Baroque Music For Trumpet
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Author | : Hal Leonard Corp |
Publisher | : |
Total Pages | : 0 |
Release | : 1984-03 |
Genre | : Music |
ISBN | : 9781423498858 |
(Brass Solo). Contents: Aria from Cantata No. 77 * Allegro from Concerto for Trumpet and Strings * Sonata Detta del Nero * Marche Gay * Anglaise, Minuet and Hornpipe from Suite for Trumpet * Aria from Cantata No. 43 * Two Pieces from Heroic Music * Trumpet Tune * Trumpet Air * The Trumpet Shall Sound * Sonata con Tromba (Fifth Movement).
Author | : Edward H. Tarr |
Publisher | : |
Total Pages | : 221 |
Release | : 1988 |
Genre | : Music |
ISBN | : 9780931340130 |
Author | : Don L. Smithers |
Publisher | : London : Dent |
Total Pages | : 346 |
Release | : 1973 |
Genre | : Music |
ISBN | : |
Author | : Queen |
Publisher | : Hal Leonard Publishing Corporation |
Total Pages | : 192 |
Release | : 2018-07-31 |
Genre | : Music |
ISBN | : 9781540030429 |
(Piano/Vocal/Guitar Artist Songbook). 35 hit singles from this iconic rock group featuring the vocal stylings of Freddie Mercury are included in this updated edition for piano, voice and guitar. Includes: Another One Bites the Dust * Bohemian Rhapsody * Crazy Little Thing Called Love * Don't Stop Me Now * Fat Bottomed Girls * I Want It All * Killer Queen * Radio Ga Ga * Somebody to Love * Under Pressure * We Are the Champions * We Will Rock You * You're My Best Friend * and more.
Author | : Elisa Koehler |
Publisher | : Indiana University Press |
Total Pages | : 263 |
Release | : 2014-02-27 |
Genre | : Music |
ISBN | : 025301185X |
“A concise guide linking the history of trumpet to performance . . . includes information on band music, bugle calls, orchestral repertoire, and jazz.” —American Reference Books Annual Unlike the violin, which has flourished largely unchanged for close to four centuries, the trumpet has endured numerous changes in design and social status from the battlefield to the bandstand and ultimately to the concert hall. This colorful past is reflected in the arsenal of instruments a classical trumpeter employs during a performance, sometimes using no fewer than five in different keys and configurations to accurately reproduce music from the past. With the rise in historically inspired performances comes the necessity for trumpeters to know more about their instrument’s heritage, its repertoire, and different performance practices for old music on new and period-specific instruments. More than just a history of the trumpet, this essential reference book is a comprehensive guide for musicians who bring that musical history to life. “A compendium of trumpet history with short, fact-filled chapters. It will serve both amateur and professional musicians alike, and few could read this text without learning something. Fanfares and Finesse is a thorough sampling of trumpet topics, including something of interest for every trumpet player, brass enthusiast, or curious reader.” —Pan Pipes “Trumpet players in a wide variety of situations and at many levels will find a great deal of useful information, presented in a clear, engaging, reader-friendly way yet backed by solid research. While some topics are covered in more depth than others, Koehler’s breadth of vision and thoroughness are commendable . . . For all trumpeters and anyone who teaches them.” —Choice
Author | : John Wallace |
Publisher | : Yale University Press |
Total Pages | : 382 |
Release | : 2012-01-31 |
Genre | : Music |
ISBN | : 0300178166 |
In the first major book devoted to the trumpet in more than two decades, John Wallace and Alexander McGrattan trace the surprising evolution and colorful performance history of one of the world's oldest instruments. They chart the introduction of the trumpet and its family into art music, and its rise to prominence as a solo instrument, from the Baroque "golden age," through the advent of valved brass instruments in the nineteenth century, and the trumpet's renaissance in the jazz age. The authors offer abundant insights into the trumpet's repertoire, with detailed analyses of works by Haydn, Handel, and Bach, and fresh material on the importance of jazz and influential jazz trumpeters for the reemergence of the trumpet as a solo instrument in classical music today. Wallace and McGrattan draw on deep research, lifetimes of experience in performing and teaching the trumpet in its various forms, and numerous interviews to illuminate the trumpet's history, music, and players. Copiously illustrated with photographs, facsimiles, and music examples throughout, The Trumpet will enlighten and fascinate all performers and enthusiasts [Publisher description].
