Authors To Themselves
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Author | : Marshall Grossman |
Publisher | : Cambridge University Press |
Total Pages | : 259 |
Release | : 1987 |
Genre | : Literary Criticism |
ISBN | : 0521340373 |
Grossman examines the narrative form of Paradise Lost to discover Milton's thoroughly modern concept of self. Banished from paradise, the epic poem's protagonists become "authors to themselves in all/Both what they judge and what they choose," left to create their own story in relation to the story already written by God. Grossman believes the resulting structure of the poem must be understood in the context of seventeenth-century historical and theological developments, specifically Bacon's notion of history as progress and Protestant theology's notion of the inner voice. The book draws upon recent works in hermeneutics and analytic history to develop the argument that there is a common structure to the experience of time in action and in narrative. In developing this thesis, Grossman draws on the work Stephen Greenblatt, Ricoeur, Todorov, Genette, Derrida, and Lacan to construct an original reading of Paradise Lost that will fascinate Miltonists, specialists in seventeenth-century literature, and readers concerned with narrative theory.
Author | : LaRonda Gardner Middlemiss |
Publisher | : Beaming Books |
Total Pages | : 36 |
Release | : 2020-06-02 |
Genre | : Juvenile Fiction |
ISBN | : 1506470599 |
I love me from my mouth and chin all the way down to my knees and shins. This affirming picture book features a diversity of races and ethnicities, physical features, body types, abilities and disabilities. I Love Me teaches all kids they have many, many reasons to love themselves.
Author | : William H. Epstein |
Publisher | : Purdue University Press |
Total Pages | : 288 |
Release | : 1991 |
Genre | : Biography & Autobiography |
ISBN | : 9781557530189 |
Stanley Fish opens the collection with a persuasive argument for the role of intention and biography. Michael McKeon, Gordon Turnbull, and Jerome Christensen are concerned with the late eighteenth--and early nineteenth-century English cultural discourse that gave rise to the nearly simultaneous emergence of literary biography, Romantic sensibility, and reflexive human consciousness. The essays by Alison Booth, Cheryl Walker, and Sharon O'Brien reveal that the recognition or lack thereof the biographical subject has received and remains both a problem and an opportunity for women writers and readers. The essays by Valerie Ross, Rob Wilson, Steven Weiland, and William Epstein pursue the question of difference and cultural reification in the theory and practice of a specifically American biography and biographical criticism.
Author | : Deidre Shauna Lynch |
Publisher | : University of Chicago Press |
Total Pages | : 335 |
Release | : 2014-12-22 |
Genre | : Literary Criticism |
ISBN | : 022618384X |
One of the most common—and wounding—misconceptions about literary scholars today is that they simply don’t love books. While those actually working in literary studies can easily refute this claim, such a response risks obscuring a more fundamental question: why should they? That question led Deidre Shauna Lynch into the historical and cultural investigation of Loving Literature. How did it come to be that professional literary scholars are expected not just to study, but to love literature, and to inculcate that love in generations of students? What Lynch discovers is that books, and the attachments we form to them, have played a vital role in the formation of private life—that the love of literature, in other words, is deeply embedded in the history of literature. Yet at the same time, our love is neither self-evident nor ahistorical: our views of books as objects of affection have clear roots in eighteenth- and nineteenth-century publishing, reading habits, and domestic history. While never denying the very real feelings that warm our relationship to books, Loving Literature nonetheless serves as a riposte to those who use the phrase “the love of literature” as if its meaning were transparent. Lynch writes, “It is as if those on the side of love of literature had forgotten what literary texts themselves say about love’s edginess and complexities.” With this masterly volume, Lynch restores those edges and allows us to revel in those complexities.
Author | : LAUREN. HOUGH |
Publisher | : Coronet |
Total Pages | : 320 |
Release | : 2022-04-12 |
Genre | : |
ISBN | : 9781529382525 |
Author | : Tucker Max |
Publisher | : Lioncrest Publishing |
Total Pages | : 300 |
Release | : 2021-04-15 |
Genre | : Reference |
ISBN | : 1544514050 |
Ready to write your book? So why haven’t you done it yet? If you’re like most nonfiction authors, fears are holding you back. Sound familiar? Is my idea good enough? How do I structure a book? What exactly are the steps to write it? How do I stay motivated? What if I actually finish it, and it’s bad? Worst of all: what if I publish it, and no one cares? How do I know if I’m even doing the right things? The truth is, writing a book can be scary and overwhelming—but it doesn’t have to be. There’s a way to know you’re on the right path and taking the right steps. How? By using a method that’s been validated with thousands of other Authors just like you. In fact, it’s the same exact process used to produce dozens of big bestsellers–including David Goggins’s Can’t Hurt Me, Tiffany Haddish’s The Last Black Unicorn, and Joey Coleman’s Never Lose a Customer Again. The Scribe Method is the tested and proven process that will help you navigate the entire book-writing process from start to finish–the right way. Written by 4x New York Times Bestselling Author Tucker Max and publishing expert Zach Obront, you’ll learn the step-by-step method that has helped over 1,500 authors write and publish their books. Now a Wall Street Journal Bestseller itself, The Scribe Method is specifically designed for business leaders, personal development gurus, entrepreneurs, and any expert in their field who has accumulated years of hard-won knowledge and wants to put it out into the world. Forget the rest of the books written by pretenders. This is the ultimate resource for anyone who wants to professionally write a great nonfiction book.
Author | : Delilah S. Dawson |
Publisher | : Simon and Schuster |
Total Pages | : 384 |
Release | : 2014-08-05 |
Genre | : Juvenile Fiction |
ISBN | : 1442483784 |
After her best friend dies in a hurricane, high schooler Dovey discovers something even more devastating--demons in her hometown of Savannah.
