Ascendancy and Tradition in Anglo-Irish Literary History from 1789 to 1939

Ascendancy and Tradition in Anglo-Irish Literary History from 1789 to 1939
Author: W. J. McCormack
Publisher: Oxford [Oxfordshire] : Clarendon Press ; New York : Oxford University Press
Total Pages: 444
Release: 1985
Genre: Literary Criticism
ISBN:

Ireland's footing within the United Kingdom in the period between Edmund Burke's last years and the generation of Yeats and Joyce, was unique and anomalous: in social terms this was evident in the prestige of the Protestant Ascendancy; and in literary terms in the values accorded to the notion of tradition. This study uncovers the bourgeois origins of Ascendancy ideology in the alarm of the 1790s, and traces its cultural significance by means of a series ofdetailed critiques of central texts and concepts.

Yeats's Political Identities

Yeats's Political Identities
Author: Jonathan Allison
Publisher: University of Michigan Press
Total Pages: 372
Release: 1996
Genre: Literary Criticism
ISBN: 9780472104451

Collects some of the most trenchant essays of the last three decades on Yeats's politics

A Cultural History of the Irish Novel, 1790–1829

A Cultural History of the Irish Novel, 1790–1829
Author: Claire Connolly
Publisher: Cambridge University Press
Total Pages: 289
Release: 2011-11-17
Genre: Literary Criticism
ISBN: 1139503227

Claire Connolly offers a cultural history of the Irish novel in the period between the radical decade of the 1790s and the gaining of Catholic Emancipation in 1829. These decades saw the emergence of a group of talented Irish writers who developed and advanced such innovative forms as the national tale and the historical novel: fictions that took Ireland as their topic and setting and which often imagined its history via domestic plots that addressed wider issues of dispossession and inheritance. Their openness to contemporary politics, as well as to recent historiography, antiquarian scholarship, poetry, song, plays and memoirs, produced a series of notable fictions; marked most of all by their ability to fashion from these resources a new vocabulary of cultural identity. This book extends and enriches the current understanding of Irish Romanticism, blending sympathetic textual analysis of the fiction with careful historical contextualization.

Irishness and Womanhood in Nineteenth-Century British Writing

Irishness and Womanhood in Nineteenth-Century British Writing
Author: Thomas Tracy
Publisher: Routledge
Total Pages: 205
Release: 2017-11-30
Genre: Literary Criticism
ISBN: 1351155261

In The Wild Irish Girl, the powerful Irish heroine's marriage to a heroic Englishman symbolizes the Anglo-Irish novelist Lady Morgan's re-imagining of the relationship between Ireland and Britain and between men and women. Using this most influential of pro-union novels as his point of departure, the author argues that nineteenth-century debates over what constitutes British national identity often revolved around representations of Irishness, especially Irish womanhood. He maps out the genealogy of this development, from Edgeworth's Castle Rackrent through Trollope's Irish novels, focusing on the pivotal period from 1806 through the 1870s. The author's model enables him to elaborate the ways in which gender ideals are specifically contested in fiction, the discourses of political debate and social reform, and the popular press, for the purpose of defining not only the place of the Irish in the union with Great Britain, but the nature of Britishness itself.

Allegories of Union in Irish and English Writing, 1790–1870

Allegories of Union in Irish and English Writing, 1790–1870
Author: Mary Jean Corbett
Publisher: Cambridge University Press
Total Pages: 242
Release: 2000-09-14
Genre: Literary Criticism
ISBN: 1139431595

In this book, Mary Jean Corbett explores fictional and non-fictional representations of Ireland's relationship with England throughout the nineteenth century. Through postcolonial and feminist theory, she considers how cross-cultural contact is negotiated through tropes of marriage and family, and demonstrates how familial rhetoric sometimes works to sustain, sometimes to contest the structures of colonial inequality. Analyzing novels by Edgeworth, Owenson, Gaskell, Kingsley, and Trollope, as well as writings by Burke, Carlyle, Engels, Arnold, and Mill, Corbett argues that the colonizing imperative for 'reforming' the Irish in an age of imperial expansion constitutes a largely unrecognized but crucial element in the rhetorical project of English nation-formation. By situating her readings within the varying historical and rhetorical contexts that shape them, she revises the critical orthodoxies surrounding colonial discourse that currently prevail in Irish and English studies, and offers a fresh perspective on important aspects of Victorian culture.

