Bayard Taylor's Adaptation of Schiller's Don Carlos
Author | : Frederick William Charles Lieder |
Publisher | : |
Total Pages | : 44 |
Release | : 1917 |
Genre | : |
ISBN | : |
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Author | : Frederick William Charles Lieder |
Publisher | : |
Total Pages | : 44 |
Release | : 1917 |
Genre | : |
ISBN | : |
Author | : John T. Krumpelmann |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 236 |
Release | : 2019-03-18 |
Genre | : Language Arts & Disciplines |
ISBN | : 3111326217 |
No detailed description available for "Bayard Taylor and German letters".
Author | : Frederick William Charles Lieder |
Publisher | : |
Total Pages | : 340 |
Release | : 1930 |
Genre | : Kievan Rus |
ISBN | : |
Author | : Bayard Taylor |
Publisher | : Bucknell University Press |
Total Pages | : 524 |
Release | : 1997 |
Genre | : Biography & Autobiography |
ISBN | : 9780838753637 |
Taylor was one of the most famous persons of his day and carried on a wide correspondence. His ambition and thirst for fame are recurrent themes in these letters, as well as his fears and uncertainties. He emerges as a highly talented writer who succeeded by force of will.
Author | : Marie Hansen Taylor |
Publisher | : New York : Doubleday, Page |
Total Pages | : 350 |
Release | : 1905 |
Genre | : Authors, American 19th century Biography |
ISBN | : |
Author | : Susan Valladares |
Publisher | : Routledge |
Total Pages | : 577 |
Release | : 2016-03-09 |
Genre | : Performing Arts |
ISBN | : 1317050703 |
From Napoleon's invasion of Portugal in 1807 to his final defeat at Waterloo, the English theatres played a crucial role in the mediation of the Peninsular campaign. In the first in-depth study of English theatre during the Peninsular War, Susan Valladares contextualizes the theatrical treatment of the war within the larger political and ideological axes of Romantic performance. Exploring the role of spectacle in the mediation of war and the links between theatrical productions and print culture, she argues that the popularity of theatre-going and the improvisation and topicality unique to dramatic performance make the theatre an ideal lens for studying the construction of the Peninsular War in the public domain. Without simplifying the complex issues involved in the study of citizenship, communal identities, and ideological investments, Valladares recovers a wartime theatre that helped celebrate military engagements, reform political sympathies, and register the public’s complex relationship with Britain’s military campaign in the Iberian Peninsula. From its nuanced reading of Richard Brinsley Sheridan's Pizarro (1799), to its accounts of wartime productions of Shakespeare, description of performances at the minor theatres, and detailed case study of dramatic culture in Bristol, Valladares’s book reveals how theatrical entertainments reflected and helped shape public feeling on the Peninsular campaign.