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| Author | : Margaret Rose Thornton |
| Publisher | : Yale University Press |
| Total Pages | : 868 |
| Release | : 2006-01-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780300116823 |
Meticulously edited and annotated, Tennessee Williams's notebooks follow his growth as a writer from his undergraduate days to the publication and production of his most famous plays, from his drug addiction and drunkenness to the heights of his literary accomplishments.
| Author | : Patricia Highsmith |
| Publisher | : Liveright Publishing |
| Total Pages | : 796 |
| Release | : 2023-01-10 |
| Genre | : Literary Collections |
| ISBN | : 1324092955 |
Essential for understanding Patricia Highsmith’s transgressive life and prophetic work, this volume is also “one of the most observant and ecstatic accounts . . . about being young and alive in New York City” (Dwight Garner,—New York Times). Before Alfred Hitchcock adapted her debut novel, Strangers on a Train, for the big screen; before her suave and sociopathic Thomas Ripley snaked his way into the canon of psychological suspense; and before The Price of Salt became a cult classic of romantic obsession, who was Patricia Highsmith? Focused on her formative years in Manhattan, this condensed edition of Highsmith’s monumental Diaries and Notebooks reveals “Pat” at her most passionate and florescent. Beginning in 1941 at Barnard College and encompassing the Texas native’s adventurous twenties,?The New York Years intertwines scenes from her dizzying social life—rife with sleepless nights barhopping in the queer underground Greenwich Village scene, always juggling too many lovers—with an intimate self-portrait of a young artist who by day dispassionately wrote comics for a paycheck. Amid all the hangovers and the breakups, she read voraciously and honed her craft with verve. Laid bare in this perennial reader’s edition are the bold, hilarious, romantic, tragic, and maddeningly contradictory observations of one of “our greatest modernist writers” (Gore Vidal).
| Author | : Oliver Clutton-Brock |
| Publisher | : Grub Street Publishing |
| Total Pages | : 561 |
| Release | : 2003-08-19 |
| Genre | : History |
| ISBN | : 1909166308 |
The author of RAF Evaders provides a comprehensive reference of the airmen of Bomber Command who were held in German captivity during WWII. This extensive book is divided into two part. The first, which has eighteen chapters, deals with German POW camps as they were opened, in chronological order and to which the Bomber Command POWs were sent. Each chapter includes anecdotes and stories of the men in the camps—capture, escape, illness, and murder—and illustrates the awfulness of captivity even in German hands. Roughly one in every twenty captured airmen never returned home. The first part also covers subjects such as how the POWs were repatriated during the war; how they returned at war’s end; the RAF traitors; the war crimes; and the vital importance of the Red Cross. The style is part reference, part gripping narrative, and the book will correct many historical inaccuracies, and includes previously unpublished photographs. The second part comprises an annotated list of ALL 10, 995 RAF Bomber Command airmen who were taken prisoner, together with an extended introduction. The two parts together are the fruit of exhaustive research and provide an important contribution to our knowledge of the war and a unique reference work not only for the serious RAF historian but for the ex-POWs themselves and their families and anyone with an interest in the RAF in general and captivity in particular.
| Author | : Joshua Blu Buhs |
| Publisher | : University of Chicago Press |
| Total Pages | : 395 |
| Release | : 2024 |
| Genre | : History |
| ISBN | : 0226831485 |
"This book is about Charles Fort, his followers, and the surprising influence they have had on science fiction, the avant-garde, UFOlogy, and more broadly on the role of spirituality and conspiracy in the modern world. Fort was an author and maverick philosopher who wrote four non-fiction books about anomalies-rains of frogs, mysterious disappearances, unexplained lights in the sky-for which he offered hypotheses that even he did not (always) accept as true. His books developed into a monistic philosophy that denounced science as a machine for generating truth. In his view, science was a small part of a larger system in which truth and falsity were constantly transforming one into the other. This was not a rejection of the modern world but, instead, its fulfillment: Fort prophesied the next stage in intellectual evolution after the scientific era. He inspired four overlapping groups: members of the Fortean Society; science fiction fans and writers; avant-garde artists; and flying saucer enthusiasts. First We Must Think to New Worlds takes up each of these groups in turn to ask: How can the human imagination be expanded? What is the fundamental structure of the universe? And, how does power move? As they developed their responses, Fort's followers mixed Forteanism with Fundamentalism, New Agery, and conspiracy, as well as a host of other forms of modern enchantments, such as the ironic imagination, scientific wonder, and Theosophical syncretism. Each chapter is interrupted by and concludes with shorter sections that focus on particular Forteans or Fortean events as a way to deepen themes"--
| Author | : Victor Serge |
| Publisher | : New York Review of Books |
| Total Pages | : 673 |
| Release | : 2019-04-09 |
| Genre | : Biography & Autobiography |
| ISBN | : 1681372703 |
Available for the first time, Victor Serge's intimate account of the last decade of his life gives a vivid look into the Franco-Russian revolutionary's life, from his liberation from Stalin's Russia to his "Mexico Years," when he wrote his greatest works. In 1936, Victor Serge—poet, novelist, and revolutionary—left the Soviet Union for Paris, the rare opponent of Stalin to escape the Terror. In 1940, after the Nazis marched into Paris, Serge fled France for Mexico, where he would spend the rest of his life. His years in Mexico were marked by isolation, poverty, peril, and grief; his Notebooks, however, brim with resilience, curiosity, outrage, a passionate love of life, and superb writing. Serge paints haunting portraits of Osip Mandelstam, Stefan Zweig, and “the Old Man” Trotsky; argues with André Breton; and, awaiting his wife’s delayed arrival from Europe, writes her passionate love letters. He describes the sweep of the Mexican landscape, visits an erupting volcano, and immerses himself in the country’s history and culture. He looks back on his life and the fate of the Revolution. He broods on the course of the war and the world to come after. In the darkest of circumstances, he responds imaginatively, thinks critically, feels deeply, and finds reason to hope. Serge’s Notebooks were discovered in 2010 and appear here for the first time in their entirety in English. They are a a message in a bottle from one of the great spirits, and great writers, of our shipwrecked time.
