Attack Of The Fifty Foot Centerfold
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| Author | : Dorothy Chan |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2019-11-12 |
| Genre | : Feminist poetry |
| ISBN | : 9781948510233 |
Poetry. These poems are steam punk on steroids. They're plutonium-powered and neon-lit. These poems describe the world as it should be, as we want it to be, as we fear it will be, as it is every morning between 3:00 and 5:00 when our dreams are invaded by Godzilla, Tarzan, Wonder Woman, King Kong, Sinatra. If ATTACK OF THE FIFTY-FOOT CENTERFOLD were a holiday, it'd be Hallowe'en for grown-ups, Christmas for space aliens, and the Fourth of July for everybody, because each of these poems is a little present, and like the best presents, they don't just please us--they set us free.
| Author | : Dorothy Chan |
| Publisher | : |
| Total Pages | : |
| Release | : 2019-03 |
| Genre | : |
| ISBN | : 9781939728265 |
| Author | : Dorothy Chan |
| Publisher | : Diode Editions |
| Total Pages | : 74 |
| Release | : 2021-12-02 |
| Genre | : Poetry |
| ISBN | : 1939728479 |
BABE is about owning the room. It’s about physical touch. It’s about dancing (actually, grinding) on a heart-shaped bed and starring as the leading lady of the film (no matter how risqué it gets). At the core of this collection, the Chinese American speaker questions the conventions around her, dating back to her origin story as a Hong Kongnese child who would get up to stretch in the middle of Cantonese class. As an adult, she questions her fate since the family fortune teller screwed her over with a lazy fortune, yet got her brother’s completely spot-on. She triple sonnets her way through confrontations of queerphobia in her family, the trauma from a past relationship with a significantly older man, and the constant male gaze. She pays homage to the first girls who ever loved her in this analysis of sexuality, queerness, popular culture, and resilience. She’s baby forever.
| Author | : Dorothy Chan |
| Publisher | : Deep Vellum Publishing |
| Total Pages | : 93 |
| Release | : 2024-04-30 |
| Genre | : Poetry |
| ISBN | : 1646053257 |
An unabashed exploration of queerness, excess, identity, and tenderness from award-winning poet Dorothy Chan. The speaker in Dorothy Chan’s fifth collection, Return of the Chinese Femme, walks through life fearlessly, “forehead forever exposed,” the East Asian symbol of female aggression. She’s the troublemaker protagonist—the “So Chinese Girl”—the queer in a family of straights— the rambunctious ringleader of the girl band, always ready with the perfect comeback, wearing a blue fur coat, drinking a whiskey neat. They indulge on the themes of food, sex, fantasy, fetish, popular culture, and intimacy. Chan organizes the collection in the form of a tasting menu, offering the reader a taste of each running theme. Triple sonnets, recipe poems, and other inventive plays on diction and form pepper the collection. Amidst the bravado, Return of the Chinese Femme represents all aspects of her identity—Asian heritage, queerness, kid of immigrants’ story—in the most real ways possible, conquering the world through joy and resilience.
| Author | : B. J. Hollars |
| Publisher | : Wisconsin Historical Society |
| Total Pages | : 216 |
| Release | : 2021-09-14 |
| Genre | : Literary Collections |
| ISBN | : 0870209787 |
In March 2020, as a pandemic began to ravage our world, writer and professor B. J. Hollars started a collaborative writing project to bridge the emotional challenges created by our physical distancing. Drawing upon Emily Dickinson’s famous poem “‘Hope’ is the thing with feathers,” Hollars called on Wisconsinites to reflect on their own glimpses of hope in the era of COVID-19. The call resulted in an avalanche of submissions, each reflecting on hope’s ability to persist and flourish, even in the darkest times. As the one hundred essays and poems gathered here demonstrate, hope comes in many forms: a dad dance, a birth plan, an unblemished banana, a visit from a neighborhood dog, the revival of an old tradition, empathy. The contributors are racially, geographically, and culturally diverse, representing a rough cross section of Wisconsin voices, from truck driver to poet laureate, from middle school student to octogenarian, from small business owner to seasoned writer. The result is a book-length exploration of the depth and range of hope experienced in times of crisis, as well as an important record of what Wisconsinites were facing and feeling through these historic times.
| Author | : Bryan Senn |
| Publisher | : McFarland |
| Total Pages | : 434 |
| Release | : 2019-02-28 |
| Genre | : Performing Arts |
| ISBN | : 1476635714 |
In the mid-1950s, to combat declining theater attendance, film distributors began releasing pre-packaged genre double-bills--including many horror and science fiction double features. Though many of these films were low-budget and low-end, others, such as Invasion of the Body Snatchers, Horror of Dracula and The Fly, became bona fide classics. Beginning with Universal-International's 1955 pairing of Revenge of the Creature and Cult of the Cobra, 147 officially sanctioned horror and sci-fi double-bills were released over a 20-year period. This book presents these double features year-by-year, and includes production details, historical notes, and critical commentary for each film.
