Awful Parenthesis

Awful Parenthesis
Author: Anne C. McCarthy
Publisher: University of Toronto Press
Total Pages: 229
Release: 2018-04-13
Genre: Literary Criticism
ISBN: 1487516290

Whether the rapt trances of Romanticism or the corpse-like figures that confounded Victorian science and religion, nineteenth-century depictions of bodies in suspended animation are read as manifestations of broader concerns about the unknowable in Anne C. McCarthy’s Awful Parenthesis. Examining various aesthetics of suspension in the works of poets such as Coleridge, Shelley, Tennyson, and Christina Rossetti, McCarthy shares important insights into the nineteenth-century fascination with the sublime. Attentive to differences between "Romantic" and "Victorian" articulations of suspension, Awful Parenthesis offers a critical alternative to assumptions about periodization. While investigating various conceptualizations of suspension, including the suspension of disbelief, suspended animation, trance, paralysis, pause, and dilatation, McCarthy provides historically-aware close readings of nineteenth-century poems in conversation with prose genres that include devotional works, philosophy, travel writing, and periodical fiction. Awful Parenthesis reveals the cultural obsession with the aesthetics of suspension as a response to an expanding, incoherent world in crisis, one where the audience is both active participant and passive onlooker.

Awful Parenthesis

Awful Parenthesis
Author: Anne C. McCarthy
Publisher: University of Toronto Press
Total Pages: 229
Release: 2018-01-01
Genre: Literary Criticism
ISBN: 1487502915

Examining various aesthetics of suspension in the works of nineteenth-century poets such as Coleridge, Shelley, Tennyson, and Christina Rossetti, Anne C. McCarthy shares important insights into the cultural fascination with the sublime.

Watchwords

Watchwords
Author: Lily Gurton-Wachter
Publisher: Stanford University Press
Total Pages: 287
Release: 2016-03-23
Genre: Literary Criticism
ISBN: 0804798761

This book revisits British Romanticism as a poetics of heightened attention. At the turn of the nineteenth century, as Britain was on the alert for a possible French invasion, attention became a phenomenon of widespread interest, one that aligned and distinguished an unusual range of fields (including medicine, aesthetics, theology, ethics, pedagogy, and politics). Within this wartime context, the Romantic aesthetic tradition appears as a response to a crisis in attention caused by demands on both soldiers and civilians to keep watch. Close formal readings of the poetry of Blake, Coleridge, Cowper, Keats, (Charlotte) Smith, and Wordsworth, in conversation with research into Enlightenment philosophy and political and military discourses, suggest the variety of forces competing for—or commanding—attention in the period. This new framework for interpreting Romanticism and its legacy illuminates what turns out to be an ongoing tradition of war literature that, rather than give testimony to or represent warfare, uses rhythm and verse to experiment with how and what we attend to during times of war.

Miscellaneous Essays

Miscellaneous Essays
Author: Thomas De Quincey
Publisher: Good Press
Total Pages: 178
Release: 2019-11-19
Genre: Fiction
ISBN:

"The Miscellaneous Essays" by de Quincey reflect his interest in numerous topics. The topics truly vary: some essays review the phenomenon of murder as an artistic act, the others cover the theme of sudden death. Also, there are essays dedicated to Joan of Arc. Despite the variety of topics, all the articles are generally connected as they reflect different sides of the author's worldview. It's worth mentioning that de Quincey's philosophy, reflected in these essays, influenced such significant figures as Edgar Allan Poe, Fitz Hugh Ludlow, and Charles Baudelaire.

Macbeth

Macbeth
Author: Harold Bloom
Publisher: Simon and Schuster
Total Pages: 160
Release: 2019-04-02
Genre: Literary Criticism
ISBN: 1501164279

From Harold Bloom, the greatest Shakespeare scholar of our time, comes a portrait of Macbeth, one of William Shakespeare’s most complex and compelling anti-heroes—the final volume in a series of five short books about the great playwright’s most significant personalities: Falstaff, Cleopatra, Lear, Iago, and Macbeth. From the ambitious and mad titular character to his devilish wife Lady Macbeth to the mysterious Three Witches, Macbeth is one of William Shakespeare’s more brilliantly populated plays and remains among the most widely read. Macbeth is a distinguished warrior hero, who over the course of the play, transforms into a brutal, murderous villain and pays an extraordinary price for committing an evil act. A man consumed with ambition and self-doubt, Macbeth is one of Shakespeare’s most vital meditations on the dangerous corners of the human imagination. Award-winning writer and beloved professor Harold Bloom investigates Macbeth’s unthinkable actions with razor-sharp insight, agility, and compassion. He also writes about his shifting understanding—over the course of his own lifetime—of this endlessly compelling figure. “Acclaimed critic Bloom once again plumbs the depths of a Shakespeare play to reveal new insights [that]…will shift the reader’s perceptions of a literary classic” (Publishers Weekly). “A lingering and deeply curious, even troubled, look at the titular character in the legendary play…this clear, concise, empathetic” (Kirkus Reviews) volume delivers that kind of exhilarating intimacy and clarity in Macbeth, the final book in an essential series.

How to Do Things with Forms

How to Do Things with Forms
Author: Chris Andrews
Publisher: McGill-Queen's Press - MQUP
Total Pages: 376
Release: 2022-09-15
Genre: Literary Criticism
ISBN: 0228012430

The Oulipo (Ouvroir de littérature potentielle, or Workshop for Potential Literature) is a literary think tank that brings together writers and mathematicians. Since 1960, its worldwide influence has refreshed ways of making and thinking about literature. How to Do Things with Forms assesses the work of the group, explores where it came from, and envisages its future. Redefining the Oulipo’s key concept of the constraint in a clear and rigorous way, Chris Andrews weighs the roles of craft and imitation in the group’s practice. He highlights the importance of translation for the Oulipo’s writers, explaining how their new forms convey meanings and how these famously playful authors are also moved by serious concerns. Offering fresh interpretations of emblematic Oulipian works such as Georges Perec’s Life: A User’s Manual, Andrews also examines lesser-known texts by Jacques Roubaud, Anne F. Garréta, and Michelle Grangaud. How to Do Things with Forms addresses questions of interest to anyone involved in the making of literature, illuminating how writers decide when to stop revising, the risks and benefits of a project mentality in creative writing, and ways of holding a reader’s interest for as long as possible.