Basic Effects Processors
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Author | : Jeremy Krug |
Publisher | : Cengage Learning |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Digital audio editors |
ISBN | : 9781435456785 |
Pro Tools is the industry standard tool for audio production and Pro Tools effects have a reputation for being extremely professional and high quality; in fact, the effects are one of the features that draw new users to the software. There are many books available on Pro Tools, but none that deal specifically with the effects processors and plug-ins and how to use them effectively. This book offers master-level lessons, tips, and advice on using the built-in plug-ins that come with Pro Tools. It offers detailed descriptions about what each effect is and does, when each effect is typically used, and how to operate each effect, with tutorials on how to get the most out of the effects in audio productions.
Author | : Hal Leonard Publishing Corporation |
Publisher | : Hal Leonard Corporation |
Total Pages | : 124 |
Release | : 2001 |
Genre | : Music |
ISBN | : 9780634044809 |
Book Why have guitarists bought over seven million Boss compact effects? Read this book and you'll understand! The Boss Book includes: the story in complete detail of every Boss compact effect ever made; super color photos, design history, trivia, tricks and secrets; candid interviews with the Boss founder and design engineers; essays on musical trends and famous players; and much more. As a bonus, the accompanying CD features 72 guitar sounds with control settings and detailed equipment set-ups so you can take your guitar playing to another dimension! "I've used Boss pedals since their inception ... For me, Boss has always stood for simplicity, reliability and great sounding, very high-quality effects." Jeff "Skunk" Baxter (Doobie Bros., Steely Dan)
Author | : Thomas E. Rudolph |
Publisher | : Hal Leonard Corporation |
Total Pages | : 308 |
Release | : 2001 |
Genre | : Music |
ISBN | : 9780634013249 |
Written for professional musicians, music educators, and music hobbyists who want to explore the world of digital recording
Author | : Brian K. Shepard |
Publisher | : Oxford University Press |
Total Pages | : 264 |
Release | : 2013-11-01 |
Genre | : Music |
ISBN | : 0199376689 |
Refining Sound is a practical roadmap to the complexities of creating sounds on modern synthesizers. Perhaps the most difficult aspect of learning to create sounds on a synthesizer is understanding what all the individual synthesizer components contribute to the complex finished sound. Author and veteran synthesizer instructor Brian K. Shepard draws on his years of experience in synthesizer pedagogy in order to peel back the often-mysterious layers of sound synthesis one-by-one. The result is a book that allows readers to familiarize themselves with each individual step in the synthesis process, in turn empowering them in their own creative or experimental work. Refining Sound follows the stages of synthesis in chronological progression from the "raw materials" of sound waves through the various stages of the refinement process, ultimately bringing readers to the final "polishing" of their sounds with audio effects. Each chapter focuses on a particular aspect of the synthesis process, and contains easily digestible guided projects (entitled "Your Turn" sections) that focus on the topics of the chapter. Throughout the text, the material is supported by copious examples and illustrations and more than forty interactive synthesis demonstrations on the related companion website that allow the reader to experiment with and understand these concepts without the distraction of other synthesizer controls and modifiers. The final chapter brings everything together as the reader creates several common types of synthesizer sounds with detailed step-by-step instructions and explanations of the concepts behind those steps. With all of the sounds in the final chapter, readers are given suggestions and tips on ways to modify the sounds, with final outcomes left to the readers' own creativity. Refining Sound is essential for all electronic musicians from amateur to professional levels of accomplishment, students, teachers, libraries, and anyone interested in creating sounds on a synthesizer.
Author | : Scott R. Wilkinson |
Publisher | : Hal Leonard Corporation |
Total Pages | : 236 |
Release | : 1997 |
Genre | : Music |
ISBN | : 9780918371218 |
From the pages of Electronic Musician magazine come these words of wisdom from Scott Wilkinson. He bridges the information gap between beginner and high-end user as he demystifies the decibel, explains SCSI secrets, and makes sense of MIDI. Other topics include the principles of digital audio, effects processors, microphones and more. You'll also get two glossaries: one general and the other packed with Internet terms.
Author | : Paul White |
Publisher | : SMT |
Total Pages | : 137 |
Release | : 2010-03-05 |
Genre | : Music |
ISBN | : 0857121804 |
This book discusses the various types of digital recording systems currently on the market, offering tips on MIDI sequencing, how to keep computer-based systems working at maximum efficiency, recording advice and mixing.
