Authority Of Images Images Of Authority
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Author | : Costas Douzinas |
Publisher | : University of Chicago Press |
Total Pages | : 294 |
Release | : 1999-08 |
Genre | : Art |
ISBN | : 9780226569536 |
Discussing the diverse relationships between law and the artistic image, this book includes coverage of the history of the relationship between art and law, and the ways in which the visual is made subject to the force of the law.
Author | : Celeste Brusati |
Publisher | : BRILL |
Total Pages | : 773 |
Release | : 2011-11-11 |
Genre | : History |
ISBN | : 9004215158 |
This book examines scriptural authority and its textual and visual instruments, asking how words and images interacted to represent and by representing to constitute authority, both sacred and secular, in Northern Europe between 1400 and 1700.
Author | : Wolfgang Scheppe |
Publisher | : |
Total Pages | : 464 |
Release | : 2021 |
Genre | : History |
ISBN | : 9788880561149 |
Author | : David T. Koyzis |
Publisher | : Wipf and Stock Publishers |
Total Pages | : 261 |
Release | : 2014-03-13 |
Genre | : Religion |
ISBN | : 1625640455 |
The quest to escape authority has been a persistent feature of the modern world, animating liberals and Marxists, Westerners and non-Westerners alike. Yet what if it turns out that authority is intrinsic to humanity? What if authority is characteristic of everything we are and do as those created in God's image, even when we claim to be free of it? What if kings and commoners, teachers and students, employers and employees all possess authority? This book argues that authority cannot be identified with mere power, is not to be played off against freedom, and is not a mere social construction. Rather it is resident in an office given us by God himself at creation. This central office is in turn dispersed into a variety of offices relevant to our different life activities in a wide array of communal settings. Far from being a conservative bromide, the call to respect authority is foundational to respect for humanity itself.
Author | : Josh Ellenbogen |
Publisher | : Penn State Press |
Total Pages | : 281 |
Release | : 2012 |
Genre | : Photography |
ISBN | : 0271052597 |
"Examines three projects in late nineteenth-century scientific photography: the endeavors of Alphonse Bertillon, Francis Galton, and Etienne-Jules Marey. Develops new theoretical perspectives on the history of photographic technology, as well as the history of scientific imaging more generally"--
Author | : Richard Davis |
Publisher | : Westview Press |
Total Pages | : 280 |
Release | : 1998-04-02 |
Genre | : Religion |
ISBN | : |
"In this edited volume, Richard Davis and his colleagues examine how religious images are understood by practitioners in Asia and what social, cultural, and political aspects are connected to the "mira"
Author | : Jed Perl |
Publisher | : Knopf |
Total Pages | : 177 |
Release | : 2022-01-11 |
Genre | : Art |
ISBN | : 0593320050 |
From one of our most widely admired art critics comes a bold and timely manifesto reaffirming the independence of all the arts—musical, literary, and visual—and their unique and unparalleled power to excite, disturb, and inspire us. As people look to the arts to promote a particular ideology, whether radical, liberal, or conservative, Jed Perl argues that the arts have their own laws and logic, which transcend the controversies of any one moment. “Art’s relevance,” he writes, “has everything to do with what many regard as its irrelevance.” Authority and Freedom will find readers from college classrooms to foundation board meetings—wherever the arts are confronting social, political, and economic ferment and heated debates about political correctness and cancel culture. Perl embraces the work of creative spirits as varied as Mozart, Michelangelo, Jane Austen, Henry James, Picasso, and Aretha Franklin. He contends that the essence of the arts is their ability to free us from fixed definitions and categories. Art is inherently uncategorizable—that’s the key to its importance. Taking his stand with artists and thinkers ranging from W. H. Auden to Hannah Arendt, Perl defends works of art as adventuresome dialogues, simultaneously dispassionate and impassioned. He describes the fundamental sense of vocation—the engagement with the tools and traditions of a medium—that gives artists their purpose and focus. Whether we’re experiencing a poem, a painting, or an opera, it’s the interplay between authority and freedom—what Perl calls “the lifeblood of the arts”—that fuels the imaginative experience. This book will be essential reading for everybody who cares about the future of the arts in a democratic society.
Author | : Harold Bloom |
Publisher | : Scribner |
Total Pages | : 176 |
Release | : 2019-04-23 |
Genre | : Literary Criticism |
ISBN | : 1501164201 |
From one of the greatest Shakespeare scholars of our time, a beloved professor who has taught the Bard for over half a century—an intimate, wise, deeply compelling portrait of Lear, arguably Shakespeare’s most tragic and compelling character, the third in a series of five short books hailed as Harold Bloom’s “last love letter to the shaping spirit of his imagination” (The New York Times Book Review). King Lear is one of the most famous and compelling characters in literature. The aged, abused monarch—a man in his eighties, like Bloom himself—is at once the consummate figure of authority and the classic example of the fall from grace and widely agreed to be Shakespeare’s most moving, tragic hero. Award-winning writer and beloved professor Harold Bloom writes about Lear with wisdom, joy, exuberance, and compassion. He also explores his own personal relationship to the character: Just as we encounter one Anna Karenina or Jay Gatsby when we are seventeen and another when we are forty, Bloom writes about his shifting understanding—over the course of his own lifetime—of this endlessly compelling figure, so that the book also becomes an extraordinarily moving argument for literature as a path to and a measure of our humanity. Bloom is mesmerizing in the classroom, wrestling with the often tragic choices Shakespeare’s characters make. Now he brings that insight to his “measured, thoughtful assessment of a key play in the Shakespeare canon” (Kirkus Reviews). “Lear is a “short, superb book that has a depth of observation acquired from a lifetime of study” (Publishers Weekly).
Author | : Douglas E. Schoen |
Publisher | : Rowman & Littlefield |
Total Pages | : 269 |
Release | : 2013-11-07 |
Genre | : Political Science |
ISBN | : 1442220325 |
Around the world, citizens have lost faith in their political and economic institutions—leading to unprecedented levels of political instability and economic volatility. From Moscow to Brussels, from Washington to Cairo, the failure of democracies and autocracies to manage the fiscal and political crises facing us has led to a profound disquiet, spawning protest movements of the left, right, and center. In The End of Authority, Douglas E. Schoen systematically analyzes the leadership crises facing democracies and autocratic governments alike. He presents a firsthand, detailed assessment for why this collapse in trust happened; and offers a comprehensive blueprint for how we can restore public trust in government and economic institutions in a world of division, dissension, and governments clearly lacking in responsiveness to citizen concerns. Schoen outlines bold and clear solutions and offers practical steps to fix our democracy and rebuild international institutions.
Author | : Allison K. Lange |
Publisher | : University of Chicago Press |
Total Pages | : 331 |
Release | : 2021-09-27 |
Genre | : History |
ISBN | : 0226815846 |
"For as long as American women have battled for equitable political representation, those battles have been defined by images--whether drawn, etched, photographed, or filmed. Some of these have been flattering, many of them have been condescending, and some have been scabrous. They have drawn upon prevailing cultural tropes about the perceived nature of women's roles and abilities, and they have circulated both with and without conscious political objectives. Allison K. Lange takes a systematic look at American women's efforts to control the production and dissemination of images of them in the long battle for representation, from the mid-nineteenth-century onward"--