| Author | : Alexandra Garbarini |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 375 |
| Release | : 2021-11-15 |
| Genre | : History |
| ISBN | : 1538155036 |
Published in association with the United States Holocaust Memorial Museum This extraordinary wartime diary provides a rare glimpse into the daily life of French and foreign-born Jewish refugees under the Vichy regime during World War II. Long hidden, the diary was written by Lucien Dreyfus, a native of Alsacewho was a teacher at the most prestigious high school in Strasbourg, an editor of the leading Jewish newspaper of Alsace and Lorraine, the devoted father of an only daughter, and the doting grandfather of an only granddaughter. In 1939, after the French declaration of war on Hitler's Germany, Lucien and his wife, Marthe, were forced by the French state to leave Strasbourg along with thousands of other Jewish and non-Jewish residents of the city. The couple found refuge in Nice, on the Mediterranean coast in the south of France. Anti-Jewish laws prevented Lucien from resuming his teaching career and his work as a newspaper editor. But he continued to write, recording his trenchant reflections on the situation of France and French Jews under the Vichy regime. American visas allowed his daughter, son-in-law, and granddaughter to escape France in the spring of 1942 and establish new lives in the United States, but Lucien and Marthe were not so lucky. Rounded up during an SS raid in September 1943, they were deported and murdered in Auschwitz-Birkenau two months later. As the only diary by an observant Jew raised bi-culturally in French and German, Dreyfus's writing offers a unique philosophical and moral reflection on the Holocaust as it was unfolding in France.
| Author | : Andrzej Bobkowski |
| Publisher | : Yale University Press |
| Total Pages | : 698 |
| Release | : 2018-01-01 |
| Genre | : Travel |
| ISBN | : 0300176716 |
A Polish writer's experience of wartime France, a cosmopolitan outsider's perspective on politics, culture, and life under duress When the aspiring young writer Andrzej Bobkowski, a self-styled cosmopolitan Pole, found himself caught in occupied France in 1940, he recorded his reflections on culture, politics, history, and everyday life. Published after the war, his notebooks offer an outsider's perspective on the hardships and ironies of the Occupation. In the face of war, Bobkowski celebrates the value of freedom and human life through the evocation--in a daringly untragic mode--of ordinary existence, the taste of simple food, the beauty of the French countryside. Resisting intellectual abstractions, his notes exude a young man's pleasure in physical movement--miles clocked on country roads and Parisian streets on his trusty bike--and they reveal the emergence of an original literary voice. Bobkowski was recognized in his homeland as a master of modern Polish prose only after Communism ended. He remains to be discovered in the English-speaking world.
