At His Gates. Volume 3
Author | : Маргарет Олифант |
Publisher | : Litres |
Total Pages | : 223 |
Release | : 2022-05-15 |
Genre | : Fiction |
ISBN | : 5040544154 |
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Author | : Маргарет Олифант |
Publisher | : Litres |
Total Pages | : 223 |
Release | : 2022-05-15 |
Genre | : Fiction |
ISBN | : 5040544154 |
Author | : Sabaa Tahir |
Publisher | : Penguin |
Total Pages | : 482 |
Release | : 2018-06-12 |
Genre | : Young Adult Fiction |
ISBN | : 0448494523 |
BOOK THREE IN THE NEW YORK TIMES BESTSELLING SERIES "Thrilling and hard to put down, readers will absolutely devour Tahir's latest." --BuzzFeed An Entertainment Weekly Summer Reads pick! "The perfect summer read." --The Washington Post The highly anticipated third book in #1 New York Times bestselling author Sabaa Tahir's EMBER QUARTET. Beyond the Martial Empire and within it, the threat of war looms ever larger. Helene Aquilla, the Blood Shrike, is desperate to protect her sister's life and the lives of everyone in the Empire. But she knows that danger lurks on all sides: Emperor Marcus, haunted by his past, grows increasingly unstable and violent, while Keris Veturia, the ruthless Commandant, capitalizes on the Emperor's volatility to grow her own power--regardless of the carnage she leaves in her path. Far to the east, Laia of Serra knows the fate of the world lies not in the machinations of the Martial court, but in stopping the Nightbringer. But in the hunt to bring him down, Laia faces unexpected threats from those she hoped would help her, and is drawn into a battle she never thought she'd have to fight. And in the land between the living and the dead, Elias Veturius has given up his freedom to serve as Soul Catcher. But in doing so, he has vowed himself to an ancient power that demands his complete surrender--even if that means abandoning the woman he loves.
Author | : Margaret Oliphant |
Publisher | : TINSLEY BROTHERS |
Total Pages | : 98 |
Release | : 2015-03-09 |
Genre | : |
ISBN | : |
Example in this ebook CHAPTER I. The drawing-room within was very different from the wild conflict of light and darkness outside. There was music going on at one end, some people were reading, some talking. There were flirtations in hand, and grave discussions. In short, the evening was being spent as people are apt to spend the evening when there is nothing particular going on. There had been a good deal of private yawning and inspection of watches throughout the evening, and some of the party had already gone to bed, or rather to their rooms, where they could indulge in the happiness of fancying themselves somewhere else—an amusement which is very popular and general in a country house. But seated in an easy-chair by the fire was a tall man, carefully dressed, with diamond studs in his shirt, and a toilette which, though subdued in tone as a gentleman's evening dress must be, was yet too elaborate for the occasion. The fact that this new guest was a stranger to him, and that his father was seated by him in close conversation, made it at once apparent to Ned that it must be Golden. Clara was close to them listening with a look of eager interest to all they said. These three made a little detached group by one side of the fire. At the other corner sat Mrs Burton, with her little feet on a footstool, as near as possible to the fender. She had just said good-night to the dignified members of the party, the people who had to be considered; the others who remained were mere young people, about whose proceedings she did not concern herself. She was taking no part in the talk at the other side of the fire. She sat and warmed her little toes and pondered; her vivid little mind all astir and working, but uninfluenced by, and somewhat contemptuous of, what was going on around; and her chilly little person basking in the ruddy warmth of the fire. Ned came up and stood by her when he came in. No one took any notice of him, the few persons who remained in the room having other affairs in hand. Ned was fond of his mother, though she had never shown any fondness for him. She had done all for him which mere intellect could do. She had been very just to the boy all his life; when he got into scrapes, as boys will, she had not backed him up emotionally, it is true, but she had taken all the circumstances into account, and had not judged him harshly. She had been tolerant when his father was harsh. She had never lost her temper. He had always felt that he could appeal to her sense of justice—to her calm and impartial reason. This is not much like the confidence with which a boy generally throws himself upon his mother's sympathy, yet it was a great deal in Ned's case. And accordingly he loved his mother. Mrs Burton, too, loved him perhaps more than she loved any one. She was doing her best to break his heart; but that is not at all uncommon even when parents and children adore each other. And then Ned was not aware that his mother had any share intentionally or otherwise in the cruel treatment he had received. 