Folklore and the Fantastic in Nineteenth-Century British Fiction

Folklore and the Fantastic in Nineteenth-Century British Fiction
Author: Jason Marc Harris
Publisher: Routledge
Total Pages: 248
Release: 2016-04-15
Genre: Literary Criticism
ISBN: 1317134656

Jason Marc Harris's ambitious book argues that the tensions between folk metaphysics and Enlightenment values produce the literary fantastic. Demonstrating that a negotiation with folklore was central to the canon of British literature, he explicates the complicated rhetoric associated with folkloric fiction. His analysis includes a wide range of writers, including James Barrie, William Carleton, Charles Dickens, George Eliot, Sheridan Le Fanu, Neil Gunn, George MacDonald, William Sharp, Robert Louis Stevenson, and James Hogg. These authors, Harris suggests, used folklore to articulate profound cultural ambivalence towards issues of class, domesticity, education, gender, imperialism, nationalism, race, politics, religion, and metaphysics. Harris's analysis of the function of folk metaphysics in nineteenth- and early twentieth-century narratives reveals the ideological agendas of the appropriation of folklore and the artistic potential of superstition in both folkloric and literary contexts of the supernatural.

Irish Anglican Literature and Drama

Irish Anglican Literature and Drama
Author: David Clare
Publisher: Springer Nature
Total Pages: 153
Release: 2021-05-19
Genre: Performing Arts
ISBN: 3030683532

This book discusses key works by important writers from Church of Ireland backgrounds (from Farquhar and Swift to Beckett and Bardwell), in order to demonstrate that writers from this Irish subculture have a unique socio-political viewpoint which is imperfectly understood. The Anglican Ascendancy was historically referred to as a “middle nation” between Ireland and Britain, and this book is an examination of the various ways in which Irish Anglican writers have signalled their Irish/British hybridity. “British” elements in their work are pointed out, but so are manifestations of their proud Irishness and what Elizabeth Bowen called her community’s “subtle ... anti-Englishness.” Crucially, this book discusses several writers often excluded from the “truly” Irish canon, including (among others) Laurence Sterne, Elizabeth Griffith, and C.S. Lewis.

A New History of Ireland Volume VII

A New History of Ireland Volume VII
Author: J. R. Hill
Publisher: OUP Oxford
Total Pages: 1142
Release: 2003-12-04
Genre: History
ISBN: 0191543462

A New History of Ireland is the largest scholarly project in modern Irish history. In 9 volumes, it provides a comprehensive new synthesis of modern scholarship on every aspect of Irish history and prehistory, from the earliest geological and archaeological evidence, through the Middle Ages, down to the present day. Volume VII covers a period of major significance in Ireland's history. It outlines the division of Ireland and the eventual establishment of the Irish Republic. It provides comprehensive coverage of political developments, north and south, as well as offering chapters on the economy, literature in English and Irish, the Irish language, the visual arts, emigration and immigration, and the history of women. The contributors to this volume, all specialists in their field, provide the most comprehensive treatment of these developments of any single-volume survey of twentieth-century Ireland.

English Romanticism and the Celtic World

English Romanticism and the Celtic World
Author: Gerard Carruthers
Publisher: Cambridge University Press
Total Pages: 279
Release: 2003-05-15
Genre: Literary Criticism
ISBN: 1139435949

English Romanticism and the Celtic World explores the way in which British Romantic writers responded to the national and cultural identities of the 'four nations' England, Ireland, Scotland and Wales. The essays collected here, by specialists in the field, interrogate the cultural centres as well as the peripheries of Romanticism, and the interactions between these. They underline 'Celticism' as an emergent strand of cultural ethnicity during the eighteenth century, examining the constructions of Celticness and Britishness in the Romantic period, including the ways in which the 'Celtic' countries viewed themselves in the light of Romanticism. Other topics include the development of Welsh antiquarianism, the Ossian controversy, Irish nationalism, Celtic landscapes, Romantic form and Orientalism. The collection covers writing by Blake, Wordsworth, Scott, Byron and Shelley, and will be of interest to scholars of Romanticism and Celtic studies.

Literary Representations of the Irish Country House

Literary Representations of the Irish Country House
Author: M. Kelsall
Publisher: Springer
Total Pages: 222
Release: 2002-12-10
Genre: Literary Criticism
ISBN: 140399045X

This innovative new study examines the significance given to the country house in Ireland under the Union and how this is represented in the works of Edgeworth, Lever, Trollope, Martin and Somerville, Bowen and Lady Gregory. The Irish country house is set in a classical and European context as the centre for 'the good life' and the pinnacle of 'civilisation'. In Ireland, that inherited tradition was challenged by an alternative culture nominated as 'savage'. This book explores how the Irish country house was the focus of conflict between and symbiosis of 'civilisation' and 'savagery'.