| Author | : Patricia Highsmith |
| Publisher | : Liveright Publishing |
| Total Pages | : 1413 |
| Release | : 2021-11-16 |
| Genre | : Biography & Autobiography |
| ISBN | : 1324091002 |
New York Times • Times Critics Top Books of 2021 The Times (of London) • Best Books of the Year Excerpted in The New Yorker Profiled in The Los Angeles Times Publishing for the centenary of her birth, Patricia Highsmith’s diaries “offer the most complete picture ever published” of the canonical author (New York Times). Relegated to the genre of mystery during her lifetime, Patricia Highsmith is now recognized as one of “our greatest modernist writers” (Gore Vidal). Beloved by fans who were unaware of the real psychological turmoil behind her prose, the famously secretive Highsmith refused to authorize a biography, instead sequestering herself in her Switzerland home in her final years. Posthumously, her devoted editor Anna von Planta discovered her diaries and notebooks in 1995, tucked in a closet—with tantalizing instructions to be read. For years thereafter, von Planta meticulously culled from over eight thousand pages to help reveal the inscrutable figure behind the legendary pen. Beginning with her junior year at Barnard in 1941, Highsmith ritualistically kept a diary and notebook—the former to catalog her day, the latter to brainstorm stories and hone her craft. This volume weaves diary and notebook simultaneously, exhibiting precisely how Highsmith’s personal affairs seeped into her fiction—and the sheer darkness of her own imagination. Charming yet teetering on the egotistical, young “Pat” lays bare her dizzying social life in 1940s Greenwich Village, barhopping with Judy Holliday and Jane Bowles, among others. Alongside Flannery O’Conner and Chester Himes, she attended—at the recommendation of Truman Capote—the Yaddo artist colony in 1948, where she drafted Strangers on a Train. Published in 1950 and soon adapted by Alfred Hitchcock, this debut novel brought recognition and brief financial security, but left a heartsick Highsmith agonizing: “What is the life I choose?” Providing extraordinary insights into gender and sexuality in mid-twentieth-century America, Highsmith’s diaries convey her euphoria writing The Price of Salt (1951). Yet her sophomore novel would have to be published under a pseudonym, so as not to tarnish her reputation. Indeed, no one could anticipate commercial reception for a novel depicting love between two women in the McCarthy era. Seeking relief from America, Highsmith catalogs her peripatetic years in Europe, subsisting on cigarettes and growing more bigoted and satirical with age. After a stay in Positano with a new lover, she reflects in her notebooks on being an expat, and gleefully conjures the unforgettable The Talented Mr. Ripley (1955); it would be this sociopathic antihero who would finally solidify her true fame. At once lovable, detestable, and mesmerizing, Highsmith put her turbulent life to paper for five decades, acutely aware there must be “a few usable things in literature.” A memoir as significant in our own century as Sylvia Plath’s journals and Simone de Beauvoir’s writings were to another time, Patricia Highsmith: Her Diaries and Notebooks is an historic work that chronicles a woman’s rise against the conventional tide to unparalleled literary prominence.
| Author | : Jean-Paul Sartre |
| Publisher | : University of Chicago Press |
| Total Pages | : 620 |
| Release | : 1992-10 |
| Genre | : Philosophy |
| ISBN | : 9780226735115 |
In the famous conclusion to Being and Nothingness, Jean-Paul Sartre announced that he would devote his next philosophical work to moral problems. Although he worked on this project in the late 1940s, Sartre never completed it to his satisfaction, and it remained unpublished until after his death in 1980. Presented here for the first time in English, Notebooks for an Ethics is Sartre's attempt to articulate a moral philosophy. In the Notebooks he addresses any number of themes and topics relevant to an effort to formulate a concrete and revolutionary socialist ethics, among them the differences between force and violence, the relationship of means and ends, and the relationship of oppression and alienation. Most important, he tries to show that there can be an authentic mutual recognition among free individuals where no one steals another's freedom. While remaining committed to the basic principles of Being and Nothingness, Sartre here seeks to locate the foundation for action in history and society. The Notebooks thus form an important bridge between the early existentialist Sartre and the later Marxist social thinker of the Critique of Dialectical Reason. Sartre grapples anew with such central issues as "authenticity" and the relation of alienation and freedom to moral values. In dealing with fundamental modes of relating to the Other, among them violence, entreaty, demand, appeal, refusal, and revolt, he highlights the notions of conversion and creation as they figure in the necessary transition from individualism to historical consciousness. The Notebooks themselves are complemented here by two appendixes, one on "the good and subjectivity", the other on the problem of blacks in theUnited States as a case study of oppression.
| Author | : Karin Roffman |
| Publisher | : Macmillan + ORM |
| Total Pages | : 246 |
| Release | : 2017-06-13 |
| Genre | : Biography & Autobiography |
| ISBN | : 1429949805 |
The first biography of an American master The Songs We Know Best, the first comprehensive biography of the early life of John Ashbery—the winner of nearly every major American literary award—reveals the unusual ways he drew on the details of his youth to populate the poems that made him one of the most original and unpredictable forces of the last century in arts and letters. Drawing on unpublished correspondence, juvenilia, and childhood diaries as well as more than one hundred hours of conversation with the poet, Karin Roffman offers an insightful portrayal of Ashbery during the twenty-eight years that led up to his stunning debut, Some Trees, chosen by W. H. Auden for the 1955 Yale Younger Poets Prize. Roffman shows how Ashbery’s poetry arose from his early lessons both on the family farm and in 1950s New York City—a bohemian existence that teemed with artistic fervor and radical innovations inspired by Dada and surrealism as well as lifelong friendships with painters and writers such as Frank O’Hara, Jane Freilicher, Nell Blaine, Kenneth Koch, James Schuyler, and Willem de Kooning. Ashbery has a reputation for being enigmatic and playfully elusive, but Roffman’s biography reveals his deft mining of his early life for the flint and tinder from which his provocative later poems grew, producing a body of work that he calls “the experience of experience,” an intertwining of life and art in extraordinarily intimate ways.
