Australia At The Venice Biennale
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| Author | : Kerry Gardner |
| Publisher | : Miegunyah Press |
| Total Pages | : 240 |
| Release | : 2021-06 |
| Genre | : Art |
| ISBN | : 9780522877366 |
Before the winds of World War I blew Europe apart, a rowdy and radical group of Australian artists would gather in the salons of Paris and London to embrace new ways of painting and seeing the world. By 1914 twelve of them had shown their works at the Venice International Exhibition, now known as the Venice Biennale. Bundled in with the British, Tom Roberts, Arthur Streeton and Thea Proctor were represented alongside legendary artists Corot, Rodin, Klimt and Renoir. Four decades later Australia sent its first official delegation of artists: Sidney Nolan, Russell Drysdale and William Dobell; the works of Rover Thomas, Howard Arkley, Patricia Piccinini and Shaun Gladwell continued the story of bold Australian art in Venice. With the support of the Australian art community, the Venice Biennale today remains an aspiration and career highlight for contemporary artists and Australia's love affair with the exhibition thrives. Discover the untold stories of the world's most important art event through one hundred years of Australian modern art.
| Author | : Stephen Naylor |
| Publisher | : Routledge |
| Total Pages | : 193 |
| Release | : 2020-05-14 |
| Genre | : Art |
| ISBN | : 1351062085 |
This monograph uses the national pavilions of the Venice Biennale as a vehicle to examine the development of international contemporary art trends within the Asia-Pacific region, including Australia, Japan and Korea and 16 additional national entities who have had less continuous participation in this global art event. Analysing both the spatial and visual representation of contemporary art presented at the Venice Biennale and incorporating the politics behind national selections, this monograph provides insights into a range of important elements of the global art industry. Areas analysed include national cultural trends and strategies, the inversion of the peripheral to the centre stage of the Biennale, geopolitics in gaining exhibition space at the Venice Biennale, curatorial practices for contemporary art presentation and artistic trends that seek to deal with major economic, cultural, religious and environmental issues emerging from non-European art centres. This monograph will be of interest to scholars in art history, museum studies and Asia-Pacific cultural history.
| Author | : Linda Michael |
| Publisher | : |
| Total Pages | : 136 |
| Release | : 2015-05-10 |
| Genre | : Art, Australian |
| ISBN | : 9780980834734 |
Published in conjunction with the exhibition FIONA HALL: WRONG WAY TIME at the Australian Pavilion, Venice Biennale 2015, and exhibition tour 2016-17.Fiona Hall is a distinguished Australian artist best known for her dexterous and inventive transfiguration of materials into forms that animate our relationship with the natural world.In her exhibition for the Venice Biennale, FIONA HALL: WRONG WAY TIME, she brings together hundreds of disparate elements which find alignments and create tensions around three intersecting concerns: global politics, finances and the environment. In common with many of us, Hall sees in these failed states 'a minefield of madness, badness, sadness, in equal measure', stretching beyond the foreseeable future. Her lifelong passion for the natural environment can be intensely felt in works that respond to our persistent role in its demise, or the perilous state of various species.
| Author | : Henry F. Skerritt |
| Publisher | : Yale University Press |
| Total Pages | : 230 |
| Release | : 2016-01-01 |
| Genre | : Art |
| ISBN | : 0300214707 |
"This publication accompanies the exhibition Everywhen: The Eternal Present in Indigenous Art from Australia, Harvard Art Museums, Cambridge, Massachusetts, February 5 through September 18, 2016."
