Australian Tv
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Author | : Stuart Cunningham |
Publisher | : Routledge |
Total Pages | : 239 |
Release | : 2020-07-25 |
Genre | : Performing Arts |
ISBN | : 1000247910 |
Television is the most pervasive mass medium of the industrialised world. It is blamed for creating alienation and violence in society, yet at the same time regarded as trivial and unworthy of serious attention. It is the main purveyor of global popular culture, yet also intensely local. The Australian TV Book paints the big picture of the small screen in Australia. It examines industry dynamics in a rapidly changing environment, the impact of new technology, recent changes in programming, and the ways in which the television industry targets its audiences. The authors highlight what is distinctive about television in Australia, and how it is affected by international developments. This book is essential reading for anyone who wants to understand Australian television today. Stuart Cunningham is Professor of Media and Journalism at Queensland University of Technology. Graeme Turner is director of the Centre for Critical and Cultural Studies at the University of Queensland. They are editors of the leading textbook The Media in Australia and authors of many other works on the media.
Author | : Christian Wöller |
Publisher | : GRIN Verlag |
Total Pages | : 114 |
Release | : 2001-11-20 |
Genre | : Literary Collections |
ISBN | : 3638104648 |
Thesis (M.A.) from the year 2001 in the subject English Language and Literature Studies - Linguistics, grade: 1.7 (A-), LMU Munich (Institute for English Philology), language: English, abstract: Introduction 1.1. Foreword Intertextuality is a term that has often been discussed in the linguistic analysis of literature texts. More recently it has become a popular term in media research, especially the analysis of advertisements. But what about Intersemioticity? Intersemioticity is a term that was coined only recently by Lipka (personal note). Like intertextuality, it deals with the relationship of texts to each other but refers not only to textual and verbal messages but also to non-verbal information such as pictures or sounds. It can simply be seen as a web of references that link the textual, visual and aural elements of a primary message with textual, visual and aural elements from other messages. Even the interaction of semiotic modes within a message marks a form of intertextuality which can be referred to as intra-semioticity. In modern TV advertising, both intra- and intersemioticity play an important role as visual and verbal information continually overlap each other and consequently can no longer be defined as independent referential systems. Prestige is a relatively broad term that, according to the Cambridge Online Dictionary (dictionary.cambridge.org/), is used to refer to the "respect and admiration given to someone or something, usually because of a reputation for high quality, success or social influence". In advertising, it is often associated with luxurious goods or prestige items such as expensive cars or watches but also with personal prestige. Celebrated public characters often advertise for a product, which enhances the value of both the product and sometimes the celebrity. In a more cultural context, prestige refers to the respect and admiration that is given to a cultural group because of its positive values and qualities. In the opinion of most Australians, Australian culture stands for: friendliness, liberal thinking, personal independence, naturalness, openness, good humour, sportsmanship, nature loving and national pride. Advertisers who wish to boost the sales of an Australian product to Australian consumers often address their target group by making references to these highly estimated "national characteristics". [...]
Author | : Graeme Turner |
Publisher | : Routledge |
Total Pages | : 176 |
Release | : 2020-07-28 |
Genre | : Education |
ISBN | : 1000256251 |
Media, communications and cultural studies form a rapidly growing part of secondary and tertiary education in Australia, yet there have been few books dealing specifically with Australian television. This is the first wide ranging study of television in Australia, and includes a coverage of the cultural and institutional history of Australian television as well as examining a wide range of television programming. Prisoner, Perfect Match, Hey Hey It's Saturday, A Country Practice, Vietnam and Beyond 2000 are some of the programs described and analysed. Issues are raised such as the relationship between children and television, the role of the television documentary and the function television serves in constructing communities. The contributors to Australian Television: Programs, Pleasures and Politics include some of the leading researchers in Australian television and cultural studies and their articles employ a wide range of methods - from semiotic analyses to cultural histories. Despite their dealing with often quite sophisticated problems, the chapters are written in an accessible and lively manner. This is an important collection which opens out space for more informed and challenging discussions of Australia's television culture - its programs, its meanings, its pleasures and its politics. It will be an invaluable text for all tertiary television, media studies, communications studies, Australian studies and cultural studies programs.
Author | : Graeme Turner |
Publisher | : Routledge |
Total Pages | : 268 |
Release | : 2002-09-10 |
Genre | : Art |
ISBN | : 1134962533 |
Nation, Culture, Text: Australian Cultural and Media Studies is the first collection of cultural studies from Australia, selected and introduced for an international readership. Participating in the `de-centring' of cultural studies - considering what perspectives other than the European and the American have to offer - the contributors raise important issues about the role of a national tradition of critical theory, and about the cultural specificity of theory itself. A key theme is the place of the postcolonial nation within contemporary cultural theory - particularly those aspects of contemporary theory which see the category of contemporary theory which see the category of the nation as either outdated or suspect. The writers tackle subjects ranging from the televising of the Bicentennial to the role of policy in film, television and the heritage industry, from the use of video technologies with remote Aboriginal communities to the role of ethnography in cultural studies.
