Balasaraswati
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Author | : Douglas M. Knight |
Publisher | : Wesleyan University Press |
Total Pages | : 369 |
Release | : 2010-06-15 |
Genre | : Biography & Autobiography |
ISBN | : 0819569062 |
An intimate portrait of one of the great performing artists of the twentieth century
Author | : Janet O'Shea |
Publisher | : Wesleyan University Press |
Total Pages | : 244 |
Release | : 2007-05-21 |
Genre | : History |
ISBN | : 9780819568373 |
The compelling story of a beautiful and versatile South Indian dance form
Author | : Vatakke Kurupath Narayana Menon |
Publisher | : |
Total Pages | : 46 |
Release | : 1963 |
Genre | : Balasaraswati |
ISBN | : |
Author | : Tracy Pintchman |
Publisher | : Oxford University Press |
Total Pages | : 225 |
Release | : 2007-03-29 |
Genre | : Religion |
ISBN | : 0198039344 |
In this book, Tracy Pintchman has assembled ten leading scholars of Hinduism to explore the complex relationship between Hindu women's rituals and their lives beyond ritual. The book focuses particularly on the relationship of women's ritual practices to domesticity, exposing and exploring the nuances, complexities, and limits of this relationship. In many cultural and historical contexts, including contemporary India, women's everyday lives tend to revolve heavily around domestic and interpersonal concerns, especially care for children, the home, husbands, and other relatives. Hence, women's religiosity also tends to emphasize the domestic realm and the relationships most central to women. But women's religious concerns certainly extend beyond domesticity. Furthermore, even the domestic religious activities that Hindu women perform may not merely replicate or affirm traditionally formulated domestic ideals but may function strategically to reconfigure, reinterpret, criticize, or even reject such ideals. This volume takes a fresh look at issues of the relationship between Hindu women's ritual practices and normative domesticity. In so doing, it emphasizes female innovation and agency in constituting and transforming both ritual and the domestic realm and calls attention to the limitations of normative domesticity as a category relevant to many forms of Hindu women's religious practice.
Author | : Katherine C. Zubko |
Publisher | : Lexington Books |
Total Pages | : 271 |
Release | : 2014-08-07 |
Genre | : Religion |
ISBN | : 0739187295 |
Dancing Bodies of Devotion: Fluid Gestures in Bharata Natyam examines how Bharata Natyam, a traditionally Hindu storytelling dance form, moves across religious boundaries through both incorporating choreography on Buddhist, Christian, Muslim, and Jain themes and the pluralistic identities of participants. Dancers traverse religious boundaries by reformulating an aesthetic foundation based on performative rather than solely textual understandings of rasa, conventionally defined as a formula for how to physically craft emotion on stage. Through the ethnographic case studies of this volume, dancers of Bharata Natyam innovatively demonstrate how the rasa of devotion (bhakti rasa), surprisingly absent from classic dance-related texts, serves as the pivotal framework for expanding on their own interreligious thematic and interpretive possibilities. In contemporary Bharata Natyam, bhakti rasa is not just about enhancing religious experience; instead, these dancers choreographically adapt various religious identities and ideas in order to emphasize pluralistic cultural and ethical dimensions in their work. Through the dancing body, multiple religious and secular interpretations fluidly co-exist.
Author | : Ann Cooper Albright |
Publisher | : Wesleyan University Press |
Total Pages | : 308 |
Release | : 2003-10-24 |
Genre | : Performing Arts |
ISBN | : 9780819566485 |
First comprehensive overview of improvisation in dance.
Author | : Ravi Gupta |
Publisher | : Columbia University Press |
Total Pages | : 296 |
Release | : 2013-04-02 |
Genre | : Religion |
ISBN | : 0231149980 |
The Bhāgavata Purāna is a versatile Hindu sacred text containing more than 14,000 Sanskrit verses. Finding its present form around the tenth century C.E., the work inspired several major north Indian devotional traditions as well as schools of dance and drama, and continues to permeate popular Hindu art and ritual in both India and the diaspora.
Author | : Rani Iyer |
Publisher | : Shanti Arts Publishing |
Total Pages | : 32 |
Release | : 2016-05-29 |
Genre | : Juvenile Nonfiction |
ISBN | : 1941830781 |
Dancing Heart offers the experience of a dance recital in the style of Bharathanatyam, one of the oldest dance forms of India. Today this popular dance is presented and experienced all around the world. Intended for elementary and middle-grade readers, this unique and beautiful book promises to engage and inspire the minds and hearts of all who delight in the sights and sounds of this Indian dance.
Author | : Theresa Jill Buckland |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 262 |
Release | : 2007-03-19 |
Genre | : Performing Arts |
ISBN | : 0299218538 |
This groundbreaking collection combines ethnographic and historic strategies to reveal how dance plays crucial cultural roles in various regions of the world, including Tonga, Java, Bosnia-Herzegovina, New Mexico, India, Korea, Macedonia, and England. The essays find a balance between past and present and examine how dance and bodily practices are core identity and cultural creators. Reaching beyond the typically Eurocentric view of dance, Dancing from Past to Present opens a world of debate over the role dance plays in forming and expressing cultural identities around the world.
Author | : Anne-Marie Gaston |
Publisher | : Manohar Publishers and Distributors |
Total Pages | : 412 |
Release | : 1996 |
Genre | : Literary Criticism |
ISBN | : |
Bharata Natyam is currently one of the most popular styles of classical dance in India. It is also well known world-wide. Certain components of this dance have historical associations with religious ritual in the temples of south India. In the course of its transition from performance in temples and courts to the concert stage, the making of modern Bharata Natyam has passed from the purview of traditional/hereditary families, and dancers into the hands of the educated elite. What changes have been brought about in presentation and style as a result of this transition? Although current dancers and teachers make claims for the antiquity of their art, and the authenticity of the tradition, what was the dance of the hereditary practitioners, the devadasis, really like? How much of current practice is an invention of the past fifty years? These and other questions on the fascinating history of the creation of Bharata Natyam are dealt with by Anne-Marie Gaston who provides extensive oral testimony of current perceptions and directions of Bharata Natyam. This illuminating account of how both hereditary and non-hereditary dancers, teachers and critics view the evolution of Bharata Natyam provides a critique of the place of Bharata Natyam in Indian society and of the concept of traditional' in late twentieth-century India.