'Who is that?' he asked under his breath. 'A Mr Golden, a friend of your father's,' said Mrs Burton, lifting her eyes and turning them calmly upon the person she named. There was no feeling in them of one kind or another, and yet Ned felt that she at least did not admire Mr Golden, and it was a comfort to him. He went forward to the fire, and placed himself, as an Englishman loves to do, in front of it. He stood there for ten minutes or so, paying no particular attention to the conversation on his right hand. His father, however, looked more animated than he had done for a long time, and Clara was bending forward with a faint rose-tint from the fire tinging the whiteness of her forehead and throat, and deeper roses glowing on her cheeks. Her blue eyes were following Mr Golden's movements as he spoke, her hair was shining like crisp gold in the light. To be continue in this ebook
Author | : Margaret Oliphant |
Publisher | : TINSLEY BROTHERS |
Total Pages | : 97 |
Release | : 2015-03-09 |
Genre | : |
ISBN | : |
Example in this ebook CHAPTER I.Helen had still another incident before her, however, ere she left St Mary's Road. It was late in the afternoon when she went back. To go back at all, to enter the dismantled place, and have that new dreary picture thrust into her mind instead of the old image of home, was painful enough, and Norah's cheeks were pale, and even to Helen the air and the movement conveyed a certain relief. They went into the quieter part of the park and walked for an hour or two saying little. Now and then poor Norah would be beguiled into a little monologue, to which her mother lent a half attention—but that was all. It was easier to be in motion than to keep still, and it was less miserable to look at the trees, the turf, the blue sky, than at the walls of a room which was full of associations of happiness. They did not get home until the carriages were beginning to roll into the park for the final round before dinner. And when they reached their own house, there stood a smart cabriolet before it, the horse held by a little tiger. Within the gate two gentlemen met them coming down the steps. One of them was a youth of eighteen or nineteen, who looked at Helen with a wondering awe-stricken glance. The other was—Mr Golden. Norah had closed the garden door heedlessly after her. They were thus shut in, the four together confronting each other, unable to escape. Helen could not believe her eyes. Her heart began to beat, her pale cheeks to flush, a kind of mist of excitement came before her vision. Mr Golden, too, was not without a certain perturbation. He had not expected to see any one. He took off his hat, and cleared his voice, and made an effort to seem at his ease. 'I had just called,' he said, 'to express—to inquire—I did not know things had been so far advanced. I would not intrude—for the world.' 'Oh!' cried Helen, facing him, standing between him and the door, 'how dare you come here?' 'Dare, Mrs Drummond? I—I don't understand——' 'You do understand,' she said, 'better—far better than any one else does. And how dare you come to look at your handiwork? A man may be what you are, and yet have a little shame. Oh, you robber of the dead! if I had been anything but a woman, you would not have ventured to look me in the face.' He did not venture to look her in the face then; he looked at his companion instead, opening his eyes, and nodding his head slightly, as if to imply that she was crazed. 'It is only a woman who can insult a man with impunity,' he said, 'but I hope I am able to make allowance for your excited feelings. It is natural for a lady to blame some one, I suppose. Rivers, let us go.' 'Not till I have spoken,' she cried in her excitement. 'This is but a boy, and he ought to know whom he is with. Oh, how is it that I cannot strike you down and trample upon you? If I were to call that policeman he would not take you, I suppose. You liar and thief! don't dare to answer me. What, at my own door; at the door of the man whose good name you have stolen, whom you have slandered in his grave—oh my God! who has not even a grave because you drove him mad!—' she cried, her eyes blazing, her cheeks glowing, all the silent beauty of her face growing splendid in her passion. The young man gazed at her as at an apparition, his lips falling apart, his face paling. He had never heard such a voice, never seen such an outburst of outraged human feeling before. To be continue in this ebook