| Author | : James Ursini |
| Publisher | : Limelight Editions |
| Total Pages | : 786 |
| Release | : 2006-03-01 |
| Genre | : Performing Arts |
| ISBN | : 0879106905 |
(Book). The Modern Amazons: Warrior Women on Screen documents the public's seemingly insatiable fascination with the warrior woman archetype in film and on television. The book examines the cautious beginnings of new roles for women in the late fifties, the rapid development of female action leads during the burgeoning second-wave feminist movement in the late sixties and seventies, and the present-day onslaught of female action characters now leaping from page to screen. The book itself is organized into chapters that group women warriors into sub-genres, e.g., classic Amazons like Xena Warrior Princess and the women of the Conan films; superheroes and their archenemies such as Wonder Woman, Batgirl, and Catwoman; revenge films such as the Kill Bill movies; Sexploitation and Blaxploitation films such as Coffy and the Ilsa trilogy; Hong Kong cinema and warriors like Angela Mao, Cynthia Rothrock, and Zhang Ziyi; sci-fi warriors from Star Trek , Blade Runner , and Star Wars ; supersleuths and spies like the Avengers and Charlie's Angels; and gothic warriors such as Buffy the Vampire Slayer and Kate Beckinsale in Underworld and Van Helsing . In addition, the book is lavishly illustrated with over 400 photos of these popular-culture icons in action, interesting articles and sidebars about themes, trends, weapons, style, and trivia, as well as a complete filmography of more than 150 titles.
| Author | : Bryan Senn |
| Publisher | : McFarland |
| Total Pages | : 408 |
| Release | : 2017-02-20 |
| Genre | : Performing Arts |
| ISBN | : 0786479108 |
From the horrific to the heroic, cinematic werewolves are metaphors for our savage nature, symbolizing the secret, bestial side of humanity that hides beneath our civilized veneer. Examining acknowledged classics like The Wolf Man (1941) and The Howling (1981), as well as overlooked gems like Dog Soldiers (2011), this comprehensive filmography covers the highs and lows of the genre. Information is provided on production, cast and filmmakers, along with critical discussion of the tropes and underlying themes that make the werewolf a terrifying but fascinating figure.
| Author | : Paul Duncum |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 249 |
| Release | : 2021-08-26 |
| Genre | : Art |
| ISBN | : 1350193429 |
Today's many popular aesthetic pleasures have a very long history. Paul Duncum considers the historical critical discourses, and socio-political issues raised by aesthetic pleasures in fifteen thematic chapters. Using illustrative examples from the past, present, and across cultures, he challenges the idea of any decline of cultural standards and argues that no grounds exist for cultural pessimism. Refusing to condemn popular culture on the basis of taste, he reserves critique for the socio-political ideologies aesthetics invariably serve. Art history, film, cultural studies, and philosophical aesthetics are each employed to show that the sensory/emotional lures of today's popular culture are mostly identical to those of premodern fine art. They include the violent, the horrific, the sentimental, the exotic, the erotic, and the humorous. Some of these pleasures derive from our evolutionary biology; they are all an important part of what it means to be human, and central to understanding contemporary society. Examples are wide-ranging, including British seaside postcards, Disney films, Nazi propaganda, burlesque, modern advertising, as well as many exemplars of fine art. The book reveals fresh insights for all those studying visual culture, art history, aesthetics, media studies, and media and art education.
| Author | : Tom Weaver |
| Publisher | : McFarland |
| Total Pages | : 900 |
| Release | : 2000 |
| Genre | : Performing Arts |
| ISBN | : 9780786407552 |
The people who directed, produced, and starred in the scary and fantastic movies of the genre heyday over thirty years ago created memorable experiences as well as memorable movies. This McFarland Classic brings together over fifty interviews with the directors, producers, actors, and make-up artists of science fiction and horror films of the 1940s, 1950s, and 1960s. From B movies to classics, Samuel Z. Arkoff to Acquanetta, these veteran vampire baits, swamp monsters, and flying saucers attackees share their memories. This classic volume represents the union of two previous volumes: Interviews with B Science Fiction and Horror Movie Makers ("more fun than the lovably cheap movies that inspired it"--Booklist/RBB); and Science Fiction Stars and Horror Heroes ("candid...a must" --ARBA). Together at last, this combined collection of interviews offers a candid and delightful perspective on the movies that still make audiences squeal with fear, and occasionally, howl with laughter.
