Baule
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Author | : Bruno Claessens |
Publisher | : |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Apes in art |
ISBN | : 9780300222449 |
Straying from the traditional art canon of the delicate Baule masks and figures, Baule monkeys explores the darker side of this art form, in all its aspects. This makes it the first book to deal exclusively with the eponymous sculptures. These awe-inspiring bowl-bearing figures were physical manifestations of invisible powers, both malign and benign, and served their communities through the mediation of diviners. Using a group of remarkable figures from the Africarium collection as illustration, the book focuses on the creation, usage and form of these bowl bearers and sheds light on the cultural and ritual context in which they operated. Through extensive research, the book combines new and fascinating discoveries with all previous relations on the subject. This research is accompanied by many splendid images. Not only does the book include an original map and never before published field photos, it also contains 15 objects from the Africarium collection and 40 monkey figures from other public and private collections represented in full-page illustrations, and in smaller formats. This gives the reader a chance to see the works in great detail and from different angles.
Author | : Alain-Michel Boyer |
Publisher | : 5Continents |
Total Pages | : 184 |
Release | : 2008-09 |
Genre | : Art |
ISBN | : |
The Baule descend from the Akan peoples who inhabit Ghana and the Ivory Coast. Three hundred years ago the Baule people migrated westward from Ghana when the Asante rose to power. The Baule now reside at the center of the Ivory Coast and possess one of the most diversified of arts cultures. They employ different media, including wooden sculpture, gold and brass casting similar to their Asante ancestors, and mask and figure carvings. Their art is so varied that one might imagine some works originate from different cultures: what is there in common between a flat mask-disc and an idealized face mask which nevertheless come from a single ceremony? Or between a glazed statuette of a man or woman, and a monkey figure with the head of a dog, coated in coagulated blood? Their art encompasses every form of creation: not only masks and statuettes, but also sculpted doors, decorated divination boxes, gold jewels. The book presents a selection of Baule masterpieces from public and private collections worldwide, including The Metropolitan Museum of Art, the National Museum of African art (Smithsonian), Art Institute of Chicago, Yale University Art Gallery, Fowler Museum of UCLA, University of Pennsylvania Museum.
Author | : John A. Baule |
Publisher | : Schiffer Books |
Total Pages | : 0 |
Release | : 2006 |
Genre | : Antiques & Collectibles |
ISBN | : 9780764324420 |
Over 1700 bright and colorful fruit labels are alphabetically displayed, from growers and associations ranging from Acme and All American to Yakima Valley and Zirkle. The text includes histories of major fruit companies, the rise of fruit labels, useful collecting hints, values information in every caption, and a detailed bibliography.
Author | : Michael William Coy |
Publisher | : SUNY Press |
Total Pages | : 332 |
Release | : 1989-01-01 |
Genre | : Social Science |
ISBN | : 9780791400609 |
This book examines the phenomenon of apprenticeship by exploring it as a social, economic, and educational institution. Studies of apprenticeship in both craft occupations and supernatural specializations in Africa, Latin America, North America, and Asia are offered. The authors also look at apprenticeship as a method in anthropological field research. Many of the contributors have apprenticed themselves in other-cultural settings, providing a unique marriage of subject and method in cross-cultural research. Esther N. Goody provides a summary look at learning, apprenticeship and the division of labor.
Author | : Timothy C. Weiskel |
Publisher | : Oxford University Press, USA |
Total Pages | : 364 |
Release | : 1980 |
Genre | : History |
ISBN | : |
Author | : Philip L. Ravenhill |
Publisher | : |
Total Pages | : 94 |
Release | : 1980 |
Genre | : Art |
ISBN | : |
Author | : Douglas Fraser |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 354 |
Release | : 1972 |
Genre | : Art |
ISBN | : 9780299058241 |
A scholarly analysis of the close relationships among the structure, function, and history of the sub-Saharan African arts.
Author | : Hope B. Werness |
Publisher | : A&C Black |
Total Pages | : 378 |
Release | : 2003-01-01 |
Genre | : Reference |
ISBN | : 9780826414656 |
This lavishly produced voulume is the first reference work to focus on the symbols, meaning, and significance of art in native, or indigenous, cultures.
Author | : Wilfried van Damme |
Publisher | : BRILL |
Total Pages | : 431 |
Release | : 2021-11-01 |
Genre | : History |
ISBN | : 9004451234 |
This is the first study to survey the field of the anthropology of aesthetics, which during the last few decades has emerged on the cross-roads between anthropology and non-Western art scholarship. While critically examining the available literature, thereby addressing such basic issues as the existence of aesthetic universals, the author elaborates on a central thesis which concerns the relationship between aesthetic preference and sociocultural ideals. Drawing on empirical data from several African cultures, he demonstrates that varying notions of beauty are inspired by varying sociocultural ideals, thus shedding light on the phenomenon of cultural relativism in aesthetic preference. Emphasizing unity within diversity, the systematic anthropological approach offered in this volume invites the reader to reconsider aesthetic preference from an empirical, cross-cultural, and contextual perspective.
Author | : Noël Carroll |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 284 |
Release | : 2000 |
Genre | : Art |
ISBN | : 9780299163549 |
What is art? The contributors to Theories of Art Today address the assertion that the term “art” no longer holds meaning. They explore a variety of issues including: aesthetic and institutional theories of art, feminist perspectives on the philosophy of art, the question of whether art is a cluster concept, and the relevance of tribal art to philosophical aesthetics. Contributors to this book include such distinguished philosophers and historians as Arthur Danto, Joseph Margolis, and George Dickie.