Author | : Margaret Oliphant |
Publisher | : TINSLEY BROTHERS |
Total Pages | : 103 |
Release | : 2015-03-09 |
Genre | : |
ISBN | : |
Example in this ebook CHAPTER I. Mr and Mrs Robert Drummond lived in a pretty house in the Kensington district; a house, the very external aspect of which informed the passer-by who they were, or at least what the husband was. The house was embowered in its little garden; and in spring, with its lilacs and laburnums, looked like a great bouquet of bloom—as such houses often do. But built out from the house, and occupying a large slice of the garden at the side, was a long room, lighted with sky windows, and not by any means charming to look at outside, though the creepers, which had not long been planted, were beginning to climb upon the walls. It was connected with the house by a passage which acted as a conservatory, and was full of flowers; and everything had been done that could be done to render the new studio as beautiful in aspect as it was in meaning. But it was new, and had scarcely yet begun, as its proprietor said, to 'compose' with its surroundings. Robert Drummond, accordingly, was a painter, a painter producing, in the mean time, pictures of the class called genre; but intending to be historical, and to take to the highest school of art as soon as life and fame would permit. He was a very good painter; his subjects were truly 'felt' and exquisitely manipulated; but there was no energy of emotion, no originality of genius about them. A great many people admired them very much; other painters lingered over them lovingly, with that true professional admiration of 'good work' which counteracts the jealousy of trade in every honest mind. They were very saleable articles, indeed, and had procured a considerable amount of prosperity for the young painter. It was almost certain that he would be made an Associate at the next vacancy, and an Academician in time. But with all this, he was well aware that he was no genius, and so was his wife. The knowledge of this fact acted upon them in very different ways; but that its effect may be fully understood, the difference in their characters and training requires to be known. Robert Drummond had never been anything but a painter; attempts had been made in his youth to fix him to business, his father having been the senior clerk, much respected and utterly respectable, of a great City house; and the attempt might have been successful but that accident had thrown him among artists, a kind of society very captivating to a young man, especially when he has a certain command of a pencil. He threw himself into art, accordingly, with all his soul. He was the sort of man who would have thrown himself into anything with all his soul; not for success or reward, but out of an infinite satisfaction in doing good work, and seeing beautiful things grow under his hand. He was of a very sanguine mind, a mind which seldom accepted defeat, but which, with instinctive unconscious wisdom, hesitated to dare the highest flights, and to put itself in conflict with those final powers which either vanquish a man or assure his triumph. Perhaps it was because there was some hidden possibility of wild despair and downfall in the man's mind, of which only himself was aware, that he was thus cautious of putting his final fortune to the touch. But the fact was that he painted his pictures contentedly, conscientiously, doing everything well, and satisfied with the perfection of his work as work, though he was not unaware of the absence from it of any spark of divinity. He did not say it in so many words, but the sentiment of his mind was this:—'It is good work, work no man need be ashamed of. I am not a Raphael, alas! and I cannot help it. What is the good of being unhappy about a thing I cannot mend? I am doing my best; it is honest work, which I know I don't slight or do carelessly; and I can give her everything she wants except that. To be continue in this ebook
Author | : C. S. Lakin |
Publisher | : Gates of Heaven |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Juvenile Fiction |
ISBN | : 9780899578910 |
Twelve-year-old Jadiel is forced by her evil stepmother to fetch the rejuvenating leaves from the Eternal Tree by next full moon or her father will be killed. On her journey, she encounters Callen, her uncle's apprentice, a young man looking for a mysterious bridge. Together they chase after confusing clues, which lead them into danger and ultimately the treacherous Land of Darkness. In the end, they find more than they are looking for. The Land of Darkness is a fairy tale rich in biblical allegory and points to the bridge that links the mortal with the immortal life--one that can be seen only with eyes of faith.
