Attitude Of The Greek Tragedia
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Author | : David M. Carter |
Publisher | : Liverpool University Press |
Total Pages | : 209 |
Release | : 2007 |
Genre | : Literary Criticism |
ISBN | : 9781904675167 |
Part of the 'Greece and Rome Live' series, which aims to introduce figures and aspects of the ancient world to the general reader, this is a guide to the political aspect of Greek tragedy using close examination of specific plays. A handy combined index/glossary and a bibliography are included.
Author | : Edith Hall |
Publisher | : |
Total Pages | : 428 |
Release | : 2010-01-21 |
Genre | : Drama |
ISBN | : 0199232512 |
An illustrated introduction to ancient Greek tragedy, written by one of its most distinguished experts, which provides all the background information necessary for understanding the context and content of the dramas. A special feature is an individual essay on every one of the surviving 33 plays.
Author | : John Homer Huddilston |
Publisher | : |
Total Pages | : 138 |
Release | : 1898 |
Genre | : Art in literature |
ISBN | : |
Author | : Rushton Fairclough |
Publisher | : Forgotten Books |
Total Pages | : 96 |
Release | : 2018-01-03 |
Genre | : Drama |
ISBN | : 9780428270933 |
Excerpt from The Attitude of the Greek Tragedies Toward Nature Alex. V. Humboldt's views are given in his Cosmos, vol. II., p. 7. In Greek antiquity we find the tenderest expression of a deep feeling for nature mingled with poeti cal presentations of human passion but such descriptions Of nature are merely secondary, because in Greek art everything, so to speak, moves in the circle Of human life. Nature-poetry, as a special branch of literature, was wholly foreign to the Greeks; landscape with them appears only as the background Of a picture, in front of which move human forms. The Greek, according to v. Humboldt, possessed a deep feeling for nature, but lacked the active consciousness which prompts men to express that feeling in words.' About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author | : Henry Rushton Fairclough |
Publisher | : |
Total Pages | : 96 |
Release | : 1897 |
Genre | : Greek drama (Tragedy) |
ISBN | : |
Author | : David Konstan |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 382 |
Release | : 2014-10-17 |
Genre | : Literary Criticism |
ISBN | : 1443869856 |
PIERIDES III, Editors: Myrto Garani and David Konstan Despite the Romans' reputation for being disdainful of abstract speculation, Latin poetry from its very beginning was deeply permeated by Greek philosophy. Philosophical elements and commonplaces have been identified and appreciated in a wide range of writers, but the extent of the Greek philosophical influence, and in particular the impact of Pythagorean, Empedoclean, Epicurean and Stoic doctrines, on Latin verse has never been fully in...
Author | : Anthony J. Podlecki |
Publisher | : |
Total Pages | : 208 |
Release | : 1966 |
Genre | : Greece |
ISBN | : |
"The seven extant plays of Aeschylus were not written in a vacuum, but rather against the background of a momentous period in Greek history, by a dramatist profoundly concerned with the political and military events of his time. This book examines each play against that background. In so doing it casts a searching light on both the period and the dramatist" -- Book jacket.
Author | : Caterina Paoli |
Publisher | : Bloomsbury Publishing |
Total Pages | : 249 |
Release | : 2024-06-13 |
Genre | : Literary Criticism |
ISBN | : 1350186171 |
Focusing on the works of Camillo Sbarbaro and Giovanna Bemporad, this book offers the first in-depth analysis of poetic translations of Greek tragedy in 20th-century Italian poetry. The close examination of the linguistic and ideological diversity embedded in these authors' works shows how narratives of Greek tragedy shaped their poetic universe, and how their work influenced the Greek paradigm in return. The reader is presented with a textual analysis of Sbarbaro's and Bemporad's translations, as well as a discussion of larger cultural patterns. This volume provides a fresh perspective on the pedagogical commitment of the Italian poets and their roles as translators of classical studies. The web of relationships and historical context in which these authors are placed provide an understanding of their importance for a wider discourse on translation in Italy and Europe in the 1940s. Caterina Paoli's original analysis of Sbarbaro's and Bemporad's poetic translations and her emphasis on their relevance for translation studies, women's writing and classical reception, fills a significant gap in current scholarship on the translation of ancient literature in the Italian poetic community.
Author | : John H. Huddilston |
Publisher | : |
Total Pages | : 132 |
Release | : 2018-03-24 |
Genre | : |
ISBN | : 9783337489861 |
Author | : Aristotle |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 82 |
Release | : 2017-03-07 |
Genre | : |
ISBN | : 9781544217574 |
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."