August Wilson and Black Aesthetics

August Wilson and Black Aesthetics
Author: S. Shannon
Publisher: Springer
Total Pages: 220
Release: 2004-08-20
Genre: History
ISBN: 1403981183

This book offers new essays and interviews addressing Wilson's work, ranging from examinations of the presence of Wilson's politics in his plays to the limitations of these politics on contemporary interpretations of Black aesthetics. Also includes an updated introduction assessing Wilson's legacy since his death in 2005.

The Ground on which I Stand

The Ground on which I Stand
Author: August Wilson
Publisher: Theatre Communications Grou
Total Pages: 54
Release: 2001
Genre: Biography & Autobiography
ISBN: 9781559361873

August Wilson's radical and provocative call to arms.

August Wilson and Black Aesthetics

August Wilson and Black Aesthetics
Author: Sandra G. Shannon
Publisher: Palgrave Macmillan
Total Pages: 240
Release: 2004-08-21
Genre: Performing Arts
ISBN: 9781403964069

August Wilson and Black Aesthetics offers new essays that address issues raised in Wilson's "The Ground on Which I Stand" speech. Essays and interviews range from examinations of the presence of Wilson's politics in his plays to the limitations of these politics on contemporary interpretations of Black aesthetics. Also included is Sybil Roberts' A Liberating Prayer: A Lovesong for Mumia, that, for two seasons, has played to sold out houses, but that until now has not been published.

The Cambridge Companion to August Wilson

The Cambridge Companion to August Wilson
Author: Christopher Bigsby
Publisher: Cambridge University Press
Total Pages: 417
Release: 2007-11-29
Genre: Drama
ISBN: 1139827995

One of America's most powerful and original dramatists, August Wilson offered an alternative history of the twentieth century, as seen from the perspective of black Americans. He celebrated the lives of those seemingly pushed to the margins of national life, but who were simultaneously protagonists of their own drama and evidence of a vital and compelling community. Decade by decade, he told the story of a people with a distinctive history who forged their own future, aware of their roots in another time and place, but doing something more than just survive. Wilson deliberately addressed black America, but in doing so discovered an international audience. Alongside chapters addressing Wilson's life and career, and the wider context of his plays, this Companion dedicates individual chapters to each play in his ten-play cycle, which are ordered chronologically, demonstrating Wilson's notion of an unfolding history of the twentieth century.

Black Theatre

Black Theatre
Author: Paul Carter Harrison
Publisher: Temple University Press
Total Pages: 432
Release: 2002-11-08
Genre: Performing Arts
ISBN: 1566399440

Generating a new understanding of the past—as well as a vision for the future—this path-breaking volume contains essays written by playwrights, scholars, and critics that analyze African American theatre as it is practiced today.Even as they acknowledge that Black experience is not monolithic, these contributors argue provocatively and persuasively for a Black consciousness that creates a culturally specific theatre. This theatre, rooted in an African mythos, offers ritual rather than realism; it transcends the specifics of social relations, reaching toward revelation. The ritual performance that is intrinsic to Black theatre renews the community; in Paul Carter Harrison's words, it "reveals the Form of Things Unknown" in a way that "binds, cleanses, and heals."

Vernacular Insurrections

Vernacular Insurrections
Author: Carmen Kynard
Publisher: State University of New York Press
Total Pages: 340
Release: 2013-04-02
Genre: Education
ISBN: 1438446373

Winner of the 2015 James M. Britton Award presented by Conference on English Education a constituent organization within the National Council of Teachers of English Carmen Kynard locates literacy in the twenty-first century at the onset of new thematic and disciplinary imperatives brought into effect by Black Freedom Movements. Kynard argues that we must begin to see how a series of vernacular insurrections—protests and new ideologies developed in relation to the work of Black Freedom Movements—have shaped our imaginations, practices, and research of how literacy works in our lives and schools. Utilizing many styles and registers, the book borrows from educational history, critical race theory, first-year writing studies, Africana studies, African American cultural theory, cultural materialism, narrative inquiry, and basic writing scholarship. Connections between social justice, language rights, and new literacies are uncovered from the vantage point of a multiracial, multiethnic Civil Rights Movement.