Author | : Joe Moran |
Publisher | : Pluto Press |
Total Pages | : 202 |
Release | : 2000-02-20 |
Genre | : Literary Criticism |
ISBN | : 9780745315195 |
In America, authors are as likely to be seen on television talk shows or magazine covers as in the more traditional settings of literary festivals or book signings. Is this literary celebrity just another result of ‘dumbing down’? Yet another example of the mass media turning everything into entertainment? Or is it a much more unstable, complex phenomenon? And what does the American experience tell us about the future of British literary celebrity?In Star Authors, Joe Moran shows how publishers, the media and authors themselves create and disseminate literary celebrity. He looks at such famous contemporary authors as Toni Morrison, J.D. Salinger, Thomas Pynchon, Don DeLillo, John Updike, Philip Roth, Kathy Acker, Nicholson Baker, Paul Auster and Jay McInerney. Through an examination of their own work, biographical information, media representations and promotional material, Moran illustrates the nature of modern literary celebrity. He argues that authors actively negotiate their own celebrity rather than simply having it imposed upon them – from reclusive authors such as Salinger and Pynchon, famed for their very lack of public engagement, to media-friendly authors such as Updike and McInerney. Star Authors analyses literary celebrity in the context of the historical links between literature, advertising and publicity in America; the economics of literary production; and the cultural capital involved in the marketing and consumption of books and authors.
Author | : Mariko Tamaki |
Publisher | : DC Comics |
Total Pages | : 188 |
Release | : 2021-07-27 |
Genre | : Comics & Graphic Novels |
ISBN | : 1779511205 |
From New York Times bestselling author Mariko Tamaki (Laura Dean Keeps Breaking Up with Me, Harley Quinn: Breaking Glass) and artist Yoshi Yoshitani (Zatanna and the House of Secrets) comes a story about Mandy, the daughter of super-famous superhero Starfire. Seventeen-year-old Mandy, daughter of Starfire, is not like her mother. Starfire is gorgeous, tall, sparkly, and a hero. Mandy is not a sparkly superhero. Mandy has no powers. She’s a kid who dyes her hair black and hates everyone but her best friend, Lincoln. To Starfire, who is from another planet, Mandy seems like an alien, like some distant, angry, light-years away moon. And ever since she walked out on her SATs, which her mom doesn’t know about, Mandy has been even more distant. Everyone thinks Mandy needs to go to college and become whoever you become at college, but Mandy has other plans. Or she did until she gets partnered with Claire, the person she intensely denies liking but definitely likes a lot, for a school project. When someone from Starfire’s past arrives, Mandy must make a choice: give up before the battle has even begun, or step into the unknown and risk everything to save her mom. I Am Not Starfire is a story about teenagers and/as aliens; about knowing where you come from and where you are going; and about mothers.
Author | : John McGregor |
Publisher | : Bookbaby |
Total Pages | : 0 |
Release | : 2015-09-17 |
Genre | : Fiction |
ISBN | : 9781682220894 |
Field of Thunder is a work of historical fiction and high adventure based primarily on the exploits of Lewis Lasseter, a prospector and explorer who in the early 1930s held Australia and much of the world enthralled. He had recounted the tale of having discovered a fabulous reef of near- pure gold in the central australian desert some thirty years before and thereby caught the attention of a nation. Day by day the media of the period followed the progress of the best equipped expedition ever to enter central australia as it sought to relocate the reef. The unfolding gloom of the Great Depression was briefly forgotten in favour of Lasseter, the Robin Hood of the day, as he and the expedition sought to relocate this fabulous treasure. The story begins with the young Lasseter's expulsion from school and his subsequent apprenticeship into exploration and prospecting in the wastelands of Western Australia. Great moments in Australian History are given commercial appeal and woven throughout the narrative in a style reminiscent of Wilbur Smith. The reader, through Lasseter, is led back to the turn of the century gold discoveries near the embryonic Alice Springs, then taken to the unexplored wastelands of 'the center'. He becomes hopelessly lost, parched and under threat of murder at the hands of hostile natives. At his lowest moment, he stumbles upon a reef of unimaginable richness, only to lose it again after becoming disorientated and near to perishing in the sandy wastes. Rescue (and some soft historical insight into the Afghanistan of the mid- 1800s) comes from an unlikely source, an Afghan camel driver and loveable villain of the outback, who saves Lasseter's life then transports him to a nearby cattle station. More easy history envelopes Ah Lee, a Chinese physician turned gold seeker, fugitive and now station cook, who nurses the young man back to health on the station. Lies, deception and Aboriginal magic, Kadaitcha, together with Lasseter's psychotic fear enshroud the location of the reef for the next thirty years. The exigencies of the Depression and family catastrophe force him to reveal its existence and agree to lead an expedition to relocate it. Lasseter loses his life under remarkable circumstances and the secret of the reef dies with him. In 1953, extraordinary events are again brewing in central australia that will finally explain why hundreds of expeditions since Lasseter have failed to locate his 'Eldorado' and why any future attempts will most likely fail. The true nature of the land, it's vastness and vengeance against those who would plunder or corrupt it underscore the dominant story of high adventure, death, privation and lost treasure. Aboriginal issues are explored and their skills, customs and taboos graphically, yet sensitively treated by an author who grew up with them in the outback as playmates, mentors and life-long friends. Field of Thunder is, above all else, a compelling story of Australia, the real Australia, and of the people, passions and tragedies that have all contributed to its unique character.