Author | : Martin Russ |
Publisher | : Taylor & Francis |
Total Pages | : 491 |
Release | : 2012-11-12 |
Genre | : Technology & Engineering |
ISBN | : 1136115099 |
Sound Synthesis and Sampling provides a comprehensive introduction to the underlying principles and practical techniques applied to both commercial and research sound synthesizers. This second edition has been rigorously updated throughout and includes a new chapter on performance, examining how synthesizers have become embedded within more sophisticated musical performance instruments. Martin Russ' highly readable and non-mathematical approach makes the subject accessible whatever your level of experience. The book features: · Detailed illustrations to aid your understanding · Topics presented in bite-size sections within each chapter · Additional notes in the margin to reinforce important points · Examples of representative instruments and software · Time lines showing the development of a topic in its historical context · Questions at the end of each chapter for checking your comprehension · A glossary for quick reference · A jargon guide to demystify the varied terminology As such, the book is particularly suitable for students of music technology, audio engineering, acoustics, electronics and related courses. Musicians, engineers and multimedia specialists will also want to keep a copy to hand for reference. .
Author | : Joshua D. Reiss |
Publisher | : CRC Press |
Total Pages | : 372 |
Release | : 2014-10-23 |
Genre | : Technology & Engineering |
ISBN | : 1466560282 |
Audio Effects: Theory, Implementation and Application explores digital audio effects relevant to audio signal processing and music informatics. It supplies fundamental background information on digital signal processing, focusing on audio-specific aspects that constitute the building block on which audio effects are developed. The text integrates theory and practice, relating technical implementation to musical implications. It can be used to gain an understanding of the operation of existing audio effects or to create new ones. In addition to delivering detailed coverage of common (and unusual) audio effects, the book discusses current digital audio standards, most notably VST and AudioUnit. Source code is provided in C/C++ and implemented as audio effect plug-ins with accompanying sound samples. Each section of the book includes study questions, anecdotes from the history of music technology, and examples that offer valuable real-world insight, making this an ideal resource for researchers and for students moving directly into industry.
Author | : Bill Gibson |
Publisher | : Rowman & Littlefield |
Total Pages | : 457 |
Release | : 2020-10-01 |
Genre | : Music |
ISBN | : 1538134659 |
The third edition of The Ultimate Live Sound Operator’s Handbook offers new sections on digital concepts, wireless considerations, digital mixers, modern digital snakes, routing schemes, block diagrams, signal paths, plug-ins for live sound, and more. Any live act must sound great to be well received by today’s increasingly demanding audiences. If you’re a sound operator, teacher, musician, or even a music fan who is interested in becoming a sound operator, you know that regardless of the musical genre or venue, high-quality audio is mandatory for an artist or band’s success. This book shows you how to improve your audio skills, including how to build great sounds that form a professional-sounding mix. Revised and updated, The Ultimate Live Sound Operator’s Handbook, 3rd Edition focuses on each modern and classic aspects of live sound operation in a way that is straightforward and easy to understand—from system, component, and acoustic considerations to miking, mixing, and recording the live show. Tightly produced online videos clearly demonstrate key concepts presented in the text. These instructional videos, along with hundreds of detailed illustrations and photographs, provide an incredibly powerful and useful learning experience. An access code to the companion website is provided in the book. The Ultimate Live Sound Operator’s Handbook, 3rd Edition, features: Shaping Instrument and Vocal Sounds Creating an Excellent Mix Mixer Basics Digital Mixers and Snakes Volume Issues and Sound Theory Digital Theory Managing the Signal Path Signal Processors and Effects Modern Plug-ins Microphone Principles, Techniques, and Design Wireless Systems In-Ear versus Floor Monitors Loudspeakers and Amplifiers Acoustic Considerations Miking the Group and Sound Check
Author | : Jean-Michel Réveillac |
Publisher | : John Wiley & Sons |
Total Pages | : 381 |
Release | : 2017-12-27 |
Genre | : Technology & Engineering |
ISBN | : 1119482682 |
For decades performers, instrumentalists, composers, technicians and sound engineers continue to manipulate sound material. They are trying with more or less success to create, to innovate, improve, enhance, restore or modify the musical message. The sound of distorted guitar of Jimi Hendrix, Pierre Henry’s concrete music, Pink Flyod’s rock psychedelic, Kraftwerk ‘s electronic music, Daft Punk and rap T-Pain, have let emerge many effects: reverb, compression, distortion, auto-tune, filter, chorus, phasing, etc. The aim of this book is to introduce and explain these effects and sound treatments by addressing their theoretical and practical aspects.