SOS - Calling All Black People

SOS - Calling All Black People
Author: John H. Bracey
Publisher:
Total Pages: 0
Release: 2014
Genre: African Americans
ISBN: 9781625340306

This volume brings together a broad range of key writings from the Black Arts Movement of the 1960s and 1970s, among the most significant cultural movements in American history. The aesthetic counterpart of the Black Power movement, it burst onto the scene in the form of artists' circles, writers' workshops, drama groups, dance troupes, new publishing ventures, bookstores, and cultural centers and had a presence in practically every community and college campus with an appreciable African American population. Black Arts activists extended its reach even further through magazines such as Ebony and Jet, on television shows such as Soul! and Like It Is, and on radio programs. Many of the movement's leading artists, including Ed Bullins, Nikki Giovanni, Woodie King, Haki Madhubuti, Sonia Sanchez, Askia Touré, and Val Gray Ward remain artistically productive today. Its influence can also be seen in the work of later artists, from the writers Toni Morrison, John Edgar Wideman, and August Wilson to actors Avery Brooks, Danny Glover, and Samuel L. Jackson, to hip hop artists Mos Def, Talib Kweli, and Chuck D. SOS -- Calling All Black People includes works of fiction, poetry, and drama in addition to critical writings on issues of politics, aesthetics, and gender. It covers topics ranging from the legacy of Malcolm X and the impact of John Coltrane's jazz to the tenets of the Black Panther Party and the music of Motown. The editors have provided a substantial introduction outlining the nature, history, and legacy of the Black Arts Movement as well as the principles by which the anthology was assembled.

Abstractionist Aesthetics

Abstractionist Aesthetics
Author: Phillip Brian Harper
Publisher: NYU Press
Total Pages: 288
Release: 2015-12-25
Genre: Art
ISBN: 1479865435

An artistic discussion on the critical potential of African American expressive culture In a major reassessment of African American culture, Phillip Brian Harper intervenes in the ongoing debate about the “proper” depiction of black people. He advocates for African American aesthetic abstractionism—a representational mode whereby an artwork, rather than striving for realist verisimilitude, vigorously asserts its essentially artificial character. Maintaining that realist representation reaffirms the very social facts that it might have been understood to challenge, Harper contends that abstractionism shows up the actual constructedness of those facts, thereby subjecting them to critical scrutiny and making them amenable to transformation. Arguing against the need for “positive” representations, Abstractionist Aesthetics displaces realism as the primary mode of African American representational aesthetics, re-centers literature as a principal site of African American cultural politics, and elevates experimental prose within the domain of African American literature. Drawing on examples across a variety of artistic production, including the visual work of Fred Wilson and Kara Walker, the music of Billie Holiday and Cecil Taylor, and the prose and verse writings of Ntozake Shange, Alice Walker, and John Keene, this book poses urgent questions about how racial blackness is made to assume certain social meanings. In the process, African American aesthetics are upended, rendering abstractionism as the most powerful modality for Black representation.

Gale Researcher Guide for: August Wilson: Performing the African American Historical Cycle

Gale Researcher Guide for: August Wilson: Performing the African American Historical Cycle
Author: Mary L. Bogumil
Publisher: Gale, Cengage Learning
Total Pages: 12
Release:
Genre: Study Aids
ISBN: 1535849096

Gale Researcher Guide for: August Wilson: Performing the African American Historical Cycle is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.

August Wilson's Fences

August Wilson's Fences
Author: Ladrica Menson-Furr
Publisher: A&C Black
Total Pages: 116
Release: 2013-06-06
Genre: Performing Arts
ISBN: 1441141170

Fences represents the decade of the 1950s, and, when it premiered in 1985, it won the Pulitzer Prize. Set during the beginnings of the civil rights movement, it also concerns generational change and renewal, ending with a celebration of the life of its protagonist, even though it takes place at his funeral. Critics and scholars have lauded August Wilson's work for its universality and its ability, especially in Fences, to transcend racial barriers and this play helped to earn him the titles of "America's greatest playwright" and "the African American Shakespeare."