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| Author | : Emma Whipday |
| Publisher | : Cambridge University Press |
| Total Pages | : 275 |
| Release | : 2019-01-03 |
| Genre | : Drama |
| ISBN | : 1108474039 |
Reassess the relationship between Shakespeare's Hamlet, Othello, Macbeth, and the emerging genre of domestic tragedy by other early modern playwrights.
| Author | : Janette Dillon |
| Publisher | : Cambridge University Press |
| Total Pages | : 147 |
| Release | : 2007-03-08 |
| Genre | : Literary Criticism |
| ISBN | : 1139462431 |
Macbeth clutches an imaginary dagger; Hamlet holds up Yorick's skull; Lear enters with Cordelia in his arms. Do these memorable and iconic moments have anything to tell us about the definition of Shakespearean tragedy? Is it in fact helpful to talk about 'Shakespearean tragedy' as a concept, or are there only Shakespearean tragedies? What kind of figure is the tragic hero? Is there always such a figure? What makes some plays more tragic than others? Beginning with a discussion of tragedy before Shakespeare and considering Shakespeare's tragedies chronologically one by one, this 2007 book seeks to investigate such questions in a way that highlights both the distinctiveness and shared concerns of each play within the broad trajectory of Shakespeare's developing exploration of tragic form.
| Author | : Geraldo U. de Sousa |
| Publisher | : Routledge |
| Total Pages | : 217 |
| Release | : 2016-04-15 |
| Genre | : Literary Criticism |
| ISBN | : 1317177673 |
Bringing together methods, assumptions and approaches from a variety of disciplines, Geraldo U. de Sousa's innovative study explores the representation, perception, and function of the house, home, household, and family life in Shakespeare's great tragedies. Concentrating on King Lear, Hamlet, Othello, and Macbeth, de Sousa's examination of the home provides a fresh look at material that has been the topic of fierce debate. Through a combination of textual readings and a study of early modern housing conditions, accompanied by analyses that draw on anthropology, architecture, art history, the study of material culture, social history, theater history, phenomenology, and gender studies, this book demonstrates how Shakespeare explores the materiality of the early modern house and evokes domestic space to convey interiority, reflect on the habits of the mind, interrogate everyday life, and register elements of the tragic journey. Specific topics include the function of the disappearance of the castle in King Lear, the juxtaposition of home-centered life in Venice and nomadic, 'unhoused' wandering in Othello, and the use of special lighting effects to reflect this relationship, Hamlet's psyche in response to physical space, and the redistribution of domestic space in Macbeth. Images of the house, home, and household become visually and emotionally vibrant, and thus reflect, define, and support a powerful tragic narrative.
| Author | : Claire McEachern |
| Publisher | : Cambridge University Press |
| Total Pages | : 325 |
| Release | : 2013-08-08 |
| Genre | : Drama |
| ISBN | : 110701977X |
This updated Companion has been fully revised and includes an extensively overhauled bibliography and four new chapters by leading scholars.
| Author | : William Shakespeare |
| Publisher | : Simon and Schuster |
| Total Pages | : 1675 |
| Release | : 2020-04-14 |
| Genre | : Drama |
| ISBN | : 1645171868 |
Twelve of Shakespeare’s most profound and moving dramas in one elegant volume. William Shakespeare’s tragedies introduced the world to some of the most well-known characters in literature, including Romeo, Juliet, Macbeth, Hamlet, King Lear, and Othello. This handsome Word Cloud volume includes all twelve works from the First Folio that are commonly classified as tragedies—but the feelings that Shakespeare’s words can evoke range across the spectrum of human emotion.
| Author | : William Shakespeare |
| Publisher | : Bantam Classics |
| Total Pages | : 978 |
| Release | : 2009-08-26 |
| Genre | : Drama |
| ISBN | : 0307420604 |
Hamlet One of the most famous plays of all time, the compelling tragedy of the young prince of Denmark who must reconcile his longing for oblivion with his duty to avenge his father’s murder is one of Shakespeare’s greatest works. The ghost, Ophelia’s death and burial, the play within a play, and the breathtaking swordplay are just some of the elements that make Hamlet a masterpiece of the theater. Othello This great tragedy of unsurpassed intensity and emotion is played out against Renaissance splendor. The doomed marriage of Desdemona to the Moor Othello is the focus of a storm of tension, incited by the consummately evil villain Iago, that culminates in one of the most deeply moving scenes in theatrical history. King Lear Here is the famous and moving tragedy of a king who foolishly divides his kingdom between his two wicked daughters and estranges himself from the young daughter who loves him–a theatrical spectacle of outstanding proportions. Macbeth No dramatist has ever seen with more frightening clarity into the heart and mind of a murderer than has Shakespeare in this brilliant and bloody tragedy of evil. Taunted into asserting his “masculinity” by his ambitious wife, Macbeth chooses to embrace the Weird Sisters’ prophecy and kill his king–and thus, seals his own doom. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography
| Author | : Frederick William Sternfeld |
| Publisher | : Psychology Press |
| Total Pages | : 392 |
| Release | : 2005 |
| Genre | : Literary Criticism |
| ISBN | : 9780415353274 |
First published in 1963. When originally published this book was the first to treat at full length the contribution which music makes to Shakespeare's great tragedies, among them Hamlet, Othello, and King Lear. Here the playwright's practices are studied in conjunction with those of his contemporaries: Marlowe and Jonson, Marston and Chapman. From these comparative assessments there emerges the method that is peculiar to Shakespeare: the employment of song and instrumental music to a degree hitherto unknown, and their use as an integral part of the dramatic structure.
