Bbc Radiophonic Workshop

Bbc Radiophonic Workshop
Author: Source Wikipedia
Publisher: University-Press.org
Total Pages: 24
Release: 2013-09
Genre:
ISBN: 9781230634715

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 23. Chapters: BBC Radiophonic Workshop albums, Delia Derbyshire, Daphne Oram, BBC Radiophonic Workshop - A Retrospective, Doctor Who: 30 Years at the BBC Radiophonic Workshop, Doctor Who at the BBC Radiophonic Workshop Volume 1: The Early Years 1963-1969, BBC Sound Effects No. 26 - Sci-Fi Sound Effects, Doctor Who - The Music, Brian Hodgson, Doctor Who at the BBC Radiophonic Workshop Volume 2: New Beginnings 1970-1980, BBC Radiophonic Music, Out of This World, BBC Radiophonic Workshop - 21, BBC Sound Effects No. 19 - Doctor Who Sound Effects, Peter Howell, Doctor Who at the BBC Radiophonic Workshop Volume 3: The Leisure Hive, Doctor Who at the BBC Radiophonic Workshop Volume 4: Meglos & Full Circle, The Radiophonic Workshop, Doctor Who - The Music II, Dick Mills, Music from the BBC Radiophonic Workshop, Paddy Kingsland, The Soundhouse, Desmond Briscoe, The John Baker Tapes - Volume One: BBC Radiophonics, Roger Limb, Fourth Dimension, Through a Glass Darkly, Mark Ayres, Richard Attree, Elizabeth Parker, David Cain, The Living Planet - Music from the BBC TV Series, Malcolm Clarke, Richard Yeoman-Clark, Maddalena Fagandini, Glynis Jones, Jonathan Gibbs. Excerpt: The BBC Radiophonic Workshop, one of the sound effects units of the BBC, was created in 1958 to produce effects and new music for radio, and was closed in March 1998, although much of its traditional work had already been outsourced by 1995. It was based in the BBC's Maida Vale Studios in Delaware Road, London, growing outwards from the then-legendary Room 13. The innovative music and techniques used by the Workshop made it one of the most significant influences on electronic music today. Dick Mills, BBC Radiophonic Workshop reunion live at the Roundhouse in 2009 The Workshop was set up to satisfy the growing demand in the late 1950s for "radiophonic..".

BBC Radiophonic Workshop's BBC Radiophonic Workshop - A Retrospective

BBC Radiophonic Workshop's BBC Radiophonic Workshop - A Retrospective
Author: William L. Weir
Publisher: Bloomsbury Publishing USA
Total Pages: 177
Release: 2023-05-04
Genre: Music
ISBN: 1501389173

In 1958, an anonymous group of overworked and under-budgeted BBC employees set out to make some new sounds for radio and TV. They ended up changing the course of 20th-century music. For millions of people, the work of the BBC Radiophonic Workshop was the first electronic music they had ever heard. Sampling, loops, and the earliest synthesizers-long before audiences knew what they were-made up the groundbreaking scores for news programs, auto maintenance shows, and children's programming. They also produced the Doctor Who theme, one of the first electronic music masterpieces. The Beatles, Pink Floyd, and others borrowed from them. A generation of musicians raised on BBC programming-Aphex Twin, Portishead, and Prodigy among them-took these once-alien sounds and carried on the Workshop's legacy. Ignored for decades by music historians, the Workshop is now recognized as one of the most influential forebears of electronica, psychedelia, ambient music, and synth-pop.

Special Sound

Special Sound
Author: Louis Niebur
Publisher: Oxford University Press
Total Pages: 273
Release: 2010-11-11
Genre: Business & Economics
ISBN: 0195368401

This text traces the creation and legacy of the BBC's electronic music studio, the Radiophonic Workshop, in the context of other studios in Europe and America.

Strange Sounds

Strange Sounds
Author: Mark Brend
Publisher: Hal Leonard Corporation
Total Pages: 200
Release: 2005
Genre: Music
ISBN: 9780879308551

What do David Bowie, The Beatles, the Rolling Stones, Radiohead, The Troggs, The Human League, The Osmonds and The Beach Boys have in common? They've all used unusual musical instruments on big hit records. Strange Sounds tells the stories behind these recordings and many more. It includes some of the biggest names in pop music from the 1950s to the present, explaining and illustrating what instruments were used - their history, how they were played, how the artists came to choose them - and in the process uncovering a parallel history of pop music, one where guitars and drums make way for claviolines, ocarinas and stylophones. The accompanying CD includes demonstration recordings of many of the instruments documented, as well as incidental music composed by the author, recorded using a unique line-up of the instruments featured in the book.

Impossible Worlds, Impossible Things

Impossible Worlds, Impossible Things
Author: Melissa Beattie
Publisher: Cambridge Scholars Publishing
Total Pages: 235
Release: 2010-02-19
Genre: Performing Arts
ISBN: 1443820466

The successful regeneration of Doctor Who in the twenty-first century has sparked unprecedented popular success and renewed interest within the academy. The ten essays assembled in this volume draw on a variety of critical approaches—from cultural theory to audience studies, to classical reception and musicology—to form a wide-ranging interdisciplinary discussion of Doctor Who, classic and new, and its spin-off series, Torchwood and The Sarah Jane Adventures. With additional contributions from Andrew Pixley, Robert Shearman, Barnaby Edwards, and Matt Hills, the volume is intended to be accessible to everyone, from interested academics in relevant fields to the general public.

Virtual Music

Virtual Music
Author: Shara Rambarran
Publisher: Bloomsbury Publishing USA
Total Pages: 249
Release: 2021-04-08
Genre: Music
ISBN: 1501333615

Virtuality has entered our lives making anything we desire possible. We are, as Gorillaz once sang, in an exciting age where 'the digital won't let [us] go...' Technology has revolutionized music, especially in the 21st century where the traditional rules and conventions of music creation, consumption, distribution, promotion, and performance have been erased and substituted with unthinkable and exciting methods in which absolutely anyone can explore, enjoy, and participate in creating and listening to music. Virtual Music explores the interactive relationship of sound, music, and image, and its users (creators/musicians/performers/audience/consumers). Areas involving the historical, technological, and creative practices of virtual music are surveyed including its connection with creators, musicians, performers, audience, and consumers. Shara Rambarran looks at the fascination and innovations surrounding virtual music, and illustrates key artists (such as Grace Jones, The Weeknd), creators (such as King Tubby, Kraftwerk, MadVillain, Danger Mouse), audiovisuals in video games and performances (such as Cuphead and Gorillaz), audiences, and consumers that contribute in making this musical experience a phenomenon. Whether it is interrogating the (un)realness of performers, modified identities of artists, technological manipulation of the Internet, music industry and music production, or accessible opportunities in creativity, the book offers a fresh understanding of virtual music and appeals to readers who have an interest in this digital revolution.