantling. Spanning the century between Victorian Britain and the current struggle for power in South Africa, the book takes up the complex relationships between race and sexuality, fetishism and money, gender and violence, domesticity and the imperial market, and the gendering of nationalism within the zones of imperial and anti-imperial power.