Author | : Peter Robson |
Publisher | : Bloomsbury Publishing |
Total Pages | : 317 |
Release | : 2016-11-17 |
Genre | : Law |
ISBN | : 1509905707 |
This collection examines law and justice on television in different countries around the world. It provides a benchmark for further study of the nature and extent of television coverage of justice in fictional, reality and documentary forms. It does this by drawing on empirical work from a range of scholars in different jurisdictions. Each chapter looks at the raw data of how much "justice" material viewers were able to access in the multi-channel world of 2014 looking at three phases: apprehension (police), adjudication (lawyers), and disposition (prison/punishment). All of the authors indicate how television developed in their countries. Some have extensive public service channels mixed with private media channels. Financing ranges from advertising to programme sponsorship to licensing arrangements. A few countries have mixtures of these. Each author also examines how "TV justice" has developed in their own particular jurisdiction. Readers will find interesting variations and thought-provoking similarities. There are a lot of television shows focussed on legal themes that are imported around the world. The authors analyse these as well. This book is a must-read for anyone interested in law, popular culture, TV, or justice and provides an important addition to the literature due to its grounding in empirical data.
Author | : Stuart Cunningham |
Publisher | : UNSW Press |
Total Pages | : 198 |
Release | : 1994 |
Genre | : Popular culture |
ISBN | : 9780868403977 |
This book provides the first up-to-date introduction to the shape and style of Australian television in the 1980s, 1990s and beyond. Traditional formats like news, current affairs and sport as well as newer genres like tabloid and reality TV are treated in detail. The authors use their expertise in cultural and media studies to take apart the medium in terms of text, genre, audience, nation, culture, policy, industry and postmodernity. Trends and developments that are taking Australian television into the future, such as the increasingly international orientation of the local industry and new services like pay TV, community TV and ABC satellite TV are also examined in depth.
Author | : Albert Moran |
Publisher | : Intellect Books |
Total Pages | : 286 |
Release | : 2013-01-06 |
Genre | : Social Science |
ISBN | : 1783200774 |
Since the late 1990s, when broadcasters began adapting such television shows as Big Brother, Survivor, and Who Wants to Be a Millionaire? for markets around the world, the global television industry has been struggling to come to grips with the prevalence of program franchising across international borders. In TV Format Mogul, Albert Moran traces the history of this phenomenon through the lens of Australian producer Reg Grundy’s transnational career. Program copycatting, Moran shows, began long before its most recent rise to prominence. Indeed, he reveals that the practice of cultural and commercial cloning from one place to another, and one time to another, has occurred since the early days of broadcasting. Beginning in the late 1950s, Grundy brought non-Australian shows to Australian audiences, becoming the first person to take local productions to an overseas market. By following Grundy’s career, Moran shows how adaptation and remaking became the billion-dollar business they are today. An exciting new contribution from Australia’s foremost scholar of television, TV Format Mogul will be a definitive history of program franchising.
Author | : Mark David Ryan |
Publisher | : Springer |
Total Pages | : 373 |
Release | : 2017-11-23 |
Genre | : Performing Arts |
ISBN | : 3319482998 |
This book provides coverage of the diversity of Australian film and television production between 2000 and 2015. In this period, Australian film and television have been transformed by new international engagements, the emergence of major new talents and a movement away with earlier films’ preoccupation with what it means to be Australian. With original contributions from leading scholars in the field, the collection contains chapters on particular genres (horror, blockbusters and comedy), Indigenous Australian film and television, women’s filmmaking, queer cinema, representations of history, Australian characters in non-Australian films and films about Australians in Asia, as well as chapters on sound in Australian cinema and the distribution of screen content. The book is both scholarly and accessible to the general reader. It will be of particular relevance to students and scholars of Anglophone film and television, as well as to anyone with an interest in Australian culture and creativity.
Author | : Albert Moran |
Publisher | : Scarecrow Press |
Total Pages | : 548 |
Release | : 2009-08-04 |
Genre | : Performing Arts |
ISBN | : 0810870223 |
Australians have become increasingly visible outside of the country as speakers and actors in radio and television, their media moguls have frequently bought up foreign companies, and people around the world have been able to enjoy such Australian productions as The Flying Doctors, Neighbours, and Kath and Kim. The origins, early development, and later adaptations of radio and television show how Australia has gone from being a minor and rather parochial player to being a significant part of the international scene. The A to Z of Australian Radio and Television provides essential facts and information concerning the Australian radio and television industry. This is accomplished through the use of a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on directors, producers, writers, actors, television and radio series, and television and radio stations.
Author | : Jon Stratton |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 241 |
Release | : 2020-01-09 |
Genre | : Music |
ISBN | : 1501339885 |
An Anthology of Australian Albums offers an overview of Australian popular music through the lens of significant, yet sometimes overlooked, Australian albums. Chapters explore the unique qualities of each album within a broader history of Australian popular music. Artists covered range from the older and non-mainstream yet influential, such as the Missing Links, Wendy Saddington and the Coloured Balls, to those who have achieved very recent success (Courtney Barnett, Dami Im and Flume) and whose work contributes to international pop music (Sia), to the more exploratory or experimental (Curse ov Dialect and A.B. Original). Collectively the albums and artists covered contribute to a view of Australian popular music through the non-canonical, emphasizing albums by women, non-white artists and Indigenous artists, and expanding the focus to include genres outside of rock including hip hop, black metal and country.