| Author | : Angelica Mesiti |
| Publisher | : Schwartz |
| Total Pages | : 224 |
| Release | : 2017-10-13 |
| Genre | : |
| ISBN | : 9781760640149 |
Angelica Mesiti- A Communion of Stranger Gesturesis the first significant publication dedicated to chronicling the practice of one of Australia's leading contemporary artists. The 224-page, full colour book has been designed by Formist to reflect the elegance and beauty of Mesiti's approach, with a subtle aesthetic nod to the ideas around communication and transmission that she often explores. Two major new texts have been commissioned to expand the field of writing around Mesiti's body of work, from leading Australian academic and writer Justin Clemens, and Director of Lafayette Anticipations, Paris, Franpois Quintin.A Communion of Stranger Gesturesalso includes an in-depth artist interview with Artspace Executive Director Alexie Glass-Kantor and Curator Talia Linz, along with nine original short texts on new and existing works over the last ten years. The publication ties in with Mesiti's first solo institutional presentation, Relay League, which was commissioned by Artspace earlier this year, curated by Glass-Kantor and Deputy Director Michelle Newton. The work takes as its departure point a Morse code message transmitted by the French Navy on 31 January 1997 to signal the imminent demise of this communication method. Mesiti interprets the dots and dashes of this final poetic phrase through music, choreography, non-verbal communication and sculpture. A Communion of Stranger Gesturesfeatures extensive imagery from the development and presentation of this exciting new work, which is touring to Art Sonje Center, Seoul, in addition to nine venues across Australia including Griffith University Art Gallery, Brisbane, and Ian Potter Museum of Art, Melbourne. Recently shortlisted for the 9th edition of the prestigious Prix Meurice for contemporary art and with a residency at the Centre National de la Danse in Paris, Mesiti is increasingly establishing her reputation as one of Australia's most outstanding artists. Working with the mediums of video and installation, and incorporating music and performance, her practice expands ideas of collective behaviour, social dynamics and human subjectivity through non-verbal forms of language and communication, exchange and adapted methods of expression. Mesiti has exhibited extensively at institutions and biennales worldwide, including the 19th Biennale of Sydney, 2014; 13th Istanbul Biennial, 2nd Aichi Triennale, 5th Auckland Triennial and 11th Sharjah Biennale, 2013; and 1st Kochi-Mizuris Biennale, 2012; as well as at the Palais de Tokyo and Centre Pompidou, Paris; Barbican Centre, London; Jewish Museum, New York; Kunstmuseum, Bonn; Haus der Kulturen der Welt, Berlin; Museo Reina SofYa, Madrid; Tate Modern, London; Tokyo Metropolitan Museum of Photography; and Para Site, Hong Kong.
| Author | : Natalie King |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2017-06 |
| Genre | : Artists |
| ISBN | : 9780500501078 |
Tracey Moffatt is arguably Australia's most successful artist. She has exhibited in galleries and museums around the world and is the recipient of the International Center of Photography's 2007 Infinity Award for Art. My Horizon is the first book on this esteemed artist in ten years. With all new work, including large-scale photography and film, this publication situates Moffatt's work in the international arena as an artist who consistently takes the tempo of our times. Moffatt has created highly stylised narratives and montage to explore a range of themes, including the complexities of interpersonal relationships, the curiousness of popular culture, and her own deeply felt childhood memories and fantasies.My Horizon will present a compendium of texts that reflect on the artist's highly political and personal fictions, allowing readers to ponder what might be over the horizon. Contributing authors include Germano Celant, Adrian Martin, Moira Roth, Susan Bright, Djon Mundine, Alexis Wright, and Romaine Moreton.
| Author | : Shaun Gladwell |
| Publisher | : Black Incorporated |
| Total Pages | : 6 |
| Release | : 2011 |
| Genre | : Installations (Art) |
| ISBN | : 9780646530017 |
Shaun Gladwell- Stereo Sequences has been conceived and created for ACMI's unique subterranean gallery and features a series of multi-screen video works that explore concepts of duality, parallels and mirroring.Using filmic devices such as long pans and slow-motion, Gladwell captures tightly choreographed, repetitive performances by classical ballerinas, helicopters, motorcycles, muscle cars, trials bike-riders and skateboarders. Gladwell's latest offerings radiate a distinct Australian sensibility, inspired by the unique landscape and local film culture, including Ozploitation era films.Many of the works are set in distinct Australian locations such as the Wollemi National Park, the open plains of Broken Hill and even Sydney's M5 underpass, each landscape a central character in the resulting work.ACMI Director, Mr Tony Sweeney, said today the centres largest single commission by an Australian artist, reflected Gladwell's growing international reputation.'Shaun Gladwell has an enviable international reputation as one of Australia's leading video artists and we are thrilled to be working with him on the creation of what is a stunning series of works,' he said. 'This significant new commission reflects our strong commitment to supporting Australian artists, both established and emerging, and the ongoing development of contemporary moving image art practice in this country.'