Author | : HAL LEONARD CORP. |
Publisher | : Schott |
Total Pages | : 31 |
Release | : 1982-03 |
Genre | : |
ISBN | : 9783795748289 |
(Schott). As well as easy dances by Bach and Handel, this selection includes pieces by French, Italian and English baroque masters. Pupils will experiece an uncomplicated first acquaintance with the polyphonic structure of baroque music. The ornaments are written out in full, in each case keeping within the technical boundaries of this level of developement. Contents: Minuet in G major (Bach) * Minuet in G minor (Bach) * Gigue (Bach) * Bouree (Bach) * Minuet and Trio (Bach) * Sarabande (Bach) * Rigaudon (Bohm) * Sarabande (Corelli) * Les coucous benevoles (Couperin) * Gavotte en Rondeau (Dandrieu) * Sarabande (Graupner) * Bouree (Graupner) * Minuet (Handel) * Sarabande (Handel) * Bourree (Handel) * Air and Double (Handel) * Souabe (Kirnberger) * Prelude (Kuhnau) * Air (Purcell) * Allegro (Rathgeber) * Aria (Scarlatti) * Larghetto (Scarlatti) * Allegro (Telemann) * Rigaudon (Telemann) * Gigue (anon) * Quadrille (anon) * Marcia ungarese (anon) * Gigue (L. Mozart) * Praludium harpeggiato (Fischer) * Minuet (Fischer) * Fuga (Pachelbel) * Trumpet Tune (Purcell) * Gavotte (Purcell) * Jig (Purcell).
Author | : Hal Leonard Corp |
Publisher | : |
Total Pages | : 0 |
Release | : 2016-07 |
Genre | : Recorded accompaniments (Trumpet) |
ISBN | : 9781495065071 |
(Rubank Book/Audio Products). This compilation of 11 trumpet solos from the legendary Rubank educational library now includes online access to: * Full-performance and accompaniment-only audio tracks * PDF piano accompaniment files * PLAYBACK+ A multi-functional audio player that allows you to adjust tempo without changing pitch, change keys, and create practice loops - available exclusively from Hal Leonard. Contents: (by VanderCook unless noted) Andante from Concerto in Eb (Haydn) * Ballade (Shelukov) * Bonita (Valse Brilliante) * Carnival of Venice (Davis) * The Cavalier (Shelukov) * Debonnaire * The Executant (Endresen) * Fanfare March (Shelukov) * Premier Solo de Coucours (Maniet) * Punchinello * The Technician (Endresen)
Author | : John Miller |
Publisher | : Faber & Faber |
Total Pages | : 31 |
Release | : 1998-12 |
Genre | : Music |
ISBN | : 9780571508464 |
Titles: Chopin: Prelude * Tchaikovsky: Chanson Russe; Enterrement De La Poup�e; Melodie Antique Francaise * Wallace: Cold Comfort; Stoke's Stomp * Anon: Cancion Nina Y Vina; Intrada; Fanfare * Arensky: Le Coucou * Susato: Ronde * Monteverdi: Early Morning in Rome * J. S. Bach: Vom Himmel Hoch; O Jesulein Suss * Clarke: Minuet * Barnard: Alabama Dream * Brahms: Klaus Haus, Keine Heimat * Offenbach: Can-Can * Traditional: Two Scottish Folksongs * Clarke: The Prince of Denmark's March * Arban: Arban's Romp * Monteverdi: The Palace Garden * Hummel: Indian Rondo * Janacek: Three Moravian Folk Dances.
Author | : David McGill (Bassoonist) |
Publisher | : |
Total Pages | : 400 |
Release | : 2007 |
Genre | : Music |
ISBN | : 9780253349217 |
David McGill has assembled an exhaustive study that uses the musical concepts of the legendary Marcel Tabuteau as a starting point from which to develop musical thought. McGill methodically explains the frequently misunderstood ""Tabuteau number system"" and its relationship to note grouping-the lifeblood of music. The controversial issue of baroque performance practice is also addressed. Instrumentalists and vocalists alike will find that many of the ideas presented in this book will help develop their musicianship as well as their understanding of what makes a performance ""musical.""