Author | : Holly Lisle |
Publisher | : Harper Collins |
Total Pages | : 511 |
Release | : 2009-10-13 |
Genre | : Fiction |
ISBN | : 0061835706 |
There are doors into other worlds -- and those who cross over are changed forever ... Two women have discovered the way into a new reality -- one so close to Earth that events there have shattering repercussions here. On Oria -- a wondrous paradise and nightmare both -- Molly McColl has powers she never imagined ... and a destiny that threatens her life, her love, and her soul. While Lauren Dane must use an extraordinary, newfound magic to protect her young son -- and to join with her sister on a quest that will shake the foundations of Heaven itself. For a serpentine evil now threatens the worldchain -- a soulless, immortal enemy who feeds on the death of worlds, and who is now turning its hungry, malevolent gaze on Oria ... and Earth.
Author | : David Epstein |
Publisher | : Penguin |
Total Pages | : 369 |
Release | : 2021-04-27 |
Genre | : Psychology |
ISBN | : 0735214506 |
The #1 New York Times bestseller that has all America talking—with a new afterword on expanding your range—as seen on CNN's Fareed Zakaria GPS, Morning Joe, CBS This Morning, and more. “The most important business—and parenting—book of the year.” —Forbes “Urgent and important. . . an essential read for bosses, parents, coaches, and anyone who cares about improving performance.” —Daniel H. Pink Shortlisted for the Financial Times/McKinsey Business Book of the Year Award Plenty of experts argue that anyone who wants to develop a skill, play an instrument, or lead their field should start early, focus intensely, and rack up as many hours of deliberate practice as possible. If you dabble or delay, you’ll never catch up to the people who got a head start. But a closer look at research on the world’s top performers, from professional athletes to Nobel laureates, shows that early specialization is the exception, not the rule. David Epstein examined the world’s most successful athletes, artists, musicians, inventors, forecasters and scientists. He discovered that in most fields—especially those that are complex and unpredictable—generalists, not specialists, are primed to excel. Generalists often find their path late, and they juggle many interests rather than focusing on one. They’re also more creative, more agile, and able to make connections their more specialized peers can’t see. Provocative, rigorous, and engrossing, Range makes a compelling case for actively cultivating inefficiency. Failing a test is the best way to learn. Frequent quitters end up with the most fulfilling careers. The most impactful inventors cross domains rather than deepening their knowledge in a single area. As experts silo themselves further while computers master more of the skills once reserved for highly focused humans, people who think broadly and embrace diverse experiences and perspectives will increasingly thrive.
Author | : Bill Gates |
Publisher | : Penguin Group |
Total Pages | : 356 |
Release | : 1996 |
Genre | : Business & Economics |
ISBN | : |
In this clear-eyed, candid, and ultimately reassuring
Author | : Jill Lepore |
Publisher | : W. W. Norton & Company |
Total Pages | : 733 |
Release | : 2018-09-18 |
Genre | : History |
ISBN | : 0393635252 |
“Nothing short of a masterpiece.” —NPR Books A New York Times Bestseller and a Washington Post Notable Book of the Year In the most ambitious one-volume American history in decades, award-winning historian Jill Lepore offers a magisterial account of the origins and rise of a divided nation. Widely hailed for its “sweeping, sobering account of the American past” (New York Times Book Review), Jill Lepore’s one-volume history of America places truth itself—a devotion to facts, proof, and evidence—at the center of the nation’s history. The American experiment rests on three ideas—“these truths,” Jefferson called them—political equality, natural rights, and the sovereignty of the people. But has the nation, and democracy itself, delivered on that promise? These Truths tells this uniquely American story, beginning in 1492, asking whether the course of events over more than five centuries has proven the nation’s truths, or belied them. To answer that question, Lepore wrestles with the state of American politics, the legacy of slavery, the persistence of inequality, and the nature of technological change. “A nation born in contradiction… will fight, forever, over the meaning of its history,” Lepore writes, but engaging in that struggle by studying the past is part of the work of citizenship. With These Truths, Lepore has produced a book that will shape our view of American history for decades to come.