| Author | : Shaun Gladwell |
| Publisher | : Schwartz |
| Total Pages | : 154 |
| Release | : 2009 |
| Genre | : Installations (Art) |
| ISBN | : 9781863954419 |
Published on the occasion of the 2009 Venice Biennale, MADDESTMAXIMVS - PLANET & STARS SEQUENCE is a project book a and catalogue, documenting a new major body of work by Shaun Gladwell. The publication maps the project in its entirety. Commencing in 2007, MADDESTMAXIMVS has continued with a series of recorded performances and sculptures that investigate representations of landscape and the mythological figures that are projected into these spaces. The installation in the Australian Pavilion in Venice will consist of several projects that intersect each other through various locations and performances. Rather than picturing landscapes, Gladwell's project questions the very history and representation of these locations. Introduced with local references, the project offers international identification and relevance. Through performance, Gladwell re-imagines the Australian hinterland, negotiating the conventions of art history and traditional landscape painting. This meditative investigation articulates Gladwell's discursive approach to contemporary art and structures the project as a free, contemplative space. Roadkill kangaroos are found on the side of highways by a black leather clad motorcyclist and given a ritualistic burial, a figure surfs a vehicle as it moves through desert roads, a masked individual rapidly paints and subsequently erases images of the/a universe in open arid settings, and a group of figures spin against natural rock formations. With over one hundred colour plates and two in-depth texts - by Carolyn Christov-Bakargiev and Dr Blair French - MADDESTMAXIMVS - PLANET & STARS SEQUENCE is the first comprehensive publication of Shaun Gladwell's multi-dimensional practice.
| Author | : |
| Publisher | : Satalyte Publishing |
| Total Pages | : 297 |
| Release | : 2014 |
| Genre | : Art, Modern |
| ISBN | : 9780957802315 |
Queen Ellyria just wants her sick triplet sons to live, each ruling over a third of the kingdom as their dying father wished. When she finds herself trapped in a deadly bargain with a Dark Spirit, she recruits a band of young mages to help - but a terrible curse takes over. The Dark Spirit befriends her enemies and seduces her friends, and Ellyria soon finds that famine, pestilence, betrayal and bereavement are all in its arsenal. Can Ellyria unite the elvish and mortal sides of her family and in so doing, save the kingdom?
| Author | : Marco Fusinato |
| Publisher | : Schwartz |
| Total Pages | : 220 |
| Release | : 2014 |
| Genre | : Conceptual art |
| ISBN | : 9781863956888 |
On the eve of All the World's Futures at the 2015 Venice Biennale, Schwartz City is pleased to announce the publication of Let's Destroy Work, the first major monograph on Marco Fusinato. A comprehensive overview of the past two decades of Fusinato's projects in art and music, featured projects include FREE (1998 - 2004), a series of guerrilla performances in unsuspecting music stores around the world; Mass Black Implosion (2007 - ), an ongoing series of propositional scores; Aetheric Plexus (2009 - 2013), a viewer-triggered installation of white noise and white light; and TM/MF (2000), a collaborative project with Thurston Moore. Included is new writing by Branden W. Joseph, Professor in Art History at Columbia University; a text by US-based music critic Byron Coley; and essays from insurrectional anarchist writer Alfredo M. Bonanno's publication 'Let's Destroy Work, Let's Destroy the Economy'. The book is rich in colour and mono illustrations of Fusinato's works, and a selection of reference images. Marco Fusinato's practice references the rhetoric of radical politics (its ambitions and failures), noise as music and the conditions and conventions of conceptual art. Through wide-ranging forms of work in gallery contexts and performances, he foregrounds moments of disruption and impact in which lie the possibility of a shift in perception or change in the course of events. Fusinato performs regularly in the international experimental music underground, obliterating the guitar into improvised noise-spit tsunamis.
